Helen Tracy Lowe-Porter

Helen Tracy Lowe-Porter (June 15, 1876 – April 26, 1963)[1] was an American translator and writer, best known for translating almost all of the works of Thomas Mann for their first publication in English.[2]

Helen Tracy Lowe-Porter
Helen Tracy Lowe-Porter, 1920
Born	Helen Tracy Porter June 15, 1876 Towanda, Pennsylvania, U.S.
Died	April 26, 1963 (aged 86) Princeton, New Jersey, U.S.
Nationality	American
Known for	Translator of Thomas Mann
Spouse(s)	Elias Avery Lowe
Children	3

Personal life

Helen Tracy Porter was the daughter of Clara (née Holcombe) and Henry Clinton Porter. She was the niece of Charlotte Endymion Porter, editor of Poet Lore, a poetry journal, and an expert on Shakespeare and Elizabeth and Robert Browning.[3] She married the paleographer Elias Avery Lowe in 1911. The couple lived in Oxford; after 1937, their residence was in Princeton, New Jersey. Their great-grandson is Boris Johnson, Prime Minister of the United Kingdom.[4]

Career

For more than two decades, Lowe-Porter had exclusive rights to translate the works of Thomas Mann from German into English. She was granted these rights in 1925 by Alfred A. Knopf.[5]

In her essay "On Translating Thomas Mann," Lowe-Porter discussed translating Mann's novels, and expressed some thoughts on translating generally. She wrote, for example, that in translating the second volume of Mann's Joseph series, Young Joseph, she had ″been forced—since the English version was for both markets [British and American]—to emasculate the style, in some degree, taking care to write only what would be acceptable literary usage on both sides of the ocean.″[6] She also said, in her note to her translation of Der Zauberberg (The Magic Mountain):

[T]he violet has to be cast into the crucible, the organic work of art to be remoulded in another tongue.... [S]ince in the creative act word and thought are indivisible, the task was seen to be one before which artists shrink and logical minds recoil.[7]

She wrote an original play, Abdication, which received its first production in Dublin in September 1948.[8]

Thomas Mann translations

Lowe-Porter's translations of Thomas Mann works include the following (dates in brackets refer to the German publication, the dates after to the English-language translations).

• Buddenbrooks [1901] 1924
• The Magic Mountain [1924] 1927
• Death in Venice [1913] 1928
• Mario and the Magician [1930] 1931
• Joseph and His Brothers, comprising:
  • I The Tales of Jacob [1933] 1934
  • II Young Joseph [1934] 1935
  • III Joseph in Egypt [1936] 1938
  • IV Joseph the Provider [1943] 1944
• Stories of Three Decades 1936
• The Beloved Returns [1939] 1940
• The Transposed Heads [1940] 1941
• Essays of Three Decades 1947
• Doctor Faustus [1947] 1948
• The Holy Sinner [1951] 1951
• A Sketch of My Life 1960

Critical reaction

For decades, Lowe-Porter's translations of Mann were the only versions that existed in the English-speaking world, aside from Herman George Scheffauer's. Mann expressed his appreciation to Lowe-Porter for her work, nicknaming her "die Lowe", but also added the caveat, "insofar as my linguistic knowledge suffices". Critic Theodore Ziolkowski said of Lowe-Porter's translation of Mann's Buddenbrooks:

Lowe-Porter provided a valuable service by making Mann's novel initially accessible to the English and American publics.[9]

Other commentaries on her translations have included the following:

The Lowe-Porter translations of Thomas Mann, despite occasional inaccuracies almost inevitable in works of such length and complexity, convey the ironic and pyrotechnical style of the original with great effectiveness.[10]

Despite minor inaccuracies, misreadings, and possible errors of judgment (to which all translators are subject, whatever they may say), Lowe-Porter's translations are widely beloved and have become classics in their own right, to stand beside Constance Garnett's Tolstoy and Dostoyevsky and Scott Moncrieff's Proust. She is indisputably, in quantity as in quality, one of the great translators of our time.[11]

Thomas Mann and Proust were lucky in their translators.[12]

Though early reviewers were generally impressed by the relative readability of Lowe-Porter’s English and by the sheer scale of the task, from the 1950s on doubts were expressed about the accuracy of the translations, culminating in Timothy Buck’s study which led him to conclude that they constituted "grossly distorted and diminished versions"[13] of Mann’s work, and that "the loss, not only of accuracy but also of quality, is inestimable."[13] Not only was her grasp of German so shaky that she made countless elementary errors of comprehension, but she also made frequent omissions and additions and unnecessarily simplified Mann’s characteristic complex syntax.[14]

A new assessment of the English translations of Thomas Mann within the framework of modern descriptive-analytical translation studies has been provided by David Horton.[15] Horton seeks to move beyond an exclusively error-based evaluation of literary translation, examines various salient dimensions of versions by Lowe-Porter, Luke and Woods, and demonstrates that Lowe-Porter's approach to translation was in keeping with the practice prevalent at the time.

References

1. pp. 428-429, Notable American Women: The Modern Period: a Biographical Dictionary, Barbara Sicherman, Carol Hurd Green, Harvard University Press, 1980; ISBN 0674627334.
2. Robertson, Ritchie (2002). The Cambridge Companion to Thomas Mann. Cambridge University Press. pp. 235–47. ISBN 0-521-65370-3.
3. "Pennsylvania Literary Biographies, Pennsylvania State University". Archived from the original on 2013-05-15. Retrieved 2013-12-07.
4. "Boris day: All you need to know about Britain's new Prime Minister Boris Johnson". gulfnews.com. Retrieved 2019-08-22.
5. ″Blanche and Alfred Knopf ... induce[d] Mann to take Mrs. Lowe as translator....″ In Another Language: A Record of the Thirty-Year Relationship between Thomas Mann and His English Translator, Helen Tracy Lowe-Porter (1966), by John C. Thirlwall. New York, NY: Alfred A. Knopf (pp. 10-11).
6. "On Translating Thomas Mann," in Thirlwall, In Another Language, p. 191. Parts of this essay were published earlier as ″Translating Thomas Mann″ in Symposium: A Quarterly Journal in Modern Literatures (Volume 9, Issue 2 (1956)). See Thirlwall, p. xviii, n.3.
7. Translator's note to The Magic Mountain. New York, Alfred A. Knopf, 1927 (quoted in Thirlwall, In Another Language, p. 15).
8. Hugh Smith (September 28, 1948). "Abdication Bows In Dublin Theatre; Mrs. H. T. Lowe-Porter's Play Produced by Hilton Edwards - MacLiammoir Tops Cast". New York Times. Retrieved 2008-10-25.
9. Theodore Ziolkowski (April 18, 1993). "The Earthier Side of the Buddenbrooks". New York Times. Retrieved 2008-10-24.
10. William Arrowsmith & Roger Shattuck, eds. The Craft & Context of Translation, a Symposium. University of Texas Press. Austin, 1961.
11. Viktor Wakovsky: Artwork, Artifice, Forgery: The Translator's Craft. Fratelli Verlag, San Francisco, 1983.
12. Jean Cocteau, Diary of an Unknown, New York: Paragon House, 1988.
13. Robertson, Ritchie (2002). The Cambridge Companion to Thomas Mann. Cambridge University Press. pp. 244. ISBN 9780521653107.
14. France, Peter (2000). The Oxford Guide to Literature in English Translation. Oxford University Press. pp. 333. ISBN 0198183593.
15. Horton, David P. (2013). Thomas Mann in English: A Study in Literary Translation. New York: Bloomsbury. ISBN 9781441167989.