List of avant-garde films of the 1930s
A list of avant-garde and experimental films made in the 1930s. Unless where noted, all films had sound and were in black and white.
Title | Director | Cast | Nation | Notes | ||
---|---|---|---|---|---|---|
1930 | ||||||
L'Âge d'Or | Luis Buñuel | Gaston Modot, Lya Lys, Max Ernst | France | Surrealist feature, produced by Charles de Noailles[1] | ||
Autour de la fin du monde | Eugène Deslaw | Abel Gance | France | Extraordinary, semi-experimental "making of" documentary shot on set of Abel Gance's "La fin du monde;" silent[2] | ||
Apteka (Pharmacy) | Stefan Themerson, Franciszka Themerson | Poland | Rayographic animation, lost[3] | |||
Aimless Walk | Alexandr Hackenschmied (Alexander Hammid) | Czechoslovakia | City film[4] | |||
Borderline | Kenneth Macpherson | Paul Robeson, Hilda Doolittle | United Kingdom | Pool film; silent[5] | ||
A City Symphony | Herman G. Weinberg | United States | City film, never shown, disassembled and partly used in Autumn Fire[6] | |||
Crying for the Carolines | Leon Schlesinger, Neil McGuire | Milton Charles | United States | A "Spooney Melodie;" Semi-abstract music short[7][8] | ||
Earth | Oleksandr Dovzhenko | Soviet Union | Silent feature; part of the director's Ukraine Trilogy. | |||
It's a Bird | Harold Mueller | Charles Bowers, Lowell Thomas | United States | Semi-animated short where an egg transforms into an automobile[9] | ||
Ein Lichtspiel: Schwarz/Weiss/Grau | László Moholy-Nagy | Weimar Republic | ||||
Light Rhythms | Francis Brugière, Oswell Blakeston | United Kingdom | Light-oriented, non-animated abstract film[10] | |||
Mechanical Principles | Ralph Steiner | United States | Abstract film based on machinery; sometimes dated to 1933[11] | |||
Mennschen am Sonntag (People on Sunday) | Curt Siodmak, Robert Siodmak, Edgar G. Ulmer, Fred Zinnemann, Rochus Gliese | Erwin Splettstößer, Brigitte Borchert | Weimar Republic | City film, partly written by Billy Wilder; silent[12] | ||
The Power of Suggestion | M.G. MacPherson, Jean Michelson | United States | Artkino production, Lost film[6] | |||
À Propos de Nice | Jean Vigo | France | City film | |||
Romance Sentimentale | Grigory Alexandrov, Sergei Eisenstein | Mara Griy | France | "Étude cinematographique"[13] | ||
The Story of a Nobody | Jo Gerson, Louis Hirshman | United States | Experiment in subjective camerawork, Lost film[14] | |||
Studie(s) Nr. 2-4 | Oskar Fischinger | Weimar Republic | Abstract animations; Nr. 4 Lost[15] | |||
R.5, Ein Spiel in Linien (Studie Nr. 5) | Oskar Fischinger | Weimar Republic | Abstract animation[15] | |||
Studie Nr. 6 | Oskar Fischinger | Weimar Republic | Abstract animation[15] | |||
Such Is Life | Carl Junghans | Vera Baranovskaya, Theodor Pištěk | Czechoslovakia | Czech avant-garde social realist feature; silent[16] | ||
Tomatoes Another Day | James Sibley Watson Jr. | United States | Absurdist comedy written by Alec Wilder[17] | |||
The Trap | M.G. MacPherson, Jean Michelson | United States | Artkino production, Lost film[6] | |||
Wochenende (Weekend) | Walter Ruttmann | Weimar Republic | Audio-only film collage; no image[18] | |||
Yamekraw | Murray Roth | Hugo Marianni & His Mediterraneans | United States | Vitaphone "opera film" visualization of tone poem by James Price Johnson, heavily indebted to German expressionism.[19][20][21] | ||
1931 | ||||||
Autumn Fire | Herman G. Weinberg | Erna Bergman, Willy Hildebrand | United States | Cinematic poem; mixed nature and city film[6] | ||
A Bronx Morning | Jay Leyda | United States | City film; silent[22] | |||
City of Contrasts | Irving Browning | United States | City film[23][6] | |||
Dance Film | Ralph Steiner | United States | Dance film[6] | |||
A Day in Santa Fe | Lynn Riggs, James Hughes | United States | City film[10][24] | |||
Douro, Faina Flouval | Manoel de Oliveira | Portugal | City film | |||
Enthusiasm: Symphony of the Donbass | Dziga Vertov | Soviet Union | Documentary film with montage of both visuals and sound | |||
Hearts of the West | Theodore Huff | United States | Genre parody[6] | |||
Imperial Valley | Seymour Stern | United States | Experimental documentary, sometimes dated to 1932 or 1933; Stern taken off production which was finished by others, Lost film[25][26] | |||
Limite | Mário Peixoto | Olga Breno, Raul Schnoor | Brazil | Advertised as 'pure cinema;' first Brazilian avant-garde film[27] | ||
At the Prague Castle | Alexandr Hackenschmied | Czechoslovakia | Semi-documentary[4] | |||
Panther Woman of the Needle Trades, or The Lovely Life of Little Lisa | Ralph Steiner | Elizabeth Hawes, Morris Carnovsky | United States | Satire, print extant at MOMA[6] | ||
Portrait of a Young Man in Three Movements | Henwar Rodakiewicz | United States | Feature length experimental film, begun in 1925[28][29] | |||
Studie(s) Nr. 7-9 | Oskar Fischinger | Weimar Republic | Abstract animation[15] | |||
Surf and Seaweed | Ralph Steiner | United States | Photographic abstract film, sometimes dated to 1930.[30] | |||
The Light Penetrates the Darkness | Otakar Vávra, František Pilát | Czechoslovakia | Photographic abstract film[31] | |||
Taris, roi de l'eau | Jean Vigo | France | Documentary about a swimming champion | |||
1932 | ||||||
Blood of a Poet | Jean Cocteau | Lee Miller, Pauline Carton, Odette Talazacuez | France | Surrealist feature, produced by Charles de Noailles; often misdated to 1930-31[32] | ||
Burleska | Jan Kučera | Czechoslovakia | Experimental short; Kučera's only film[33] | |||
Destiny | Josef Berne | United States | Dated "ca. 1932"[6] | |||
Europa | Stefan Themerson, Franciszka Themerson | Poland | Abstract animation, based on the poem by Anatol Stern; lost, but partially reconstructed in 1984[3] | |||
The Fortune Teller | Jerome Hill | United States | Tinting and hand-coloring added in the 1960s[34][35] | |||
Granite, a.k.a. The Quarry | Ralph Steiner | United States | [6] | |||
Harbor Scenes | Ralph Steiner | United States | [6] | |||
Histoire du soldat inconnu | Henri Storck | Belgium | ||||
L'idée | Berthold Bartosch | France | Surreal animation; music by Arthur Honegger | |||
Koloraturen (Coloratura) | Oskar Fischinger | Weimar Republic | Abstract animation[15] | |||
Kuhle Wampe | Bertolt Brecht, Slatan Dudow | Weimar Republic | Agitprop film, written by Bertolt Brecht with music by Hanns Eisler. | |||
Land of the Sun | Seymour Stern | United States | Experimental documentary[36][25] | |||
Little Geezer | Theodore Huff | United States | Genre parody[6][37] | |||
Ornament Sound Experiments | Oskar Fischinger | Weimar Republic | Synthetic sound experiments[15] | |||
Poem 8 | Emlen Etting | Mary Binney Montgomery, Caresse Crosby | United States | Dance film, shot in 8mm, silent[38] | ||
Před maturitou (Before Matriculation) | Svatopluk Innemann, Vladislav Vančura | Jindřich Plachta, František Smolík | Czechoslovakia | Semi-experimental feature film[33][39] | ||
Qué vivá México! | Sergei Eisenstein, Grigori Alexandrov | Félix Balderas, Martín Hernández | Mexico | Begun in 1931, never completed by Eisenstein; edited into numerous other films[40] | ||
Studie(s) Nr. 10-11 | Oskar Fischinger | Weimar Republic | Abstract animation[15] | |||
Studie Nr. 12 | Oskar Fischinger, Hans Fischinger | Weimar Republic | Abstract animation[15] | |||
Sur les bords de la caméra (Pictures on the Sideline) | Henri Storck | Belgium | ||||
Visions of Lourdes | Charles Dekeukeleire | Belgium | ||||
1933 | ||||||
7 till 5 | Norman McLaren | United Kingdom | Amateur city film[41] | |||
Dawn to Dawn | Josef Berne, Seymour Stern | Julie Haydon, Ole M. Ness, Frank Eklof | United States | a.k.a. "Black Dawn," short, Naturalist melodrama[42][6][43] | ||
Deserter | Vsevolod Pudovkin | Boris Livanov, Vasili Kovrigin | Soviet Union | Asynchronous use of sound and image[44] | ||
Drobiazg Melodyjny (Moment Musical) | Stefan Themerson, Franciszka Themerson | Poland | Rayographic animation, Lost[3] | |||
Footnote to Fact | Lewis Jacobs | United States | City film[45] | |||
G-3 | Ralph Steiner | United States | Also dated to 1932[6][46] | |||
Las Hurdes: Tierra Sin Pan | Luis Buñuel | Abel Jacquin, Alexandre O'Neill | Spain | Documentary, co-written by Buñuel and Surrealist poet Pierre Unik, with music by Darius Milhaud | ||
In the Icy Wastes of Dialectical Materialism | Luis Buñuel, Charles de Noailles | France | Re-edited section of L'age d'or, rendered as comedy and shown in leftist theaters in Eastern Europe; lost.[47] | |||
Lot in Sodom | James Sibley Watson Jr., Melville Webber | Friedrich Haak, Hildegarde Watson | United States | Experimental short based on Biblical story[48] | ||
Mr. Motorboat's Last Stand | John Flory, Theodore Huff | Leonard Stirrup | United States | Satire[6][43] | ||
On the Sunny Side | Vladislav Vančura | Filip Balek-Brodský, Hana Bečková | Czechoslovakia | Didactic feature film[33][49] | ||
Une nuit sur le mont chauve | Alexandre Alexieff, Claire Parker | France | First pinscreen animation, also dated to 1934, 1931[50] | |||
Oil—A Symphony in Motion | M.G. MacPherson, Jean Michelson | United States | Only extant Artkino production[6][35] | |||
Oramunde | Emlen Etting | Caresse Crosby, Mary Binney Montgomery | United States | Dance film[35][51] | ||
Poslovi konzula Dorgena (Consul Dorgen's Business) | Oktavijan Miletić | Šime Marov, Ivan Alpi-Rauch | Yugoslavia | Experimental dramatic short; won a prize awarded by Louis Lumière[52][53] | ||
Prostoy sluchay (A Simple Case) | Vsevolod Pudovkin | Aleksandr Baturin, Mariya Belousova | Soviet Union | Naturalist drama, begun in 1931; silent[54] | ||
Pueblo | Seymour Stern | United States | Experimental documentary; never finished, Lost film[25] | |||
Synchromy | Mary Ellen Bute, Lewis Jacobs, Joseph Schillinger | United States | Abstract animation, never completed[55] | |||
Tilly Losch in the Dance of Her Hands | Norman Bel Geddes | Tilly Losch | United States | Dance film, dated 1930-33[35] | ||
The Earth Sings | Karel Plicka, Alexandr Hackenschmied | Czechoslovakia | Experimentally edited ethnographic semi-documentary, with music score[4] | |||
Zéro de conduite | Jean Vigo | France | ||||
1934 | ||||||
Atoms of Eternity | Čeněk Zahradníček | Czechoslovakia | ||||
Beyond This Open Road | B. Vivian Braun | United Kingdom | ||||
Café Universal | Ralph Steiner | United States | Satire featuring members of The Group Theatre[6] | |||
Camera Makes Whoopee | Norman McLaren | United Kingdom | Amateur film; montage experiments[56] | |||
La Joie de vivre | Anthony Gross, Hector Hoppin | France | Stylized, surreal animated film[57] | |||
The Furies | Slavko Vorkapich | United States | Surreal special effects insert for feature, "Crime without Passion"[58] | |||
Hands | Ralph Steiner, Willard Van Dyke | United States | Sponsored by the Works Project Administration; also dated 1936-7 and edited into later films[59][14] | |||
Happiness (1935 film) | Aleksandr Medvedkin | Petr Zinoviev, Elena Egorova | Soviet Union | Soviet satire; stylized, silent[60] | ||
The Hearts of Age | William Vance, Orson Welles | Virginia Nicolson, Orson Welles | United States | Amateur experimental film, made at the Todd School, Chicago[35] | ||
Kreise (Circles) | Oskar Fischinger | Weimar Republic | Abstract animation, exists in two versions, color[15] | |||
Liebesspiel | Oskar Fischinger | Nazi Germany | Abstract animation, first exhibited posthumously; silent[15] | |||
Man of Aran | Robert J. Flaherty | Ireland | Fictionalised documentary | |||
Marijka nevěrnice (Faithless Maritza) | Vladislav Vančura | Hana Maria Pravda | Czechoslovakia | Semi-experimental feature[33][61] | ||
Muratti Greift Ein (Muratti Gets in the Act) | Oskar Fischinger | Nazi Germany | Dancing cigarette animation, Gasparcolor[15] | |||
Prisoner | Roman Freulich | George Sari, Jack Rockwell | United States | Expressionistic short, made in Hollywood, lost film[6] | ||
Quadrate (Squares) | Oskar Fischinger | Nazi Germany | Abstract animation, silent, Gasparcolor[15] | |||
Rhythm in Light | Mary Ellen Bute | United States | Abstract animation[62] | |||
Ein Spiel in Farben (A Play in Colors) | Oskar Fischinger | Nazi Germany | Abstract animation, a.k.a. Studie No. 11a, color[15] | |||
Studie Nr. 13 (Coriolan Fragment) | Oskar Fischinger | Nazi Germany | Abstract animation, unfinished[15] | |||
Sweet Land of Liberty | Leo Hurwitz | United States | Satirical documentary; Lost film[63] | |||
Žijeme v Praze (We Live in Prague) | Otakar Vávra | Czechoslovakia | City film[64] | |||
1935 | ||||||
A Colour Box | Len Lye | United Kingdom | ||||
Colour Cocktail | Norman McLaren | United Kingdom | Abstract animation; lost film[65] | |||
Ghost Town: The Story of Fort Lee | Theodore Huff, Mark Borgatte | United States | Semi-documentary[23] | |||
Gypsy Night | Josef Berne, Harold Hecht | United States | Musical short, set in a Gypsy camp, color[66] | |||
The Hands on Tuesday | Čeněk Zahradníček | Czechoslovakia | [67][33] | |||
Hollywood | Vic Kandel, Robert Del Duca | United States | Satire, Lost film[63] | |||
Kinetic Molpai | Ted Shawn | Ted Shawn and his Men Dancers | United States | Modern dance film[68] | ||
Komposition in Blau (Composition in Blue) | Oskar Fischinger | Nazi Germany | Abstract animation in Gasparcolour[15] | |||
November | Otakar Vávra, Alexandr Hackenschmied | Czechoslovakia | [69][33] | |||
Muratti Privat | Oskar Fischinger | Nazi Germany | Dancing cigarette animation, black and white[15] | |||
Pie in the Sky | Ralph Steiner, Elia Kazan, Molly Day Thatcher, Irving Lerner | Elia Kazan, Russell Collins | United States | Satire[70] | ||
Pink Guards On Parade | Oskar Fischinger | Nazi Germany | Abstract advertisement, Gasparcolor, unfinished; recreation on video made in 2000 by William Moritz[15] | |||
Poison | Man Ray | Man Ray, Meret Oppenheim | France | Double "portrait" film of Ray and Oppenheim[71] | ||
Polychrome Phantasy | Norman McLaren | Canada | Abstract animation, color[72] | |||
Synchromy No. 2 | Mary Ellen Bute, Ted Nemeth | United States | Abstract animation[73] | |||
Zwarcie (Short Circuit) | Stefan Themerson, Franciszka Themerson | Poland | Abstract animation, music by Witold Lutoslawski, Lost[3] | |||
1936 | ||||||
145 W 21 | Rudy Burckhardt | Paul Bowles, Aaron Copland | United States | [74] | ||
The Birth of the Robot | Len Lye | United Kingdom | ||||
Black and White Rhapsody | Martin Frič | Czechoslovakia | City film[33] | |||
Dada | Mary Ellen Bute, produced by Ted Nemeth | United States | Abstract animation, black and white[75] | |||
Hell Unlimited | Helen Biggar, Norman McLaren | United Kingdom | Anti-war political short[76] | |||
The New Architecture and the London Zoo | László Moholy-Nagy | United Kingdom | ||||
Redes | Emilio Gómez Muriel, Fred Zinnemann | Silvio Hernández, Rafael Hinojosa | Mexico | Cinematography by Paul Strand, music by Silvestre Revueltas; Eisenstein-influenced revolutionary film[77] | ||
Rose Hobart | Joseph Cornell | Rose Hobart | United States | Collage film[78] | ||
1937 | ||||||
Even—As You and I | LeRoy Robbins, Harry Hay | Hy Hirsh | United States | |||
Escape | Mary Ellen Bute, produced by Ted Nemeth | United States | Abstract animation, color[79] | |||
Monsieur Fantômas | Ernst Moerman | Belgium | ||||
An Optical Poem | Oskar Fischinger | United States | Abstract animation, distributed by MGM, color[15] | |||
Parabola | Mary Ellen Bute, Ted Nemeth, Bill Nemeth, Rutherford Boyd | United States | Abstract animation[80] | |||
Przygoda Czlowieka Poczciwego (The Adventure of a Good Citizen) | Stefan Themerson, Franciszka Themerson | Poland | Satire[3] | |||
Seeing the World No. 1: A Trip to New York CIty | Rudy Burckhardt | United States | City film[10] | |||
Silnice spívá (The Highway Sings) | Elmar Klos, Alexandr Hackenschmied | Czechoslovakia | Experimental advertising film[4] | |||
1938 | ||||||
Bookstalls | Joseph Cornell | United States | Collage film, title added posthumously; Silent[10][81] | |||
Carousel: Animal Opera | Joseph Cornell | United States | Collage film[10] | |||
The Children's Jury | Joseph Cornell | United States | Collage film, Silent[10] | |||
The Children's Trilogy: Cotillion, The Midnight Party, The Children's Party | Joseph Cornell | United States | Collage film, put into a final form by Larry Jordan ca. 1967-70, Silent[10] | |||
Family Film | José Val del Omar | Spain | ||||
Fragment from Caroland's Mansion | Frank Stauffacher | United States | [82] | |||
Jack's Dream | Joseph Cornell | United States | Collage film, put into a final form by Larry Jordan ca. 1970[10] | |||
N or NW | Len Lye | United Kingdom | ||||
Thimble Theater | Joseph Cornell | United States | Collage film, title added posthumously; Silent[10] | |||
Tree Trunk to Head | Lewis Jacobs | Chaim Gross | United States | Semi-documentary, silent[83] | ||
1939 | ||||||
The City | Ralph Steiner, Willard Van Dyke | United States | City film for New York World's Fair, written by Pare Lorentz[84] | |||
Dance of the Colors | Hans Fischinger | Germany | Abstract animation, color[15] | |||
Haiti | Rudy Burckhardt | United States | [85] | |||
Love on the Wing | Norman McLaren | United Kingdom | Abstract animation, color[86] | |||
Scherzo | Norman McLaren | United Kingdom | Abstract animation, color[87] | |||
Spare Time | Humphrey Jennings | United Kingdom | Short documentary about British people at leisure, inspired by Mass Observation | |||
Spook Sport | Mary Ellen Bute, Ted Nemeth, Norman McLaren | United States | Abstract animation, color, animation by McLaren[88] | |||
Stars and Stripes | Norman McLaren | United Kingdom | Abstract animation, color[87] | |||
Time in the Sun | Marie Seton | United Kingdom | Composite film, made of footage shot by Sergei Eisenstein for Qué vivá México![89] | |||
References
- Jan Christopher Horak, ed. Lovers of Cinema: The First American Avant-Garde, University of Wisconsin Press, Madison WI 1995
- Paul Rotha and Roger Manvell, "Movie Parade: A Pictorial Survey of the Cinema" London: The Studio, 1936
- Parker Tyler, "Underground Film: A Critical History" New York: Da Capo Press, 1995 (originally published in 1969)
- David Curtis, "Experimental Cinema" New York: Universe Books, 1970
- Bruce Posner, ed. Unseen Cinema: Early American Avant-Garde Film, Black Thistle Press/Anthology Film Archives, NYC 2001
- imdb entry
- DVD Savant review of "Le fin du monde"
- Themerson Archive Filmography
- Monoskop Hackenschmied bio
- imdb entry
- Jan Christopher Horak, ed. Lovers of Cinema: The First American Avant-Garde, University of Wisconsin Press, Madison WI 1995
- imdb entry
- Crying for the Carolines (1930)
- imdb entry
- Unseen Cinema Program
- imdb entry
- imdb entry
- imdb entry
- Bruce Posner, ed. Unseen Cinema: Early American Avant-Garde Film, Black Thistle Press/Anthology Film Archives, NYC 2001
- [Moritz, William. Optical Poetry, filmography]
- BAM/PFA Film Program Archived 2013-07-07 at the Wayback Machine
- imdb entry
- Jesse Shapins, "Walter Ruttmann's Weekend" Archived 2011-08-15 at the Wayback Machine
- Hans Koert -- "Yamekraw: Rhapsody in Black and White
- Jennifer Fleeger -- Sounding American: Hollywood, Opera and Jazz. Oxford University Press, Oxford/New York, 2014 ppg. 44-51
- Richard Koszarski -- Hollywood on the Hudson: Film and Television in New York from Griffith to Sarnoff. Rutgers University Press, Piscataway, NJ 2008, ppg. 155-159
- imdb entry
- Unseen Cinema program
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- Ira H. Gallen, Seymour Stern: American Film Critic, Guardian and Prophet SEYMOUR STERN: AMERICAN FILM CRITIC, GUARDIAN and PROPHET by D.W. GRIFFITH - DIRECTOR on Myspace
- imdb entry
- William Drew, "Mário Peixoto"
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- The Art of Memory
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- imdb entry The Light Penetrates the Dark (1931)
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- Peter Hames: Czech and Slovak Cinema: Theme and Tradition, Edinburgh University Press, 2009
- imdb entry
- Unseen Cinema program
- Lewis Jacobs, Experimental Cinema in America Part One: 1921-1941, Hollywood Quarterly Vol.3 No. 2, Winter 1947-48
- imdb entry
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- Herman G. Weinberg, Unanswered Question: Eisenstein's Qué vivá México! in Bruce Posner, ed. Unseen Cinema: Early American Avant-Garde Film, Black Thistle Press/Anthology Film Archives, NYC 2001
- 7 Till 5 (1933)
- imdb entry
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- Soviet Films blog
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- First Light: Steiner
- Allmovie review of "L'Age d'or"
- imdb entry
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- Europa film treasures Archived 2013-01-04 at the Wayback Machine
- imdb entry
- Soviet Films blog
- imdb entry
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- La Joie de Vivre - 1934 - Europa Film Treasures Archived 2012-10-21 at the Wayback Machine
- Unseen Cinema on DVD
- NARA entry
- Russian Film Symposium essay
- imdb entry
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- Film and Photo League Filmography
- Monoskop Vávra bio
- imdb entry
- imdb entry
- 100 Dance Treasures: Ted Shawn
- Vávra Monoskop Bio
- imdb entry
- Ikono: "Man Ray Three Short Films and a documentary Archived 2014-01-31 at the Wayback Machine
- imdb entry
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- Rudy Burckhardt Films DVD
- Bute Research site at CVM
- imdb entry
- Criterion Collection, "Redes"
- Senses of Cinema essay
- Bute research site at CVM
- imdb entry
- John C. Film Notes Blog
- Unseen Cinema program #11
- imdb entry
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- Richard Bartone, "Notes on Four Films by Rudolph Burckhardt"
- imdb entry
- imdb entry
- Bute Research site at CVM
- "Movie Review - - THE SCREEN; 'Time in the Sun,' a Documentary of Mexico, Based on Eisenstein's Material, at the Fifth Avenue - NYTimes.com". www.nytimes.com. Retrieved 2017-08-20.
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