Lola Sleeth Miller

Lola McDonald Sleeth Miller (October 24, 1860 – April 24, 1951) was an American painter and sculptor.

Lola Sleeth Miller
Born
Lola McDonald

(1860-10-24)October 24, 1860
Memphis, Missouri
DiedApril 24, 1951(1951-04-24) (aged 90)
Laguna Beach, California
NationalityAmerican
EducationAcadémie Julian
Known forPainting, Sculpture

There is much confusion surrounding Miller's early life. According to the information on her Daughters of the American Revolution application form, she was born Lola McDonald in Memphis, Missouri, to farmer Sterling Lynn McDonald and his wife Electa Summerlin;[1][2] a birthplace of either Edina, Missouri or Croton, Iowa has also been posited, as has a birthyear of 1864 or 1866.[3] She married Francis Sleeth, and from 1892 to 1899 was resident in San Francisco, where she studied with Douglas Tilden at the Mark Hopkins Art Institute. In Paris she studied with James Abbott McNeill Whistler and at the Académie Julian, and in New York City with Frederick MacMonnies and Emil Carlsen. She began working as an art teacher at the National Cathedral School in Washington, D.C. in 1901,[4] remaining there for over thirty years. During her time in Washington she belonged to a number of local arts organizations; she exhibited with the Society of Washington Artists for the first time in 1910, and was a charter member of the Arts Club of Washington and a member of the Washington Water Color Club.[3] Sometime in the 1920s she first visited Laguna Beach, California, and after marrying inventor T. Spencer Miller in 1931 moved there permanently, living there until her death.[4] At the time of her second marriage she was described as a "widow";[5] her second husband's name is sometimes given as Thomas.[4] A scholarship was endowed in her honor after her death.[6]

Miller was active in a variety of formats during her career, producing landscapes, portraits, and still lifes in oil and watercolor[7] as well as carving portrait busts in marble.[4] Her most notable work is a bust of Martha Washington currently owned by the Daughters of the American Revolution and frequently displayed at Constitution Hall;[8] it was used as the basis for a likeness of Washington on a 1938 postage stamp.[9][10] Another work was formerly in the collection of the Corcoran Gallery of Art. She is also represented in the collection of the Cathedral Foundation in Washington.[3] Due to her residency in the state later in life she is sometimes classed with other California artists.[1]

References
  1. "Art Collection". kevindaniel.x10.mx. Retrieved 31 December 2017.
  2. Daughters of the American Revolution (1916). Lineage Book – National Society of the Daughters of the American Revolution. Daughters of the American Revolution. pp. 63–.
  3. Virgil E. McMahan (1995). The Artists of Washington, D.C., 1796–1996. Artists of Washington. ISBN 978-0-9649101-0-2.
  4. "California Artist Lola M. Miller". www.edanhughes.com. Retrieved 31 December 2017.
  5. Prominent Families of New Jersey: In Two Volumes. Genealogical Publishing Com. 2000. pp. 50–. ISBN 978-0-8063-5036-3.
  6. Daughters of the American Revolution Magazine. National Society, Daughters of the American Revolution. 1959.
  7. Phil Kovinick; Marian Yoshiki-Kovinick (1998). An encyclopedia of women artists of the American West. University of Texas Press. ISBN 9780292790636.
  8. "Martha Dandridge Custis Washington". npg.si.edu. Retrieved 31 December 2017.
  9. "Constitution Hall, DAR Hdqrs., Washington, DC - Philatelic Photographs on Waymarking.com". www.waymarking.com. Retrieved 31 December 2017.
  10. "The Los Angeles Times from Los Angeles, California on April 25, 1951 · Page 14". Retrieved 31 December 2017.
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