Mariquita Sánchez

Mariquita Sánchez de Thompson Y de Mendeville, also known simply as Mariquita Sánchez de Thompson (1 November 1786 – Buenos Aires, 23 October 1868), was a patriot from Buenos Aires and one of its leading salonnières, whose tertulias gathered many of the leading personalities of her time. She is widely remembered in the Argentine historical tradition because the Argentine National Anthem was sung for the first time in her home, on May 14, 1813.[2][3]

In this Argentine name, the surname is Sánchez de Velasco y Trillo and the marital name is Thompson y Mendeville.
Mariquita Sánchez de Thompson
Born
María Josepha Petrona de Todos los Santos Sánchez de Velasco y Trillo

(1786-11-01)November 1, 1786
Buenos Aires, Viceroyalty of the Río de la Plata
DiedOctober 23, 1868(1868-10-23) (aged 81)
Buenos Aires, Argentina
NationalityArgentine
Other namesMaría de Todos los Santos
OccupationSocialite, politician, chronicler[1]
Known forPolitical activism
Spouse(s)Martín Thompson (m. 1805-1819)
Washington de Mendeville (m. 1819/1820, separated 1835)
ChildrenCatalina Thompson

Clementina Thompson
Albina Thompson
Magdalena Thompson
Juan Thompson
Julio Mendeville
Carlos Mendeville

Enrique Mendeville
Parent(s)Cecilio Sánchez
Magdalena Trillo

One of the first politically outspoken Argentine women, Mariquita Sánchez de Thompson has been considered the most active female figure in the revolutionary process.[2][4][5][6]

She married her cousin, Martín Thompson, in 1805. She authored a first-hand account and description of the failed British invasions of Buenos Aires which illustrated the ambivalence felt by the locals regarding the invasions.[2][7][8]

She became a widow in 1817, and remarried in 1819/1820, to the French expatriate Washington de Mendeville. During the rule of Juan Manuel de Rosas, she lived in exile in Montevideo, taking periodic trips to Rio de Janeiro before ultimately returning to Buenos Aires after the Battle of Caseros.[2][9]

Life

Early life

Mariquita Sánchez de Thompson was born on November 1, 1786 in Buenos Aires to Cecilio Sánchez de Velasco and Magdalena Trillo. Her family was part of the Spanish colonial elite of Buenos Aires and held influential political connections. Because of her family’s background, she had a privileged childhood. Sánchez’s parents desired for her to marry Diego del Arco, and opposed her relationship with Martín Thompson.[2][10][11]

c. 1800-1819/1820

At 14 years old, Sánchez expressed her desire to marry 23-year-old Martín Jacobo de Thompson, her second cousin on her mother’s side.[12] Thompson was a sailor and officer in the Spanish Royal Navy, educated in Europe, and held strong pro-independence ideas.[2] After Sánchez and Thompson’s engagement in the winter of 1801, Sánchez’s parents banished Thompson from the house, pushing her to marry the much older Diego del Arco from Spain instead.[12] Her father used his political connections within the royal navy to transfer Thompson to Spain and send Sánchez to the Casa de Ejercicios, “a place of physical seclusion and spiritual meditation frequently used by parents to punish and persuade their wayward daughters.”[13] When her father died in 1802, her mother continued to oppose her marriage to Thompson.[14] However, once Thompson returned from Spain, Sánchez and Thompson took Sánchez’s mother to court on July 7, 1804.[14] Sánchez successfully appealed to Viceroy Sobremonte in an 1804 letter, arguing against the predominant custom of marriages being arranged by families without the consultation of the women involved.[2] Permission to marry Thompson against her family’s wishes was granted on 20 July 1804,[15] and they wed on either June 27 or July 29 in 1805.[2]

During her marriage to Thompson, Sánchez had a daughter and four sons.[2][16] She also further established herself as a socialite and a writer.[17] Her name also appeared in La Gaceta on August 9, 1810, with the quote mentioning her reading, “Martín Thompson, capitán de este puerto, ha oblado seis onzas de oro, tres por sí y las tres restantes por su esposa, doña María de los Santos Sánchez.”[2] She contributed to the Argentinian independence cause, in 1810, by donating 3 ounces of gold (equivalent to approximately 4800 American dollars in early April 2020),[18] and in 1812, by sewing uniforms for the “patriot army.”[2] She established a salon in Buenos Aires, through “which a network of exiles and Porteños met.”[14] Sánchez hosted tertulias, social gatherings similar to salons, that were some of the most renowned in all the Viceroyalty, and which were attended by many aristocrats and officials of the time.[14] After the revolution, the house of Sánchez and Thompson became a center for artistic meetings.[2][19] At her tertulias, her guests danced, played cards, listened to music, discussed business, books, religion, and politics.[14] Thompson was a political official as well, going on an 1817 journey to the United States in order to “consult emancipation,”[2] but he died on the return journey in 1819.[2][19] After Thompson’s death, Sánchez became a widow with five children.[14]

c. 1819/1820-1868

In 1819/1820 Mariquita married Jean-Baptiste Washington de Mendeville, a French aristocrat and part of the French consul in Buenos Aires.[14] Their marriage has been described as an unhappy one.[2] Sánchez began to be in favor of divorce beginning in the 1830s.[14] However, Sánchez and Mendeville’s union proceeded until Mendeville was sent back to France in 1835.[14] After marrying Mendeville, she continued to host tertulias in her house, continuing her home’s status as a center for “music, plastic arts, and welfare work as well as politics.”[14] In 1823, she worked with President Rivadavia and founded the “Sociedad de Beneficencia” the first philanthropic institution run by Buenos Aires women to protect and educate women, which allowed them to participate in public life.[2][19] During the dictatorship of Juan Manuel de Rosas, the Sociedad de Beneficencia was dismantled and Sánchez went into exile in Montevideo, during which she wrote a significant portion of her letters and recorded works.[20][2][21] In 1846, Sánchez went to Rio de Janeiro, and when she returned to Montevideo she wanted to go to Europe, but she ultimately decided to settle down. She died in Buenos Aires on October 23, 1868.[2]

Works and Themes

Most well-known for her letters written to family while in exile, Sánchez was described as a human typewriter that wrote intensely and passionately.[22] Her writing has been characterized as masterful, as a result of her well-educated childhood, with her works being widely received as having a “civilized and enlightened spirit.”[14] Her writings included personal letters, poems, memos, a diary and an account on life in colonial Buenos Aires.[23][21] Sánchez’s works carried prominent themes of feminism, exploring it from the aspects of equality, education, and female sexual conduct’s influence on politics.[24] Her compositions also explore ideas of nationality and citizenship, given her background with husbands from European countries and life in a colonial nation.[25] Her Diary from Montevideo was written in 1839-1840, transmitting and analyzing political data.[2] Sánchez’s letters written from 1804-1868 and her Diary from Montevideo were finally published in 1952.[14]

Legacy/Significance

Referred to by Szurmuk as “the most important female figure of Argentinean early republican life,”[26] Mariquita Sánchez has been remembered largely for her political activism and advocacy for women, including her involvement with the Sociedad de Beneficencia.[27][2][28] Sánchez is also reputedly known for having been the first person to sing the Argentinian national anthem—which was said to have been sung for the first time at her house May 14, 1813—a claim that even appears in elementary school textbooks.[2][29] She is also remembered for her writings and her tertulias.[2][30][31] This was not only because of the political work which she undertook through them, but also because of the extensive list of prominent individuals she was connected with through them.[2][32] Sánchez has even been described as a “symbol of the nation”[29] in many ways.[33][2][30]

Discrepancies in Sánchez’s History

The nature of Sánchez’s relationship with Mendeville is called into question, as some accounts have her married and pregnant with his child in 1819, the same year that her previous husband Thompson died. Additionally, a fortune was left to her as a result of Thompson’s death, which has been used to suggest Mendeville to be a fortune-seeker. Although Sánchez lived in exile in Montevideo, there is evidence of her returning to Buenos Aires multiple times. There is also record that she resided in Buenos Aires from 1847-1851, raising uncertainty about the nature of her exile. As dictator, Rosas put many restrictions on the travel of his political opponents, denying them passage to other countries. There are no records of these restrictions being placed on Sánchez, which implies the possibility that her political role at the time was inflated.[34]

Tribute

On November 1, 2014, Google celebrated her 228th birthday with a Google Doodle.[35]

References
  1. Soledad Vallejos (July 16, 2004). "Recuperando a Mariquita". Perfil. Retrieved February 10, 2013.
  2. “Mariquita Sánchez de Thompson Y de Mendeville,” in Heroines and Heroes in Latin American Independence, Based at the University of Nottingham, Accessed March 2020, https://www.nottingham.ac.uk/genderlatam/database/wp/.
  3. Mónica Szurmuk, “A House, a Home, a Nation: Mariquita Sánchez’s Recuerdos del Buenos Ayres Virreynal,” in Women in Argentina : Early Travel Narratives, Gainesville: University Press of Florida, 2000, 17, 19-23, 25-27, 29.
  4. Jeffery M. Shumway, The Case of the Ugly Suitor and Other Histories of Love, Gender, and Nation in Buenos Aires, 1776-1870, Lincoln: University of Nebraska Press, 2005, 68-72.
  5. Soledad Vallejos (July 16, 2004). "Recuperando a Mariquita". Perfil. Retrieved February 10, 2013.
  6. Szurmuk, “A House, a Home, a Nation: Mariquita Sánchez’s Recuerdos del Buenos Ayres Virreynal,” 17-25.
  7. Shumway, The Case of the Ugly Suitor, 1776-1870, 13, 68-72.
  8. Szurmuk, “A House, a Home, a Nation: Mariquita Sánchez’s Recuerdos del Buenos Ayres Virreynal,” 25-26, 32-38.
  9. Szurmuk, “A House, a Home, a Nation: Mariquita Sánchez’s Recuerdos del Buenos Ayres Virreynal,” 19, 25.
  10. Shumway, The Case of the Ugly Suitor, 1776-1870, 68-72.
  11. Szurmuk, “A House, a Home, a Nation: Mariquita Sánchez’s Recuerdos del Buenos Ayres Virreynal,” 23-25.
  12. Shumway, The Case of the Ugly Suitor, 68.
  13. Shumway, The Case of the Ugly Suitor, 71-72.
  14. Ibid.
  15. Shumway, The Case of the Ugly Suitor, 72.
  16. Szurmuk, “A House, a Home, a Nation: Mariquita Sánchez’s Recuerdos del Buenos Ayres Virreynal,” 18-19, 25.
  17. Szurmuk, “A House, a Home, a Nation: Mariquita Sánchez’s Recuerdos del Buenos Ayres Virreynal,” 17.
  18. “Gold Spot Prices & Charts,” JM Bullion, April 3, 2020, https://www.jmbullion.com/charts/gold-price/, Accessed 3 April 2020.
  19. Szurmuk, “A House, a Home, a Nation: Mariquita Sánchez’s Recuerdos del Buenos Ayres Virreynal,” 25.
  20. Szurmuk, “A House, a Home, a Nation: Mariquita Sánchez’s Recuerdos del Buenos Ayres Virreynal,” 18-29.
  21. Shumway, The Case of the Ugly Suitor, 123.
  22. Graciela Batticuore, 2012, “Mariquita Sánchez : Bajo El Signo de La Revolución. Buenos Aires: Edhasa, 2011,” January, https://search-ebscohost-com.proxysm.researchport.umd.edu/login.aspx?direct=true&db=edsair&AN=edsair.od......3056..4a13c6d92 533ecd482dfe95bb656b896&site=eds-live.
  23. Szurmuk, “A House, a Home, a Nation: Mariquita Sánchez’s Recuerdos del Buenos Ayres Virreynal,” 29.
  24. Szurmuk, “A House, a Home, a Nation: Mariquita Sánchez’s Recuerdos del Buenos Ayres Virreynal,” 28.
  25. Szurmuk, “A House, a Home, a Nation: Mariquita Sánchez’s Recuerdos del Buenos Ayres Virreynal,” 26-27.
  26. Szurmuk, “A House, a Home, a Nation: Mariquita Sánchez’s Recuerdos del Buenos Ayres Virreynal,” 19.
  27. Szurmuk, “A House, a Home, a Nation: Mariquita Sánchez’s Recuerdos del Buenos Ayres Virreynal,” 19-38.
  28. Shumway, The Case of the Ugly Suitor, 1776-1870, 123.
  29. Szurmuk, “A House, a Home, a Nation: Mariquita Sánchez’s Recuerdos del Buenos Ayres Virreynal,” 24.
  30. Szurmuk, “A House, a Home, a Nation: Mariquita Sánchez’s Recuerdos del Buenos Ayres Virreynal,” 17-38.
  31. Shumway, The Case of the Ugly Suitor, 1776-1870, 13.
  32. Szurmuk, “A House, a Home, a Nation: Mariquita Sánchez’s Recuerdos del Buenos Ayres Virreynal,” 20-26
  33. Shumway, The Case of the Ugly Suitor, 68-72.
  34. Sánchez, “Mariquita Sánchez: ¿Madre de la Patria o feminista patriótica?,” 35.
  35. "Mariquita Sanchez de Thompson's 228th Birthday". Google. 1 November 2014.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.