Mari Katayama

Mari Katayama (Japanese: 片山 真理, Hepburn: Katayama Mari, born 1987) is a Japanese multimedia artist known for her sculpture and photography work.[2] Her work focuses on themes such as body image, identity, and her experience as an amputee.[2]

Mari Katayama
片山真理
Born1987 (age 33–34)
Saitama
NationalityJapanese
Alma materTokyo University of the Arts[1]
Known forSculpture, body art, photography
Websiteshell-kashime.com

Early life

Katayama was born in Saitama Prefecture, Japan. She later moved to Gunma Prefecture, where she grew up. She was born with tibial hemimelia, which caused her to have club feet and a cleft left hand.[2] As a result, she learned to sew at an early age to make clothes that accommodated her leg braces. At the age of 9, she opted to have her legs amputated and learned to walk with prosthetic legs.[2][3]

Career

Early career

Katayama began styling photographs of herself with her sculptures and posting them online on her Myspace page in high school.[4] When starting out, she had her younger sister take photos of her.[5]

As a teenager, she was inspired to begin drawing on her prosthetics[6] after modeling in a show for fashion designer Tatsuya Shimada, who discovered her through her blog.[2] Shimada said that he was looking for a unique model, and he saw Katayama as a "real girl who loves fashion" and thought there was potential for drawing on her prosthetics.[1][7] Katayama ended up lengthening her prosthetics for the show, bringing her total height to 180 cm (5 ft 11 in).[1] Later, she would create high heels for her prosthetics as well.[8]

Katayama also studied at Tokyo University of the Arts, where she was mentored by the late Japanese curator Takashi Azumaya. With Azumaya's encouragement, she began to work as an artist.[1] She graduated with a master's degree in 2012.[9]

She won the Higashikawa New Photographer Award in 2019 and the 45th Kimura Ihei Award in 2020.[10]

Solo exhibitions

Her first solo exhibition was titled you're mine and was shown at the Traumaris gallery in Ebisu in 2014.[11] The collection of self portraits was inspired by studying her own body and her experience being an amputee.

A retrospective of her work, titled 19872017, was shown at Gateau Festa Harada, a candy factory and gallery, in 2017.[2] Her show On the Way Home, which consisted of all new work, also took place in 2017 at The Museum of Modern Art, Gunma.

In 2019, she had her first UK solo show (titled Broken Heart) at White Rainbow, a gallery in London that focuses on contemporary Japanese artists.[12][13]

First solo exhibition in the United States

From October 2019 to January 2020, Katayama displayed her photography, as well as a textile piece made of twine, pillows, pantyhose, seashells, and her own hair,[14][15][16] at the University of Michigan Museum of Art.[17] She met with students,[18] as well as spoke through an interpreter as part of the Penny Stamps Speaker Series. Her photographs for the show captured her in indoor and outdoor environments to "explore her identity by objectifying her body in her art".[19] It was her first solo exhibition in the United States.[20][17]

Group exhibitions

Katayama's work has been shown in multiple group exhibitions, starting with the Gunma Biennale for Young Artists in 2005 when she was 18 years old.

Her first major arts fair appearance was at the Aichi Triennale 2013, Aichi Arts Center Nagoya. Her mixed media installation included found objects, dried flowers, prosthetics, apothecary jars and photographs, among others.[21]

In 2016, photographs from you're mine were included in Roppongi Crossing 2016: My Body, Your Voice (僕の身体、あなたの声, Boku no shintai, anata no koe) at Mori Art Museum in Tokyo.[1][22] Her portrait for the exhibition, the theme of which was the human body and gender, featured her in lingerie without her prosthetics.[22]

The following year, Katayama presented new works created after the birth of her daughter in Photographs of Innocence and of Experience – Contemporary Japanese Photography vol.14 at the Tokyo Photographic Art Museum. [23]

In 2019, Katayama's work was featured in both the Arsenal and Central Pavilion exhibiting areas of the 58th Venice Biennale, an international art exhibition in Venice, Italy.[24][25] Her work was also presented by Sage Gallery booth at Paris Photo later that year.[4]

Reception

A review on Artsy commended her use of traditional crafts and "girlish" imagery, and Simon Baker of Tate Modern praised her use of "ideas about identity and performance" without being derivative.[24][2][12]

Personal life

Katayama has one child, born in 2017.[26]

References
  1. "義足のアーティスト・片山真理の運命を変えた３人の男【前編】". www.afpbb.com (in Japanese). AFP BB News.
  2. "Punk prosthetics: The mesmerising art of living sculpture Mari Katayama". The Guardian. 6 March 2017.
  3. Colberg, Jörg. "Mari Katayama's Gift". Conscientious Photography Magazine. Retrieved 2020-08-28.
  4. "Blind - Paris Photo 2019: Mari Katayama in all her glory". www.blind-magazine.com. Retrieved 2020-08-28.
  5. "The strange fairytales of Mari Katayama – in pictures". The Guardian. 2017-03-06. ISSN 0261-3077. Retrieved 2020-08-28.
  6. Gooding, Lily. "Japanese Artist Mari Katayama on her 'Body as Material' at the Penny Stamps Speaker Series". The Michigan Daily. Retrieved 2020-08-28.
  7. Cohen, Alina (2019-05-27). "In Opulent Self-Portraits, Mari Katayama Rejects Standard Beauty Norms". Artsy. Retrieved 2020-08-28.
  8. Ogura, Junko (3 March 2020). "Sewn limbs and surreal backdrops in the art of Mari Katayama". CNN. CNN. Retrieved 14 August 2020.
  9. "Mari Katayama - shell-kashime.com". shell-kashime.com.
  10. "Mari Katayama | Exhibitions | KYOTOGRAPHIE". Mari Katayama | Exhibitions | KYOTOGRAPHIE. Retrieved 2021-01-23.
  11. "Fashion, art, and disability - An Interview with Mari Katayama". Accessible Japan. 2 May 2017.
  12. "Mari Katayama | White Rainbow". www.white-rainbow.art. Retrieved 2020-08-28.
  13. Black, Holly (2019-01-26). "Mari Katayama Celebrates the Body Beautiful". ELEPHANT. Retrieved 2020-08-28.
  14. Guralnick, Stephanie. "Rising artist Mari Katayama uses herself as her muse in her newest exhibit". The Michigan Daily. Retrieved 2020-08-28.
  15. UMMA (2019-10-11), Student Meet and Greet with Mari Katayama: October 11, 2019, retrieved 2020-08-28
  16. "Pulp | Arts Around Ann Arbor". pulp.aadl.org. Retrieved 2020-08-28.
  17. "Mari Katayama | University of Michigan Museum of Art". umma.umich.edu. Retrieved 2020-08-28.
  18. UMMA (2019-10-11), Student Meet and Greet with Mari Katayama: October 11, 2019, retrieved 2020-08-28
  19. "Mari Katayama". University of Michigan Museum of Art.
  20. Parlette, Sarah M. (2019-10-13). "University of Michigan Museum of Art hosts Mari Katayama's first solo exhibition in US". WDIV. Retrieved 2020-08-28.
  21. "MARI KATAYAMA - AICHI TRIENNALE 2013". aichitriennale2010-2019.jp. Retrieved 2021-01-24.
  22. "森美術館の展覧会「六本木クロッシング2016展：僕の身体、あなたの声」 2016年3月26日（土）－7月10日（日）". 森美術館 (in Japanese).
  23. "Photographs of Innocence and of Experience". Tokyo Photographic Art Museum. Retrieved 2021-01-23.
  24. Cohen, Alina (27 May 2019). "In Opulent Self-Portraits, Mari Katayama Rejects Standard Beauty Norms". Artsy. Retrieved 3 July 2020.
  25. "Biennale Arte 2019: Mari Katayama". La Biennale di Venezia. 15 May 2019. Retrieved 13 August 2020.
  26. "Fashion, art, and disability - An Interview with Mari Katayama". Accessible Japan. 2 May 2017. Retrieved 2 July 2020.
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