List of post-disco artists and songs
The term post-disco is a referral to the early to late 1980s era movement of disco music into more stripped-down electronic funk influenced sounds; post-disco was also predecessor to house music.
This chronological list contains examples of artists, songs and albums described as post-disco, as well as its subgenre, boogie.
| Contents |
|---|
| Some artists: A B C D E F G I J K L M N O P R S U W Y Z Some songs: 1970s • 1980s • 2000s and 2010s Some albums |
Songs
1970s
| Year | Artist | Origin | Song | Label |
|---|---|---|---|---|
| 1979 | Can |  | "Aspectacle"[1] | Harvest / Lightning |
| Gina X | | "No G.D.M."[2] | Crystal / EMI | |
| Shalamar |  | "The Second Time Around"[3] | SOLAR | |
| Skyy | | "First Time Around"[4] | Salsoul |
1980s
2000s and 2010s
| Year | Artist | Origin | Song | Label |
|---|---|---|---|---|
| 2001 | Missy Elliott | | "Old School Joint"[86] | The Goldmind / Elektra |
| 2002 | Beyoncé | | "Work It Out"[87][88] | Columbia |
| The Chemical Brothers |  | "Star Guitar"[89] | Freestyle Dust (UK) / Astralwerks (US) | |
| 2004 | The Pharcyde | | "Illusions"[90] | Chapter One Entertainment |
| 2008 | Black Devil Disco Club |  | "With Honey Cream"[91] | Lo |
| Hercules and Love Affair | | "Blind"[92] | DFA | |
| J*Davey | | "Slooow"[93] | Interdependent Media | |
| 2009 | Dâm-Funk | | "Candy Dancin'"[94] | Stones Throw |
| 2010 | The Golden Filter | | "Hide Me"[95] | Brille |
| Tensnake | | "Need Your Lovin'"[96] | Permanent Vacation | |
| 2012 | Prince Rama | | "Those Who Live for Love Will Live Forever"[97] | Paw Tracks |
| 2013 | Beyoncé | | "Blow"[98] | Parkwood / Columbia |
| Ty Segall | | "Music From a Film 1"[99] | Famous Class | |
| 2014 | The Growlers | | "Chinese Fountain"[100] | Everloving (US) / Fat Cat (UK) |
| Michael Jackson and Justin Timberlake | | "Love Never Felt So Good"[101] | Epic | |
| Prince | | "Art Official Age"[102] | NPG / Warner Bros. |
Albums
Some examples of post-disco albums are listed here:
Artists
- Musicians
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|
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|
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|
- Producers, remixers and DJs
See also
References
- Brackett & Hoard 2004, p. 135: the tense, jagged postdisco groove "Aspectacle"
- Friedman, James. "Masked Masters". The Fader. No. 14. p. 38. Fall 2002.
- Ro, Ronin (1999). Have Gun Will Travel: The Spectacular Rise and Violent Fall of Death Row Records. Broadway Books. p. 40. ISBN 978-0-3854-9135-8.
SOLAR (...), which grew out of an association between promoter Griffey and Soul Train host Don Cornelius, released a string of post-disco hits that included Shalamar's "The Second Time Around" and the Whispers' "And the Beat Goes On."
- Kellman, Andy. "Various Artists – Salsoul Presents: The Definitive 12" Masters, Vol. 2". AllMusic. Retrieved 17 December 2014.
- Theakston, Rob. "Joe Bataan – Anthology [Toshiba]". AllMusic. Retrieved 18 December 2014.
- Easlea, Daryl (2011). "The Brothers Johnson Light Up the Night Review". BBC Online. Retrieved 27 October 2013.
However, Light Up the Night is all really about its lead single, Stomp, a truly irresistible piece of post-disco groove.
- Elias, Jason. "Various Artists – Funk Classics: The 80's". AllMusic. Retrieved 26 October 2014.
The graceful post-disco of the Brothers Johnson's "Stomp!"
- mauludSADIQ (5 May 2016). "Just Don't Call it House". Medium. Retrieved 22 May 2016.
- Shapiro 2006, pp. 59, 418.
- Shapiro 2006, p. 107.
- "Kool & The Gang – Gangthology". Uncut. Retrieved 17 December 2014.
- Ryder, Patrick (20 February 2014). "Private Joy: 10 essential "lesser known" Prince tracks and the records where you can find them". The Vinyl Factory. Retrieved 17 December 2014.
- Hibdon, Karen (15 May 2012). "Fillmore May Festival is celebration of community". Ventura County Star. Retrieved 18 December 2014.
Founded in 1977 in Atlanta, the band (...) was initially known for the post-disco hit "Take Your Time (Do It Right)" in 1979.
- Anitai, Tamar (6 August 2007). "Help! We're Obsessed…". MTV Buzzworthy. Retrieved 18 December 2014.
- Rubin, Daniel (22 March 2005). "Roller-blading onto the musical scene A debut song draws attention". The Philadelphia Inquirer. Retrieved 27 October 2013.
The track reminded him of "this really brief post-disco genre of roller-skating music that existed for two months in 1980, records like Vaughan Mason's 'Bounce, Rock, Skate, Roll.'
- "The Beat Box Bites Back". Face Magazine. May 1984. Retrieved 27 October 2013.
individual records like Vaughan Mason's "Bounce, Rock, Skate, Roll" which helped establish a new ambience in East Coast post-disco.
- Shapiro 2006, p. 350.
- Shapiro 2006, p. 418.
- Reynolds, Simon (3 May 2011). "Name it on the 'boogie' – the genre tag that won't sit still". The Guardian. Retrieved 18 December 2014.
- Smith, Ben (20 August 2014). "Meghan Trainor Helps Count Down 10 Songs That Are All About That Bass". VH1 Music. Viacom Media Networks. Retrieved 27 October 2014.
This post-disco pop funk epic is centered on a relentless, repeating bassline that really does make you want to, uh, groove.
- Kellman, Andy. "ESG – ESG". AllMusic. Retrieved 17 December 2014.
- Day, David (20 October 2004). "Some of My Favorite Things: David Day (Freeezstyle)". Stylus Magazine. Retrieved 25 October 2014.
- Matos, Michaelangelo (20 March 2002). "THE PLEASURE PRINCIPLE – Playgroup Reconstructs an Idealistic Aural Snapshot of the Early '80s". Baltimore City Paper. Retrieved 27 October 2013.
the stripped-down post-disco of club records like Taana Gardner's "Heartbeat"
- Kellman, Andy. "Larry Levan – Journey into Paradise: The Larry Levan Story". AllMusic. Retrieved 26 October 2014.
Taana Gardner's "Heartbeat" (one of the sexiest, sweetest, slowest post-disco singles)
- Hopkins, Tracy E. (16 July 1991). "Rappers Find a 'Homebase' with Smoother Rhymes, Beats". Sun-Sentinel. Retrieved 17 December 2014.
- "Series: 1000 songs everyone must hear – Part four: Sex". The Guardian. 17 March 2009. Retrieved 27 October 2014.
- Stovin, Jack (6 September 2011). "Grace Jones "Hurriane" Album & Dub Version Released Today!". AltSounds. Archived from the original on 17 December 2014. Retrieved 17 December 2014.
- Harford, Jeff (27 April 2013). "Steamy funk and restrained grooves". Otago Daily Times. Retrieved 17 December 2014.
- Patrin, Nate (19 November 2007). "Various Artists: Discovered: A Collection of Daft Funk Samples". Pitchfork Media. Retrieved 18 December 2013.
- Wilkins, Ernest (13 August 2014). "We Theory mixes stats and sounds for musical success". RedEye. Retrieved 28 October 2014.
- Kellman, Andy. "Various Artists – Salsoul Presents: Disco Funk Flavas, Vol. 2". AllMusic. Retrieved 18 December 2014.
- Shapiro 2006, p. 278.
- Kellman, Andy (29 August 2013). "AllMusic Playlist: Madonna, Before and After". AllMusic. Retrieved 26 October 2014.
- Harr, Dan (23 September 2013). "Ono's "Walking on Thin Ice" Ascends to #2 with a Bullet on Billboard's Hot Dance Club Play Chart". Music News Nashville. Retrieved 28 October 2013.
- "Youngest Pointer Sister Loses Cancer Battle at 52". World Entertainment News Network. Internet Movie Database. 13 April 2006. Retrieved 27 October 2013.
The Pointer Sisters (...) really found their niche in the post-disco world, recording smooth tunes like "Slow Hand" and dance floor fillers such as "I'm So Excited."
- Shapiro 2006, p. 44.
- Flick, Larry (26 August 1995). "Mariah And Janet Tear Up The Dancefloor". Billboard. Vol. 107 no. 34. p. 26. ISSN 0006-2510.
The surprising twist is the use of instantly recognizable keyboard samples from the Tom Tom Club's post-disco classic "Genius of Love."
- Lester, Paul (28 August 2007). "No 173: Bumblebeez". The Guardian. Retrieved 17 December 2014.
- Kellman, Andy. "Various Artists – We Love the Nightlife: Good Times". AllMusic. Retrieved 27 October 2013.
- Shapiro 2006, p. 9.
- Shapiro 2006, p. 86.
- Suarez, Gary (1 October 2013). "Drake, The Weeknd, and the Battle for Marvin Gaye's Mantle". Consequence of Sound. Retrieved 25 October 2014.
"Hold On, We're Going Home" (...) has drawn logical comparison to Gaye's bubbling post-disco smash "Sexual Healing".
- "Gwen Guthrie; Songwriter, Singer of Dance Hits". Los Angeles Times. 8 February 1994. Retrieved 18 December 2014.
"Should Have Been You," which helped establish Guthrie as one of the premier club music performers during the post-disco era.
- Grow, Kory (May 2008). "Gorgoroth – Why the most dangerous true Norwegian black-metal band of the decade turned on itself". Revolver. ISSN 1527-408X. Archived from the original on 10 February 2010.
the post-disco classic "Last Night a D.J. Saved My Life" by early-'80s New York crew Indeep
- Cinquemani, Sal (21 August 2001). "Mariah Carey – Glitter". Slant Magazine. Retrieved 26 October 2014.
A cover of Indeep's 1982 post-disco classic "Last Night a DJ Saved My Life" personifies Carey's ambition like no other song she's ever recorded
- Brackett & Hoard 2004, p. 508: That gift was there on her 1983 debut, which combined proven postdisco club tracks like "Everybody" and "Burning Up" with breakthrough pop hits "Borderline" and "Lucky Star."
- Lester, Paul (23 July 2012). "Leverage Models (No 1,314)". The Guardian. Retrieved 17 December 2014.
That song, that example of post-disco electro-funk, we mused, is so October 1982 it's not true.
- Reynolds, Simon (1999). Generation Ecstasy: Into the World of Techno and Rave Culture. Routledge. p. 1035. ISBN 0-415-92373-5.
- O'Donnell, Mallory (2 February 2007). "Beatz by the Pound – #034: Tech-Loving Pundits". Stylus Magazine. Retrieved 25 October 2014.
- Lester, Paul (11 March 2014). "Yumi Zouma (No 1,717)". The Guardian. Retrieved 17 December 2014.
Patrice Rushen's postdisco classic Forget Me Nots
- Kellman, Andy. "Jeff Mills – Choice: A Collection of Classics". AllMusic. Retrieved 26 October 2014.
Sinnamon's underheard "Thanks to You" (a sparkling post-disco club cut with defiant vocals reminiscent of Teena Marie).
- Kellman, Andy. "Dimitri from Paris / Universal Robot Band – Barely Breaking Even". AllMusic. Retrieved 17 December 2014.
- Henderson, Eric (23 October 2003). "Stevie Wonder – Innervisions". Slant Magazine. Retrieved 26 October 2014.
- Frederick, Brendan (2 October 2014). "The 50 Best R&B Songs of the '90s > 44. Zhané "Hey Mr. DJ" (1993)". Complex. Retrieved 25 October 2014.
Written by Kay Gee and the girls, "Hey Mr. DJ" was based on R&B singer Michael Wycoff's "Looking Up to You," a post-disco boogie groove from 1982.
- Anderman, Joan (2 March 2004). "Indie rockers revel in reinvention". The Boston Globe. Retrieved 27 October 2014.
- Hall, Russell (30 December 2009). "10 Rockin' Songs to Ring in the New Year!". Gibson. Retrieved 17 December 2014.
- Davis, Petra (8 January 2013). "David Bowie: Fantastic Voyages From Beyond The Hits". The Quietus. Retrieved 25 October 2014.
- "Picks and Pans Review: Back to the Front". People. Vol. 19 no. 11. 21 March 1983. ISSN 0093-7673.
- Shapiro 2006, p. 68.
- George, Nelson (1988). The Death of Rhythm and Blues. Penguin Books. ISBN 0142004081.
the soulful boogie songs "Get It Right" by Aretha Franklin and "Save the Overtime for Me" by Gladys Knight and the Pips
- Bhushan, Nyay (11 August 2001). "Timeless Rhyme". Billboard. Vol. 113 no. 32. p. 57. ISSN 0006-2510.
The first single from the album is "Someday (We'll All Be Free)," an eye-opening cover of the Gap Band's boogie classic
- Birchmeier, Jason. "Original Soundtrack – Scarface [Original Soundtrack]". AllMusic. Retrieved 26 October 2014.
- Makinde, Adeyinka (2009). "The Legacy of Michael Jackson". Black-history-month.co.uk. Archived from the original on 3 March 2016. Retrieved 27 October 2013.
the song 'Billie Jean', presents rhythm and blues in a post-disco dance form.
- "The best-selling and greatest – album of all time?". The Denver Post. 26 June 2009. Retrieved 27 October 2013.
- Shapiro 2006, p. 59.
- Graff, Gary (1996). Musichound Rock: The Essential Album Guide. Visible Ink Press. ISBN 978-0-7876-1037-1.
the scope of KC's work into the 80s with post-disco singles such "Give It Up."
- Hoffmann 2006, p. 149.
- Sylvester, Daniel (22 May 2012). "Laid Back – Cosyland". Exclaim!. Retrieved 25 October 2014.
- "Like, Omigod! It's the '80s Pop Culture Box (Totally)". One Hit Wonder Center. Retrieved 29 October 2013.
There are also tracks to represent the rise of post-disco club/dance trend, such as Laid Back's "White Horse", New Edition's "Cool It Now", and Timex Social Club's " Rumors".
- Shapiro 2006, p. 271.
- Metler, Christopher; Love, Ali (17 July 2014). "Ali Love P.U.M.P.s Up the Volume, Vibes and Weirdness". Vice. Archived from the original on 17 December 2014.
- O’Donnell, Mallory (21 April 2006). "The Singles Jukebox – Jam and Lewis". Stylus Magazine. Retrieved 25 October 2014.
- Hogan, Ed. "Shannon – Artist Biography". AllMusic. Retrieved 25 October 2014.
Vocalist with several post-disco club classics to her credit, including the chart-topping "Let the Music Play."
- Seroff, John (5 October 2009). "Jordin Sparks – SOS (Let The Music Play)". The Singles Jukebox. Retrieved 17 December 2014.
Shannon’s "Let the Music Play" was an dark, understated and round-the-bend corny post-disco dance floor monster of congas, squelching keytars and deep diva delight.
- Cinquemani, Sal (30 June 2003). "100 Greatest Music Videos". Slant Magazine. Retrieved 26 October 2014.
"She Works Hard for the Money" was one of Summer's first post-disco hits and it quickly became a feminist anthem.
- Masley, Ed (22 April 2009). "Confessions of an 'Idol' virgin: Disco week". The Arizona Republic. Retrieved 26 October 2014.
Donna Summer's big post-disco hit "She Works Hard For the Money"
- Cohen, Howard (21 April 2009). "Disco Night on American Idol". Q News. Retrieved 17 December 2014.
- Neal, Mark Anthony (22 April 2002). "Nuyorican Nostalgia". PopMatters. Retrieved 25 October 2014.
Brown (...) is best known for her 1983 anthem "Somebody Else's Guy" which was a great example of quality post-Disco dance music emanating out of New York City.
- Promis, Jose F. "Billy Ocean – Greatest Hits [Jive]". AllMusic. Retrieved 27 October 2013.
the classic post-disco jam "Caribbean Queen"
- Roach, Vicky (16 September 2013). "Almodovar's dialogue "too offensive" for English-speaking audiences". The Daily Telegraph. Retrieved 27 October 2014.
Almodovar's film takes its title from The Pointer Sisters' post-disco classic
- "Fall Preview". People. Vol. 22 no. 9. 27 August 1984. ISSN 0093-7673.
such post-disco rock tracks as Supernatural Love and There Goes My Baby
- Zeitunian, Charles (18 January 2005). "Xavier – XXX". inthemix. Retrieved 17 December 2014.
- "Melba Moore: Read My Lips". Stereo Review. Vol. 50. August 1985. p. 72. ISSN 1537-5838.
- "The Billboard Reviews > Singles > E.G. Daily – Beautiful (4:02)". Billboard. Vol. 120 no. 28. 12 July 2008. p. 34. ISSN 0006-2510.
- "Picks and Pans Review: Do You Wanna Get Away". People. Vol. 24 no. 3. 15 July 1985. ISSN 0093-7673.
The title cut is basic and gripping post-disco worthy of a Donna Summer.
- Cinquemani, Sal (20 May 2001). "Missy Elliott – Miss E… So Addictive". Slant Magazine. Retrieved 26 October 2014.
- Cinquemani, Sal. "Top 10 Albums, Singles, & Videos of 2003". Slant Magazine. Retrieved 30 May 2014.
- Erlewine, Stephen Thomas. "Original Soundtrack – Austin Powers in Goldmember [Soundtrack]". AllMusic. Retrieved 25 October 2014.
- Cinquemani, Sal (27 January 2002). "The Chemical Brothers – Come with Us". Slant Magazine. Retrieved 26 October 2014.
- Nishimoto, Dan (13 September 2005). "Pharcyde – Humboldt Begininngs [sic]". Stylus Magazine. Archived from the original on 15 December 2006. Retrieved 25 October 2014.
- Gabriele, Timothy (13 July 2008). "Black Devil Disco Club: Eight Oh Eight". PopMatters. Retrieved 25 October 2014.
The opening drum track on the album immediately stamps its post-disco footprint, calling into consideration the widely used 808 drum machine of techno's early history. That track, "With Honey Cream", gurgles with swirling LFO and falsetto, but its modern instrumentation remains ideologically retro-futurist.
- Boles, Benjamin (10 April 2008). "Miami party madness". NOW Toronto. Retrieved 29 October 2013.
The quirky post-disco track was getting dropped at parties all weekend, even at the more mainstream events.
- Caramanica, Jon (10 June 2008). "At the Intersection of Styles, Taking Some Songs for a Ride". The New York Times. Retrieved 27 October 2014.
- Patrin, Nate (2 December 2009). "Dâm-Funk: Toeachizown". Pitchfork. Retrieved 29 October 2013.
- Murray, Robin (19 April 2010). "Singles Round Up - April 19th". Clash. Retrieved 26 October 2014.
- Drake, David (6 January 2011). "Tensnake: In The House (Defected, 2010)". Pitchfork. Retrieved 29 October 2013.
Tensnake's own "Need Your Lovin'" is a love-letter to 80s post-disco R&B that appears on the first disc
- Jurek, Thom. "Prince Rama – Top Ten Hits of the End of the World". AllMusic. Retrieved 26 October 2014.
- Cinquemani, Sal. "Beyoncé – Beyoncé". Slant Magazine. Retrieved 26 October 2014.
- Hogan, Marc (29 April 2013). "Hear Ty Segall's Psych-Disco Instrumental 'Music for a Film 1'". Spin. Retrieved 25 October 2014.
- Slaughter, Matthew (29 September 2014). "The Growlers – Chinese Fountain". Drowned in Sound. Retrieved 27 October 2014.
- Murphy, Keith (12 May 2014). "An Oral History of Michael Jackson's 'Xscape' Album". Vibe. Retrieved 25 October 2014.
- Deusner, Stephen M. (3 October 2014). "Prince: Art Official Age". Pitchfork. Retrieved 25 October 2014.
Opener "Art Official Cage" cribs directly from Daft Punk's more arena-ready moments, building a post-disco banger on some Nile Rodgers-style rhythm guitar.
- Weisbard, Eric; Marks, Craig (2006). Spin Alternative Record Guide. Vintage Books. ISBN 978-0-6797-5574-6.
James wrote, produced, and performed on Wild and Peaceful, which positively reeked of post-disco strings and syndrums.
- Walsh, Fintan (11 June 2012). "Eumir Deodato and the exploration of Post-Disco". The Four Oh Five. Archived from the original on 9 November 2013.
- Marcus, Greil (1994). Ranters & Crowd Pleasers. Anchor Books. p. 173. ISBN 978-0-385-41721-1.
This is definitive postdisco black rock: gleeful funk shot through with punk momentum and shaped by Motown elegance.
- Nilsen, Per (2004). Dance Music Sex Romance: Prince: The First Decade. SAF Publishing Ltd. p. 87. ISBN 0-946719-64-0.
- Kellman, Andy. "Sharon Redd – Sharon Redd". AllMusic. Retrieved 25 October 2014.
Her self-titled debut balances post-disco club music with the extension of '70s soul that many referred to as urban during the '80s.
- Vine, Richard (15 June 2011). "Grace Jones pulls up to the bumper". The Guardian. Retrieved 17 December 2014.
- Shapiro 2006, p. 349.
- Raftery, Brian (7 July 2009). "Michael Jackson: The Unlikely King of Rock". Rolling Stone. Retrieved 27 October 2013.
the lustrous post-disco sound of Thriller seems an unlikely muse for Stump and his bandmates
- Medd, James (26 April 2013). "!!! keep the party going with Thr!!!er". The Guardian. Retrieved 27 October 2014.
- Gonzales, Michael A. (November 2007). "Cinematic Soul: The Soundtracks of Quincy Jones". Stop Smiling. Rock's Backpages. Retrieved 17 December 2014. (subscription required)
- Lindsay, Matthew (13 June 2013). "Lucky Star: Madonna's Debut Album, 30 Years On". The Quietus. Retrieved 25 October 2014.
Madonna's first album (...) sits happily alongside the post disco crème de la crème: the same year's Evelyn 'Champagne' King album Get Loose
- Anderson, Kyle; Boucher, Geoff (24 July 2013). "30 Timeless Albums from 30 Years Ago – 5/30". Entertainment Weekly. Retrieved 9 November 2013.
- Wright, Jade (26 April 2008). "Beatles For Sale (1965)". Liverpool Echo. Retrieved 17 December 2014.
David Bowie's 15th album was a stylish, synthesised post-disco dance record, equally informed by classic soul and the emerging subgenre of new wave.
- Hall, Russell (7 January 2008). "The Essential David Bowie Albums". Gibson. Retrieved 17 December 2014.
- Farber, Jim (20 July 2001). "The Girl Material". Entertainment Weekly. Retrieved 29 October 2013.
- "The 100 Best Debut Albums of All Time > 96 – Madonna". Rolling Stone. 22 March 2013. Retrieved 25 October 2014.
- Blum, Joe (March 1987). "The Pointer Sisters – Hot Together". High Fidelity. Vol. 37 no. 3. p. 211. ISSN 0018-1455.
With Break Out, The Pointer Sisters brought their steamy postdisco glitz to perfection.
- Huey, Steve. "Donna Summer – Artist Biography". AllMusic. Retrieved 25 October 2014.
With producer Michael Omartian, Summer moved back into post-disco dance music and urban R&B with 1983's She Works Hard for the Money
- Hoffmann 2006, p. 44.
- Paoletta, Michael (11 September 1999). "Les Rythmes Digitales is Astralwerks' 'Darkdancer'". Billboard. Vol. 111 no. 37. p. 59. ISSN 0006-2510.
While "Darkdancer" is steeped in British synth-pop sensibilities, it doesn't ignore the burgeoning post-disco/electro-pop scene of New York in the early '80s.
- Walters, Barry (March 2005). "Reviews > Kylie Minogue – Ultimate Kylie". Out. Vol. 13 no. 9. Here Publishing. p. 50. ISSN 1062-7928.
Only Madonna has created greater and more consistent postdisco pop perfection.
- Rule, Doug (24 February 2005). "Hipster Hits: LCD Soundsystem's debut is an undeniable achievement, while Greenskeepers succeeds in making silly party tunes". Metro Weekly. Archived from the original on 9 November 2013. Retrieved 9 November 2013.
- Patrin, Nate (27 March 2009). "The Juan MacLean: The Future Will Come". Pitchfork. Retrieved 25 October 2014.
Like most quality DFA full-lengths, this album has post-disco dance-pop aesthetics intersecting and merging in ways that transcend cheap retro; too much of it leaves you wondering if it could've gone even further with a bit more breathing room.
- Kellman, Andy. "Dimitri from Paris – Night Dubbin'". AllMusic. Retrieved 25 October 2014.
- Birchmeier, Jason. "DJ Spinna – Artist Biography". AllMusic. Retrieved 25 October 2014.
The Boogie Back, which focused on late-'70s and early-'80s post-disco.
- Young, Alex (1 April 2011). "Holy Ghost! – Holy Ghost!". Consequence of Sound. Retrieved 25 October 2014.
With the release of their first proper self-titled full length, they [Holy Ghost!] contribute to growing post-disco fads with tracks that are chock full of soulful harmonies, backed with an unrestrained supply of drum machines, vintage keyboards, and bubbling synthesizers.
- Kellman, Andy. "Aurra – Anthology [1995]". AllMusic. Retrieved 17 December 2014.
Stylistically, the bulk of this material can be classified as post-disco and pre-house.
- Lester, Paul (5 July 2013). "Jessy Lanza (No 1,547)". The Guardian. Retrieved 27 October 2014.
Keep Moving is just perfect, like Aaliyah being haunted by the ghost of Sharon Redd, Sharon Brown or Vicky D – one of those postdisco girls – on the Prelude label in 1982.
- Bogdanov, Vladimir, ed. (2003). All Music Guide to Soul: The Definitive Guide to R&B and Soul. Backbeat Books. p. 709. ISBN 978-0-87930-744-8.
Unlimited Touch (...) weren't disco, and they weren't exactly straight-up R&B; like their Prelude labelmates D Train, Unlimited Touch combined the two forms into what is often referred to as post-disco.
- Brewster & Broughton 1999, p. 296.
- "30 Years of SOLAR". EMI. Cf. "More Info". Archived from the original on 26 February 2012. Retrieved 29 October 2013.
post-disco funk-n-soul bands like Lakeside, Midnight Star and The Deele
- Kennedy, Gerrick D. (10 October 2013). "Babyface gets star on Hollywood Walk of Fame". The Morning Call. Retrieved 17 December 2014.
- Pollard, Vincent (28 August 2012). "Matthew Dear – Beams". Exclaim!. Retrieved 25 October 2014.
the post-disco DIY sound of ESG
- Hoffmann 2006, p. 104.
- Stolman, Elissa (29 November 2011). "Holy Ghost! @ Music Hall Of Williamsburg: November 26, 2011". CMJ. Retrieved 27 October 2014.
- Flick, Larry (14 February 1998). "U.K.'s Leee John Branches Out into Song writing, Producing". Billboard. Vol. 110 no. 7. p. 24. ISSN 0006-2510.
the U.K.-rooted John is best known to dance enthusiasts as the leader of famed post-disco trio Imagination
- Rosen, Jody (31 January 2006). "How "Black" Is Michael?". Slate. Retrieved 17 December 2014.
If Michael were smart he might make a similar move now, returning to his classic postdisco sound—lord knows Justin Timberlake has had success putting his own Off the Wallisms on the charts.
- Young, Alex (9 September 2011). "Grace Jones – Hurricane". Consequence of Sound. Retrieved 25 October 2014.
- Bergstrom, John (6 September 2011). "Grace Jones: Hurricane / Dub". PopMatters. Retrieved 25 October 2014.
Her initial post-disco albums with reggae producers Sly & Robbie are the high points, with the Trevor Horn-helmed Slave to the Rhythm (1985) also of note.
- Kellman, Andy. "Luke Vibert – Artist Biography". AllMusic. Retrieved 26 October 2014.
- Shapiro, Peter (2006). Turn the Beat Around: The Secret History of Disco. Macmillan. p. 177. ISBN 978-0-8654-7952-4.
- Moon, Tom (17 May 1989). "Coming To Penn's Landing: Big Names, Emerging Acts". The Philadelphia Inquirer. Retrieved 17 December 2014.
the post-disco camp of Kid Creole and the Coconuts
- Wynn, Ron (23 July 2003). "Improvisations". The Tennessee Tribune. Archived from the original on 29 March 2015. Retrieved 17 December 2014.
- Weiss, Jeff. "GEN F: Ty Dolla $ign". The Fader. No. 89. December 2013–January 2014. Retrieved 17 December 2014.
- Bush, John. "Klein & MBO – Artist Biography". AllMusic. Retrieved 26 October 2013.
- Horton, Matthew (14 March 2013). "How 'Blue Monday' Changed Music Forever". NME. Retrieved 26 October 2014.
- Marvilli, Joe; Grossmanon, Dana (29 March 2011). "Live Review: LCD Soundsystem in New York City (3/28)". Consequence of Sound. Retrieved 25 October 2014.
Before Murphy's timeslot began though, '80s post-disco group Liquid Liquid had their shot to get the crowd going.
- Been, Eric Allen (6 February 2011). "LCD Soundsystem Announce "Last Show Ever"". PopMatters. Retrieved 25 October 2014.
The seminal post-disco band Liquid Liquid is set to open the show
- Welsh, April (10 September 2010). "Offset 2010: The Review". Clash. Retrieved 26 October 2014.
The undisputed heroes of Offset 2010 were New York post-disco troupe, Liquid Liquid
- Kellman, Andy. "Logg – Artist Biography". AllMusic. Retrieved 26 October 2014.
- Holden, Stephen (8 December 1985). "Home Video: New Cassettes: From Screen Farce to Holiday Songs". The New York Times. Retrieved 27 October 2014.
Both her post-disco music and defiant strut suggest a child's parody of grown-up posturing.
- Brinn, David (1 October 1993). "Taking a Peak at Madonna's 'Girlie Show'". The Jerusalem Post. Retrieved 17 December 2013.
- Andrews, Marc; Isaac, Claire; Nichols, David (2011). Pop Life: Inside Smash Hits Australia 1984 - 2007. Affirm Press. p. 46. ISBN 978-0-9871-3267-3.
[Neil] Tennant popped off one day to interview an up and coming post-disco club kid, yup, Madonna.
- Bush, John. "Morgan Geist – Artist Biography". AllMusic. Retrieved 26 October 2014.
In 1999, Geist and fellow producer Darshan Jesrani initiated a series of excellent post-disco singles as Metro Area
- Deming, Mark. "George Michael – Artist Biography". AllMusic. Retrieved 26 October 2014.
A talented songwriter and performer with a distinctive, soft voice whose post-disco dance-pop made him a superstar in the 1980s and '90s.
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- Marsh, Dave; Swenson, John (1983). The New Rolling Stone Record Guide. Random House. p. 201. ISBN 978-0-3947-2107-1.
Thanks to brother Foster, Edmund can lay claim to being part of the first family of post-disco dance music. And he doesn't do such a bad job himself.
- Agovino, Michael J. (26 February 2014). "The Record Label That Saved Jazz". Esquire. Retrieved 17 December 2014.
Since 2012, the label has been headed by the unlikely but somehow perfect Don Was, of the post-disco outfit Was (Not Was), famous for the immortal anthem "Walk the Dinosaur."
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George Michael may adapt the music of his post-disco pop act Wham! for a stage production.
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John 'Jellybean' Benitez, a native of the Bronx and renowned Manhattan club DJ, made his mark in the early 80s as one of the post-disco dance scene's most favoured remixers/producers.
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Larry Levan (...) had an incalculable influence over post-disco dance music
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Her brother is violinist and post-disco producer Kelley Polar (aka Mike Kelley).
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Bibliography
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