Marie Tussaud

Anna Maria "Marie" Tussaud (French: [tyso]; née Grosholtz; 1 December 1761 – 16 April 1850) was a French artist known for her wax sculptures and Madame Tussauds, the wax museum she founded in London.

Marie Tussaud
Madame Tussaud "at the age of 42, when she left France for England". Portrait study (1921) by John Theodore Tussaud.
Born
Anna Maria Grosholtz

1 December 1761
Strasbourg, France
Died16 April 1850 (aged 88)
London, England
NationalityFrench
Known forWax modelling
Notable work
Madame Tussauds
Spouse(s)
François Tussaud
​
(m. 1795)​
Children3

Biography
Madame Tussaud, after a drawing attributed to Francis Tussaud

Marie Tussaud was born 1 December 1761 in Strasbourg, France.[1] Her father, Joseph Grosholtz, was killed in the Seven Years' War just two months before Marie was born. When she was six years old, her mother, Anne-Marie Walder,[2] took her to Bern, in Switzerland. There the family moved into the home of local doctor Philippe Curtius (1741–1794), for whom Anne-Marie acted as housekeeper.[3]

Curtius, whom Marie would call her uncle, was skilled in wax modeling. He initially used this talent to illustrate anatomy, but he later used it for portraits. He moved to Paris in 1765 to establish a Cabinet de Portraits En Cire (Wax portraiture firm).[2] In that year, he made a waxwork of Louis XV's last mistress, Madame du Barry, a casting that is the oldest waxwork currently on display. A year later, Tussaud and her mother joined Curtius in Paris. The first exhibition of Curtius' waxworks was shown in 1770 and attracted a large crowd. In 1776, the exhibition was moved to the Palais Royal and, in 1782, Curtius opened a second exhibit, the Caverne des Grands Voleurs (Cavern of the Grand Thieves), a precursor to Tussaud's Chamber of Horrors, on Boulevard du Temple.[4]

Curtius taught Tussaud the art of wax modelling. She showed talent for the technique and began working for him as an artist. In 1777, she created her first wax figure, that of Voltaire.[5] From 1780 until the Revolution in 1789, Tussaud created many of her most famous portraits of celebrities such as those of philosopher Jean-Jacques Rousseau, Benjamin Franklin and Voltaire.[6] During this period her memoirs claim she became employed to teach votive making to Élisabeth, the sister of Louis XVI. In her memoirs, she admitted to be privy to private conversations between the princess and her brother and members of his court. She also claimed that members of the royal family were so pleased with her work that she was invited to live at Versailles for a period of nine years,[7] although no contemporary evidence exists to confirm her accounts.[8]

French Revolution
Poster for Tussaud wax figure exhibition in London, 1835

On 12 July 1789, wax heads of Jacques Necker and the duc d'Orléans made by Curtius were carried in a protest march two days before the attack on the Bastille.[6]

Tussaud was perceived as a royal sympathiser;[8] in the Reign of Terror she was arrested, along with Joséphine de Beauharnais, and her head was shaved in preparation for her execution by guillotine. She said she was released thanks to Collot d'Herbois' support for Curtius and his household.[2] Tussaud said she was then employed to make death masks and whole body casts of the revolution's famous victims, including Louis XVI, Marie Antoinette, Marat,[6] and Robespierre.[8]

When Curtius died in 1794, he left his collection of wax works to Tussaud. In 1795, she married François Tussaud, a civil engineer. The couple had three children: a daughter who died after birth and two sons, Joseph and François.[7]

Great Britain

In 1802, after the Treaty of Amiens, Tussaud went to London with her son Joseph, then four years old, to present her collection of portraits. She had accepted an invitation from Paul Philidor, a magic lantern and phantasmagoria pioneer, to exhibit her work alongside his show at the Lyceum Theatre. She did not fare particularly well financially, and left for Edinburgh in 1803.[9]

As a result of the Napoleonic Wars, Tussaud was unable to return to France so she travelled with her collection throughout the British Isles. In 1822, she reunited with her other son, François, who joined her in the family business. Her husband remained in France and the two never saw each other again.[8] In November, 1825 her touring exhibition was in the Wisbech Georgian theatre (now the Angles Theatre), having already been at Yarmouth, Norwich, King's Lynn and Bury St Edmunds. Entrance was 1s.[10] In 1835, after 33 years touring Britain, she established her first permanent exhibition in Baker Street, on the upper floor of the "Baker Street Bazaar".[11] In 1838, she wrote her memoirs. In 1842, she made a self-portrait which is now on display at the entrance of her museum. Some of the sculptures done by Tussaud herself still exist.

She died in her sleep in London on 16 April 1850 at the age of 88. There is a memorial tablet to Madame Marie Tussaud on the right side of the nave of St. Mary's Roman Catholic Church, Cadogan Street, London.[12]

Legacy

Upon Marie Tussaud's retirement, her son François (or Francis) became chief artist for the Exhibition. He was succeeded in turn by his son Joseph, who was succeeded by his son John Theodore Tussaud.[13]

Madame Tussaud's wax museum has now grown to become one of the major tourist attractions in London, and has expanded with branches in Amsterdam, Istanbul, Beijing, Bangkok, Berlin, Blackpool, Sydney, Hong Kong, Las Vegas, San Francisco, San Antonio, Shanghai, Washington, D.C., New York City, Orlando, Hollywood, Singapore, Tokyo, Vienna and recently New Delhi. As of 2019, the newest museum is in Prague. The current owner is Merlin Entertainments,[5] a company owned by Blackstone Group.

She is one of the main characters in the book Faces of the Dead by Suzanne Weyn. Edward Carey's 2018 novel Little is a novelization of her work and life.

References
  1. "Marie Tussaud". Encyclopædia Britannica. Accessed 19 August 2016.
  2. Concannon, Undine. "Tussaud, Anna Maria (bap. 1761, d. 1850)". Oxford Dictionary of National Biography (2004 ed.). Oxford University Press. doi:10.1093/ref:odnb/27897.
  3. Pilbeam 2006, p. 17.
  4. Lilti, Antoine (16 June 2017). The Invention of Celebrity. Wiley. p. 96. ISBN 9781509508778. Retrieved 30 November 2017.
  5. Du Plessis, Amelia. "England – Madame Tussauds". Informational site about England. Archived from the original on 13 December 2011. Retrieved 12 July 2011.
  6. Carey, Edward (4 October 2018). "Madame Tussaud: the astounding tale of survival behind the woman who made history". the Guardian. Retrieved 4 October 2018.
  7. Graphico. "Madame Tussauds" (PDF). www.madametussauds.com. Archived from the original (PDF) on 10 April 2016. Retrieved 28 March 2016.
  8. "Marie Tussaud Facts, information, pictures | Encyclopedia.com articles about Marie Tussaud". www.encyclopedia.com. Retrieved 28 March 2016.
  9. McEvoy, Emma (26 January 2016). Gothic Tourism. Palgrave Macmillan UK. p. 53. ISBN 9781137391292. Retrieved 30 November 2017.
  10. "Madame Tussaud's". Cambridge Chronicle. 11 November 1825.
  11. Pilbeam 2006, pp. 102–106.
  12. Wilson, Scott (16 September 2016). Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed. McFarland. p. 762. ISBN 9781476625997. Retrieved 30 November 2017.
  13. Chisholm, Hugh, ed. (1911). "Tussaud, Marie" . Encyclopædia Britannica (11th ed.). Cambridge University Press.

Further reading

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