Jonathan Allen (artist)

Jonathan Allen (born 1966) is a visual artist, writer, and magician based in London. His alter-ego "Tommy Angel", is a fictitious evangelist and magician satirising the genre of Gospel Magic, who Allen portrays in a variety of media including performance, photography, video, and writing.

Jonathan Allen
Born1966
NationalityBritish
OccupationVisual artist
writer
magician
Years active1991–present
Known forVisual Artist and Magician
Websitejonathanallen.info
Tommy Angel No. 4 (2006) b/w photograph by Jonathan Allen shown at Singapore Biennale

Life and work

Allen was born in 1966 in the United Kingdom.[1] He received a Fine Art MA from Chelsea College of Art in 1989 and was a Henry Moore Fellow at Sheffield Hallam University from 1991 to 1993. From 2007–8 he was the Arts Council England Helen Chadwick Fellow at the University of Oxford and the British School at Rome.[2]

Allen's work has appeared in many exhibitions including "Feint" at Deutsche Bank in New York City, "The Float in the Sight of Things" at Ferens Art Gallery in Hull, "Mesmer" at temporarycontemporary in London, "Con Art" at Site Gallery in Sheffield, "Scarecrow" in Metzova Greece, and "Variety" at the De La Warr Pavilion Bexhill on Sea, UK, the first Singapore Biennale[3][4] , "The Dictionary of War" in Berlin, "Kalanag" at David Risley Gallery London, "The Great Transformation – Art & Tactical Magic" at Frankfurter Kunstverein, and "Adventureland Golf" at the Grundy Art Gallery Hull,[5] "Explode Every Day" at the Massachusetts Museum of Contemporary Art MASS MoCA,[6] "Twenty-First-Century Silks" at Ryan Lee Gallery, New York, "The Act of Magic", STUK – House for Dance & Image, Leuven.[7]

In 2002, Allen instigated the international group show "Con Art" with American curator Helen Varola and Carol Maund which explored art and conjuring's shared principles of 'cunning and conning' through a gallery exhibition (including Mark Wallinger, Simon Patterson, Sarah Charlesworth, and others), a symposium (chaired by Susan Hiller), and a live performance event including, amongst others, Forced Entertainment, Ursula Martinez, and Tommy Angel. In 2010, he co-curated the Hayward Gallery touring exhibition "Magic Show"[8] with the writer Sally O'Reilly.[9]

Allen writes widely on art and cultural history for visual art journals including Contemporary, Tate Etc, and Cabinet magazine, for which he guest-edited an issue dedicated to magic in 2007.[10] He is a member of The Magic Circle, the UK organisation for professional magicians, and a curator at The Magic Circle Museum. In 2013 Allen identified a previously unknown tarot deck within the museum's collections hand-painted c.1906 by the English artist and mystic Austin Osman Spare.[11] He subsequently edited the first critical survey of Spare's cards.[12][13]

Tommy Angel

Tommy Angel is the name of a fictional 'gospel magician' who features in some of Allen's photographic and performance work.[14] Angel, who has been described as "Billy Graham meeting David Copperfield via Donald Rumsfeld", parodies the evangelical entertainment form known as Gospel Magic.[15]

Large black-and-white photographic images depicting Tommy Angel, were exhibited at The De La Warr Pavilion, Bexhill on Sea, UK (2005), David Risely Gallery (2006),[14] and Singapore Biennale (2006). Allen has performed the persona of Tommy Angel in a diverse contexts including cabaret venues, church halls, and art galleries, including the Hayward Gallery on the occasion of Eyes, Lies and Illusions, and in 2006 at Tate Britain, as well as the ZOO Art Fair.

A fake dollar bill bearing the face of Tommy Angel and various parodic evangelistic slogans was introduced into public circulation (via pickpockets using their skills in reverse) during the 1st Singapore Biennale in 2006.

Between 2004 and 2006, British singer-songwriter Paloma Faith was Allen's co-performer, appearing alongside Tommy Angel under the stage name 'Miss Direction'.[16] Tommy Angel was the subject of a feature article in the Las Vegas-published Magic in February 2006.

References
  1. "Jonathan Allen". Retrieved 27 June 2018.
  2. Helen Chadwick Fellowship, Oxford University "Archived copy". Archived from the original on 1 March 2014. Retrieved 17 February 2014.CS1 maint: archived copy as title (link) Retrieved 17 February 2014
  3. SPH Magazines (September 2006). PHOTOVIDEOi. SPH Magazines. p. 8.
  4. Singapore Biennale . Retrieved 17 February 2014
  5. Adventureland Golf, Grundy Art Gallery . Retrieved 17 February 2014
  6. Explode Every Day, Massachusetts Museum of Contemporary Art, USA, . Retrieved 17 September 2017
  7. Artefact Expo/Festival 2017 – The Act of Magic at STUK, Leuven . Retrieved 17 September 2017
  8. Magic Show ISBN 9781853322815 . Retrieved 17 February 2014
  9. Grant, Simon (February 2010). "As if by magic". Apollo  – via HighBeam (subscription required) . Archived from the original on 21 March 2017. Retrieved 20 March 2017.
  10. Cabinet, writing by Jonathan Allen . Retrieved 17 February 2014
  11. "Archive – Camden Arts Centre". camdenartscentre.org. Retrieved 12 August 2016.
  12. Lost Envoy – The Tarot Deck of Austin Osman Spare (Strange Attractor Press, 2016 ISBN 9781 907222443) Retrieved 18 August 2016
  13. Auger, Emily (2017). "Lost Envoy – The Tarot Deck of Austin Osman Spare". Preternature. JSTOR 10.5325/preternature.6.1.0186.
  14. Searle, Adrian (17 January 2006). "Why art is a kind of magic". The Guardian. Retrieved 20 March 2017.
  15. Keith Patrick (2005). Contemporary. Art 21.
  16. Power, Ed (19 June 2009). "Q&A: Paloma Faith". Irish Independent. Retrieved 11 December 2017.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.