Jules Joseph Lefebvre

Jules Joseph Lefebvre (French: [ʒyl ʒɔzɛf ləfɛvʁ]; 14 March 1836 – 24 February 1911) was a French figure painter, educator and theorist.

Jules Joseph Lefebvre
Jules Joseph Lefebvre (no later than 1903)
Born(1836-03-14)14 March 1836[1]
Tournan-en-Brie, Seine-et-Marne, France
Died24 February 1911(1911-02-24) (aged 74)[1][2]
Paris, France
Other namesJules Lefebvre[2]
OccupationPainter
Jules Lefebvre in his studio

Early life

Lefebvre was born in Tournan-en-Brie, Seine-et-Marne, on 14 March 1836.[1] He entered the École nationale supérieure des Beaux-Arts in 1852 and was a pupil of Léon Cogniet.

Career

He won the prestigious Prix de Rome in 1861. Between 1855 and 1898, he exhibited 72 portraits in the Paris Salon. Many of his paintings are single figures of beautiful women. Among his best portraits were those of M. L. Reynaud and the Prince Imperial (1874).[3] In 1891, he became a member of the French Académie des Beaux-Arts.

He was professor at the Académie Julian in Paris.[4] Lefebvre is chiefly important as an excellent and sympathetic teacher who numbered many Americans among his 1500 or more pupils. Among his famous students were Fernand Khnopff, Kenyon Cox,[3] Félix Vallotton, Ernst Friedrich von Liphart,[5] Georges Rochegrosse,[6] the Scottish-born landscape painter William Hart, Walter Lofthouse Dean, and Edmund C. Tarbell, who became an American Impressionist painter.[7] Another pupil was the miniaturist Alice Beckington.[8] Jules Benoit-Lévy entered his workshop at the École nationale supérieure des Beaux-Arts.[9]

Lefebvre died in Paris on 24 February 1911.[1][2]

Significant milestones

Selected works
  • 1861 The Death of Priam (won the Prix de Rome), École nationale supérieure des Beaux-Arts, Paris
  • 1861 Diva Vittoria Colonna
  • 1863 Boy Painting a Tragic Mask
  • 1864 Roman Charity
  • 1865 Portrait d'Antonio, modèle italien
  • 1866 Cornelia, Mother of the Gracchi
  • 1868 Reclining Nude, Musée d'Orsay
  • 1869 Le Réveil de Diane
  • 1869 Portrait of Alexandre Dumas
  • 1870 La Vérité (The Truth) (1870), oil on canvas, Musée d'Orsay, Paris. The painting is contemporary with the first small scale model made by Lefebvre's fellow-Frenchman Frédéric Bartholdi for what became the Statue of Liberty, striking a similar pose, though fully clothed.[2]
  • 1870s Jeune femme à la mandoline (Girl with a Mandolin)
  • 1870 Portrait du Prince Impérial
  • 1872 Pandora
    Graziella, 1878 (depicting the protagonist of Alphonse de Lamartine's novel Graziella)
  • 1872 La Cigale, National Gallery of Victoria (Exhibited Salon, Paris, 1872, no. 970; collection of Milton Latham (1827–82), San Francisco, before 1878; by whom sold, New York, 1879; collection of Daniel Catlin, St Louis, Missouri, 1879–1893; by whom gifted to the St Louis Museum of Fine Arts, 1893–1945; deaccessioned and sold, c. 1945; collection of Julian Sterling, Melbourne, by 1984–2005; from whom purchased for the Felton Bequest, 2005.)
  • 1874 Odalisque
  • 1874 Slave Carrying Fruit (Ghent Museum)
  • 1874 Portrait of Eugène Louis Napoléon Bonaparte
  • 1875 Chloé, Young and Jackson Hotel, Melbourne
  • 1876 Mary Magdalene in the Cave, Hermitage Museum, Saint Petersburg
  • 1877 Pandora
  • 1878 Mignon, Metropolitan Museum of Art, New York
  • 1878 Graziella, Metropolitan Museum of Art, New York
  • 1879 Diana
  • 1879 Diana Surprised, Museo Nacional de Bellas Artes, Buenos Aires
  • 1880 Portrait of Julia Foster Ward, Museum of Fine Arts, St. Petersburg, FL
  • 1880 Housemaid, Pera Museum, Istanbul
  • 1881 La Fiametta from Giovanni Boccaccio
  • 1881, Ondine, Museum of Fine Arts, Budapest[10]
  • 1882 Pandora (II)
  • 1882 Japonaise (A Japanese woman)
  • 1883 Psyché
  • 1884 The Feathered Fan
  • 1884 Portrait of Edna Barger, private collection
  • 1890 Lady Godiva
  • 1890 Ophelia
  • 1892 A Daughter of Eve
  • 1892 Judith
  • 1896 Portrait of a Lady (II)
  • 1898 Amor beim Schärfen seiner Pfeile (Love sharpening its arrows)
  • 1901 Alexander Agassiz
  • 1901 Yvonne (formerly Musée du Luxembourg), Portrait of Lefebvre's daughter
  • Clémence Isaure
  • Diana Surprised, 1879
  • Lady Godiva, 1891
  • La Vérité, 1870
  • Vittoria Colonna, 1861

Undated works
  • Clémence Isaure
  • La Fiancée
  • Woman with an Orange
  • Nymph with Morning Glory Flowers
  • Fleurs des Champs
  • L'Amour Blessé (Wounded Love)
  • Mediterranean Beauty
  • Portrait of a Lady
  • Portrait of a Woman
  • Young Woman with Morning Glories in Her Hair

See also

References
  1. "Art Renewal Center Museum™ Artist Information for Jules Joseph Lefebvre". Art Renewal Center.
  2. "A One-Picture Painter". Evening News (13, 776). New South Wales, Australia. 3 August 1911. p. 6. Retrieved 6 March 2017 – via National Library of Australia.
  3. Oxford Art Online, "Lefebvre, Jules"
  4. Collier, Peter; Lethbridge, Robert (1994). Artistic Relations: Literature and the Visual Arts in Nineteenth-century France. London: Yale University Press. p. 50. ISBN 9780300060096.
  5. Baron Ernst Friedrich von Liphart, Late 19th Century – 19th Century – Russian Artists – Biographies – RusArtNet.com
  6. Waller, S. (ed.), Foreign Artists and Communities in Modern Paris, 1870–1914: Strangers in Paradise, Routledge, 2017, p. 119
  7. Kathleen Luhrs, American Paintings in the Metropolitan Museum of Art, 1980: "... on to Paris and studied for a year at the Académie Julian under Gustave Boulanger and Jules Lefebvre."
  8. Carrie Rebora Barratt; Lori Zabar (1 January 2010). American Portrait Miniatures in the Metropolitan Museum of Art. Metropolitan Museum of Art. pp. 244–. ISBN 978-1-58839-357-9.
  9. "Benoit-Lévy, Jules (1866–1925), Painter, draughtsman, illustrator", Benezit Dictionary of Artists
  10. Kovacs, Anna Zsófia (2015–2016). "L'Ondine de Jules Lefebvre : un nu académique français dans les collections du musée des Beaux-Arts". Bulletin du musée hongrois des Beaux-Arts. 120–121: 147–164.
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