Künstlerroman

A Künstlerroman (German pronunciation: [ˈkʏnstlɐ.ʁoˌmaːn]; plural -ane), meaning "artist's novel" in English, is a narrative about an artist's growth to maturity.[1][2] It could be classified as a sub-category of Bildungsroman.[3]

Examples by language

German

Johann Wolfgang von Goethe's 1795 Wilhelm Meister's Apprenticeship
Ludwig Tieck's 1798 Franz Sternbalds Wanderungen
Novalis's 1802 Heinrich von Ofterdingen
Hermann Hesse's Demian (1919) and Klingsor's Last Summer (1920)
Thomas Mann's Tonio Kröger (1903), and Doctor Faustus (1947)
Jakob Wassermann's 1915 Das Gänsemännchen
Rainer Maria Rilke's 1910 The Notebooks of Malte Laurids Brigge

English

1805 William Wordsworth's The Prelude
1847 Charlotte Brontë's Jane Eyre
1848 Anne Brontë's The Tenant of Wildfell Hall
1850 Charles Dickens' David Copperfield
1852 Herman Melville's Pierre: or, The Ambiguities
1856 Elizabeth Barrett Browning's Aurora Leigh
1875 Henry James's Roderick Hudson
1890 Henry James's The Tragic Muse
1903 Samuel Butler's The Way of All Flesh
1909 Jack London Martin Eden
1913 D. H. Lawrence's Sons and Lovers
1915 W. Somerset Maugham's Of Human Bondage
1915 Willa Cather's The Song of the Lark
1916 James Joyce's A Portrait of the Artist as a Young Man[1]
1918 Wyndham Lewis's Tarr
1920 F. Scott Fitzgerald's This Side of Paradise
1928 Radclyffe Hall's The Well of Loneliness
1929 Thomas Wolfe's Look Homeward, Angel
1933 Malcolm Lowry's Ultramarine
1936 George Orwell's Keep the Aspidistra Flying
1939 John Fante's Ask the Dust
1943 Betty Smith's A Tree Grows in Brooklyn
1945 Richard Wright's Black Boy
1947 W.O. Mitchell's Who Has Seen the Wind
1952 Patricia Highsmith's The Price of Salt
1952 Ernest Buckler's The Mountain and the Valley
1955 William Gaddis's The Recognitions
1961 Irving Stone's The Agony and the Ecstasy
1963 Leonard Cohen's The Favourite Game
1970 Patrick White's The Vivisector
1971 Alice Munro's Lives of Girls and Women
1972 Chaim Potok's My Name Is Asher Lev
1973 Milan Kundera's Life Is Elsewhere
1974 Margaret Laurence's The Diviners
1978 John Irving's The World According to Garp
1981 Alasdair Gray's Lanark: A Life in Four Books
1982 Charles Bukowski's Ham on Rye[4]
1985 Jeanette Winterson's Oranges Are Not the Only Fruit[5]
1988 Margaret Atwood's Cat's Eye
1999 Tracy Chevalier's Girl with a Pearl Earring[6]
2003 Jennifer Donnelly's A Northern Light
2006 Alison Bechdel's Fun Home
2006 Stew's Passing Strange
2010 Eileen Myles's Inferno (A Poet's Novel)
2010 Wena Poon's Alex y Robert
2011 Ben Lerner's Leaving the Atocha Station

Notes

A semiautobiographical narrative takes up two of the four books of Gray's Lanark.
In John Dos Passos' U.S.A. trilogy, the Camera Eye sections add up to a modernist autobiographical Künstlerroman.
John Barth's Lost in the Funhouse is a collection of short stories that are often read as a postmodernist Künstlerroman.

French

1831, 1837 Honore de Balzac's The Unknown Masterpiece
1904–1905 Romain Rolland's Jean-Christophe
1913– 1927 Marcel Proust's In Search of Lost Time[7][8]

Italian

Gabriele D'Annunzio's Il Piacere, Le Vergini Delle Rocce and Il Fuoco
1975 Gavino Ledda's My Father, My Master (Padre Padrone)
2012–2015 Elena Ferrante's Neapolitan Novels

Icelandic

Halldór Laxness's World Light
Halldór Laxness's The Fish Can Sing

Russian

Vladimir Nabokov's The Gift

Croatian

1932 Miroslav Krleža's The Return of Filip Latinovicz

Turkish

1896–1897 Halit Ziya Uşaklıgil's Blue and Black (Mavi ve Siyah)

Bengali

1999 Malay Roy Choudhurys Chhotoloker Chhotobela

References

Werlock, James P. (2010) The Facts on File companion to the American short story, Volume 2, p.387
A Studio of One's Own: Fictional Women Painters and the Art of Fiction by Roberta White (page 13) published 2005 by Rosemont Publishing & Printing Crops. Accessed Via Google Books August 13, 2013.
Germaine de Staël in Germany: Gender and Literary Authority by Judith E. Martin (page 128) 2001 Fairleigh & Dickinson University Press
Calonne, David Stephen. Charles Bukowski. Reaktion Books, London, 2012. p. 146. ISBN 978-1-78023-023-8
'True stories', John Mullan, The Guardian, 27 October 2007.
Miriam de Paiva Vieira, "From Canvas to Paper: The Novel by Tracy Chevalier", Art and New Media: Vermeer’s Work under Different Semiotic Systems p.19
John Neary Something and nothingness: the fiction of John Updike & John Fowles p.54
Gilles Deleuze. Marcel Proust et les signes. Paris: PUF, 1964]
Rodríguez, Ileana; Szurmuk, Mónica (2015), The Cambridge History of Latin American Women's Literature (ebook), New York: Cambridge University Press, p. 212

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[Werlock2010p387-1] Werlock, James P. (2010) The Facts on File companion to the American short story, Volume 2, p.387

[2] A Studio of One's Own: Fictional Women Painters and the Art of Fiction by Roberta White (page 13) published 2005 by Rosemont Publishing & Printing Crops. Accessed Via Google Books August 13, 2013.

[3] Germaine de Staël in Germany: Gender and Literary Authority by Judith E. Martin (page 128) 2001 Fairleigh & Dickinson University Press

[4] Calonne, David Stephen. Charles Bukowski. Reaktion Books, London, 2012. p. 146. ISBN 978-1-78023-023-8

[5] 'True stories', John Mullan, The Guardian, 27 October 2007.

[6] Miriam de Paiva Vieira, "From Canvas to Paper: The Novel by Tracy Chevalier", Art and New Media: Vermeer’s Work under Different Semiotic Systems p.19

[7] John Neary Something and nothingness: the fiction of John Updike & John Fowles p.54

[8] Gilles Deleuze. Marcel Proust et les signes. Paris: PUF, 1964]

[9] Rodríguez, Ileana; Szurmuk, Mónica (2015), The Cambridge History of Latin American Women's Literature (ebook), New York: Cambridge University Press, p. 212