Hey, Happy!

Hey, Happy! is a Canadian science fiction comedy film, directed by Noam Gonick and released in 2001.[1]

Hey, Happy!
Directed byNoam Gonick
Produced byNoam Gonick
Laura Michalchyshyn
Written byNoam Gonick
StarringJérémie Yuen
Craig Aftanis
Clayton Godson
CinematographyPaul Suderman
Edited byBruce Little
Production
company
Big Daddy Beer Guts
Distributed byMongrel Media
Release date
  • January 27, 2001 (2001-01-27) (Sundance)
Running time
75 minutes
CountryCanada
LanguageEnglish

Set in a countercultural squatter camp on the outskirts of Winnipeg,[2] the film stars Jérémie Yuen as Sabu, a bisexual rave disc jockey on a quest to have sex with 2,000 men before the imminent apocalyptic flood of the Red River. After successfully bedding 1,999 men, he sets his sights on Happy (Craig Aftanis) as his final conquest, only to be drawn into a love triangle with rival Spanky (Lexi Tronic, credited as Clayton Godson).[3]

The film premiered at the 2001 Sundance Film Festival.[4] It had its Canadian premiere at the Inside Out Film and Video Festival,[5] where it won the award for Best Canadian Film.[6] In its subsequent Canadian theatrical release, it was screened with Guy Maddin's short film The Heart of the World.[7]

Critical response

Writing for the Toronto Star, Geoff Pevere wrote that "If Gonick's first feature film (he directed the award-winning documentary about filmmaker Guy Maddin called Waiting for Twilight) registers anything with prairie twilight clarity, it's expertly orchestrated chaos: as individually anarchic as any of the movie's set-pieces may seem- and the one involving "Magnolia Thunderpussy's Filipino witchcraft shack" is merely one- they're rendered with a cinematic skill that gives the rules behind the gameplaying away. Whether or not you "get" this flagrantly anti-linear movie, there's no missing the artfulness behind it."[2]

For the National Post, Stephen Cole panned the film, writing that "none of [its cast], amateurs all, show any aptitude for performing (Godson acts about as well as Sex Pistol Sid Vicious played bass), although inarticulate Yuen, who is forever pulling the hair out of his eyes, is an intriguing camera subject-hunk in the tradition of Warhol's Joe Dallesandro."[7]

In his 2006 book The Romance of Transgression in Canada: Queering Sexualities, Nations, Cinemas, Thomas Waugh wrote that the film was essentially a postmodern update of John Greyson's 1996 film Lilies, "but this one substitutes upbeat prairie rave euphoria for Quebec martyr melodrama".[8]

References
  1. "Getting Happy before the apocalypse". The Globe and Mail, May 24, 2001.
  2. "Shiny, happy prairie people". Toronto Star, June 1, 2001.
  3. "Hey, calm down!" The Globe and Mail, June 1, 2001.
  4. "Indie films hit spotlight ; Category-defying originals dominate awards at Sundance". Toronto Star, January 29, 2001.
  5. "Out of the closet, into the mainstream". The Globe and Mail, May 18, 2001.
  6. "My Left Breast wins more film awards". The Telegram, May 30, 2001.
  7. "My own private Manitoba". National Post, June 1, 2001.
  8. Thomas Waugh, The Romance of Transgression in Canada: Queering Sexualities, Nations, Cinemas. McGill-Queen's University Press, 2006. ISBN 9780773576803. p. 423.
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