Luigi Corteggi

Luigi Corteggi, also known by the pseudonym of Cortez (Milan, 1933, June 21- Casorzo, 2018, July 26),[1] was an Italian illustrator. He is best known for his graphic work for Editoriale Corno and for Sergio Bonelli Editore, for which he created the graphics of magazines such as Kriminal and Dylan Dog. He is noted as an art director in the world of Italian comics is considered by specialized critics.[2][3]

Biography

Graduated at the Academy of Fine Arts of Brera, after having managed his own advertising studio for some years, he moved to the publishing industry, collaborating first with Editrice Universo and then, from 1965, with Editoriale Corno, where he was responsible for the graphics design of Kriminal, Satanik, Maschera Nera, Gesebel, Eureka, and Alan Ford, among others. He also illustrated some of their covers and made ink drawings for the boards. Corteggi was also contributed graphics for some of Marvel Comics titles.[4][5] After having made some stories of Maschera Nera, he goes to Kriminal and Satanik, two characters from the Italian black genre created by Max Bunker, for whom he creates the logos of the titles and also designs some episodes, as well as making hundreds of covers; he later worked as a draftsman and inker also for other Bunker characters like Gesebel and Alan Ford - and he will also make the first ten covers.

As a curator, he also deals with the layout of the many publications of the publisher and also produces his own comic book series, Thomas, a series of humorous postcards, some graphic works for magazines, encyclopedias, and scientific publications. The relationship with Corno was interrupted in 1975 when he entered as artistic director at Sergio Bonelli Editore where he was asked to deal with both the technical and the more creative part concerning general graphics, lettering, covers, and related titles and brands as well as the managing contacts with first-time designers. In the seventies he also collaborated with Il Giornalino.[6]

In the 1980s, he created artworks for an edition of the comic book series Collana Rodeo called The Lost Spaceship. It was the only science fiction story in the story of the series. As a graphic designer, he realizes the titles of all the Bonelli publications that began after his arrival, such as Ken Parker, Mister No, Martin Mystère, Dylan Dog, Nick Raider, Nathan Never and many others that stand out for their never before seen graphic elegance for an italian comic series.[7]

Reference
  1. "La scomparsa di Luigi Corteggi". www.sergiobonelli.it (in Italian). Retrieved 2019-11-28.
  2. "Luigi Corteggi: l'eleganza british del fumetto italiano | MONDO DELL'ARTE" (in Italian). Retrieved 2019-11-28.
  3. "Luigi Corteggi". lambiek.net. Retrieved 2019-11-28.
  4. "Luigi Corteggi: l'eleganza british del fumetto italiano | MONDO DELL'ARTE" (in Italian). Retrieved 2019-11-28.
  5. "Luigi Corteggi un pittore prestato al fumetto". Fumetti Anime & Gadget (in Italian). 2013-06-08. Retrieved 2019-11-28.
  6. "Luigi Corteggi: l'eleganza british del fumetto italiano | MONDO DELL'ARTE" (in Italian). Retrieved 2019-11-28.
  7. "Luigi Corteggi: l'eleganza british del fumetto italiano | MONDO DELL'ARTE" (in Italian). Retrieved 2019-11-28.

Bibliography
  • Luigi Corteggi - Un pittore prestato al fumetto - Glamour International (1994);
  • Cortez - La grafica di Corteggi dalla Corno alla Bonelli. A cura di S. Mercuri - IF (2005) ISBN 9788852401367 - ISBN 8852401369.
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