Julie Chen (book artist)

Julie Chen (born 1963) is an American book artist.

Julie Chen
Born1963 (1963)
Inglewood, California
NationalityAmerican
EducationUniversity of California, Berkeley, Mills College
Known forBook arts

Education and teaching

Chen was born in 1963 in Inglewood, California.[1] She completed an undergraduate degree in printmaking at the University of California, Berkeley in 1984.[1] She subsequently became interested in book arts and got a degree in book arts from Mills College in 1989.[1] She began teaching book arts at Mills College as an adjunct in 1996 and became an associate professor in 2010.[2]

Career

Chen has achieved prominence by creating conceptually sophisticated works that combine traditional techniques, such as letterpress printing and hand bookbinding, with more modern technologies such as photopolymer plates and laser cutting.[3][4] She is known for pushing the structural boundaries of the artist's book with a range of architectural and sculptural approaches.[1] At the same time, her work is praised for its high standard of production and emphasis on the artist's book as a tactile experience.[5][6][7] Victoria Steele, the former Brooke Russell Astor Director of Collection Strategy for New York Public Library, remarked that the "physical form" of Chen's work "reinforces the concept and text." Chen investigates the "complex experience" of book arts through her work as an artist and educator. [8]

During her time as a student at Mills College, Chen founded Flying Fish Press, publishing limited-edition artists' books. Chen typically works independently but has also produced books collaboratively with fiber artist Nance O'Banion and book artists Barbara Tetenbaum and Clifton Meador.[8]

Chen's 1992 book, Octopus, features a tunnel-like, pop-up element known in the book trade as a "peep show" and includes text written by poet Elizabeth McDevitt.[9] It offers a three-dimensional underwater scene with the tentacles of an octopus extending behind the words, creating a physical analogue of the poem, which speaks of concealment, disguise, and distance.[10]

In 1994, Chen collaborated with fellow book artist, Ed Hutchins, on River of Stars, a small book, only three by three inches that was released in an edition of 100.[11]

Bon Bon Mots (1998), a meditation on the fleeting sweetness of life, takes the form of a box of chocolates, each of which, on being unwrapped, reveals itself as a tiny book. Each of the five 'chocolate box' books is folded differently and illustrate the range of approaches Chen brings to each project. "Social Graces" is a lotus-fold type, "Life Cycle" is a tetra-tetra flexagon, "Elegy" is a concertina with leaf-shaped pages in a clay cover, "Labyrinth" is ball-in-a-maze type of puzzle in a paper slipcase, and "Either/Or" is a "magic wallet".[12][13] Chen has also worked with the volvelle or wheel chart, which is a set of stacked paper disks of varying sizes, sometimes with windows.[14]

Chen's books reflect her current interests, current events, and her own personal experiences. In 2002, she released The Veil, a work created in the time leading up to the Iraq War; Chen explains that the book "presents personal reflections inspired by the current political situation in the Middle East and the world" and is in a carousel format.[15]

Chen’s books are in the collections the Museum of Modern Art in New York City, the National Museum of Women in the Arts in Washington D.C.,[1] and the Victoria and Albert Museum in London.

Flying Fish Press

Julie Chen began Flying Fish Press in 1987 as a graduate student in Book Art at Mills College in Oakland, California.[16] Though mostly a personal press for books by Julie Chen, she has also collaborated on artist’s book projects with other artists including Lois Morrison, Barbara Tetenbaum and Clifton Meador.

Group exhibitions

Exhibits listed in Benezit Dictionary of Artists unless otherwise noted[17]

Solo exhibitions

Exhibits listed in Benezit Dictionary of Artists unless otherwise noted[17]

  • 2002, The Art of Flying Fish Press, University of Vermont, Burlington
  • 2003, The Art of Flying Fish Press, PABA Gallery, New Haven
  • 2005, Bookworks of Flying Fish Press, Mills College Library, Oakland
  • 2006, Bookworks from Flying Fish Press, Woodland Pattern Book Center, Milwaukee
  • 2008, The Bookworks of Flying Fish Press, Center for Book Arts, New York
  • 2020, Julie Chen: True to Life, Library & Research Center at the National Museum of Women in the Arts[18]

Artists books

Flying Fish Press Books in chronological order[19]

  • 2019 Wayfinding, text and image by Julie Chen. 50 copies
  • 2018 Half- Century, text and image by Julie Chen. 50 copies
  • 2017 A Recuerdo for Ste. Ostrich, text and image by Lois Morrison; book design and paper engineering by Julie Chen. 50 copies
  • 2016 Bitter Chocolate, text by Julie Chen. Images by Julie Chen and Keri Miki-Lani Schroeder. 50 copies
  • 2015 Composite Impressions, text and image by Julie Chen. 50 copies
  • 2014 Chrysalis, text and image by Julie Chen. 50 copies
  • 2013 Family Tree, text and image by Julie Chen. 50 copies
  • 2013 Praxis (Illustrated), text and image by Julie Chen. 50 copies
  • 2013 Cat’s Cradle, text and image by Julie Chen. 50 copies
  • 2012 Memento, text and image by Julie Chen. 50 copies
  • 2011 Glimpse, text and image by Julie Chen and Barbara Tetenbaum. 100 copies
  • 2011 How Books Work, text and image by Julie Chen and Clifton Meador. Open edition
  • 2010 Invented Landscape, text and image by Julie Chen. 50 copies
  • 2009 A Guide to Higher Learning, text and image by Julie Chen. 100 copies
  • 2008 Panorama, text and image by Julie Chen. 100 copies
  • 2006 View, text and image by Julie Chen. 100 copies
  • 2006 Full Circle, text and image by Julie Chen. 100 copies
  • 2004 True to Life, text and image by Julie Chen. 100 copies
  • 2003 Personal Paradigms: A Game of Human Experience, text and image by Julie Chen. 100 copies
  • 2002 The Veil, text and image by Julie Chen. 100 copies
  • 2001 Ode to a Grand Staircase, text by Erik Satie, Book design and images by Julie Chen and Barbara Tetenbaum. 100 Copies
  • 2001 Evidence of Compression, text and image by Julie Chen
  • 2000 (In)versions, images by Julie Chen and David Turner. 30 copies.
  • 1999 World Without End, text and image by Julie Chen. 25 copies.
  • 1998 Bon Bon Mots, text and image by Julie Chen. 100 copies.
  • 1997 Leavings, text and image by Julie Chen. 100 copies.
  • 1996 Life Time, text and image by Julie Chen. 100 copies.
  • 1996 Space-Time Geometry, text and book design by Julie Chen. Drawings by David Turner. 10 copies.
  • 1995 Radio Silence, text and image by Julie Chen. 75 copies.
  • 1994 Double Helix: An Essential Component of all living Matter, text and image by Julie Chen. One-of-a-kind book
  • 1994 River of Stars, text and image by Julie Chen. 100 copies.
  • 1993 Correspondence Course, text and image by Nance O’Banion. Book Design by Julie Chen 125 copies.
  • 1992 Octopus, text by Elizabeth McDevitt, images by Julie Chen. 100 copies.
  • 1992 You Are Here, text and image by Julie Chen. 100 copies
  • 1992 Listening, text, and image by Julie Chen. 75 copies
  • 1990 Domestic Science: Pop-up Icons & Idioms, text and image by Nance O'Banion. Book design by Julie Chen. 150 Copies.
  • 1990 Ste. Ostrich in Manhattan: The visitation of a Martyr, text and image by Lois Morrison. Book Design by Julie Chen 125 copies.
  • 1989 Requiem, text by Julie Chen and text from the Requiem of Hector Berlioz. 12 copies.
  • 1988 Memories of Fruit, text and image by Lois Morrison. Book Design by Julie Chen. 50 copies.
  • 1988 Symphonic Visions, images by Julie Chen. One of a kind.
  • 1987 Origin, text and image by Julie Chen. 6 copies.
  • 1987 A Place of Uncertain Refuge, text by E.B. Mudd, frontispiece and book design by Julie Chen 75 copies.
  • 1987 The First Seven Days, text from Genesis, images and book design by Julie Chen.

References
  1. "Julie Chen | Artist Profile". National Museum of Women in the Arts. Retrieved 14 October 2020.
  2. "Julie N Chen Curriculum Vitae | Mills College".
  3. Flying Fish Press website, "About" page.
  4. Vieth, Lynne S. "The Artist's Book Challenges Academic Convention." Art Documentation (2006): 14-19.
  5. Spark (2004-03-03). "Julie Chen". Spark. Retrieved 2019-03-23.
  6. "Episode V: Process" Archived 2014-01-23 at the Wayback Machine.Craft in America website.
  7. "Julie Chen". Craft in America website Archived 2014-06-09 at the Wayback Machine.
  8. Lovelace, Joyce (March 20, 2011). "Read Between the Lines". American Craft. April/May 2011.
  9. Amos, Tom, and Samanta Cairo. "Special Selections: The J. Whirler and Jean Tyler Pop-Up Books Collections". Friends of the University Libraries, Western Michigan University, 2002, p. 2.
  10. Strizever, Michelle. "The Unique Apparition of a Distance: Aura in Julie Chen and Elizabeth McDevitt's Octopus." Openings: Studies in Book Art 1:1, 2012.
  11. Seigel, Caroline L.; Chen, Julie (2002). "A Conversation with Book Artist Julie Chen at Her Studio, Berkeley, California, January 11, 2000". Art Documentation: Journal of the Art Libraries Society of North America. 21 (1): 30–35. doi:10.1086/adx.21.1.27949177. ISSN 0730-7187. S2CID 194486410.
  12. Wasserman, Krystyna. "Book as Art XIV: Temptations". Reprinted from an exhibition catalog of the same title published by the National Museum of Women in the Arts, 2002.
  13. "Bon Bon Mots". University of Nevada, Reno, Special Collections website.
  14. Hiebert, Helen. Playing with Pop-Ups: The Art of Dimensional, Moving Paper Designs. Quarry Books, 2014, pp. 85-87.
  15. "Flying Fish Press". www.vampandtramp.com. Retrieved 2020-01-10.
  16. "About Flying Fish Press". flyingfishpress.com. Retrieved 14 May 2020.
  17. "Chen, Julie". Benezit Dictionary of Artists. Retrieved 14 October 2020.
  18. "Julie Chen: True to Life | Exhibition". NMWA. Retrieved 14 October 2020.
  19. "Portfolio, Flying Fish Press". Flying Fish Press. Retrieved 14 May 2020.
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