Helen L. Weiss

Helen L. Weiss[1] (January 29, 1920 - February 20, 1948)[2] was an American composer, pianist and choir director.

Biography

Helen Weiss was born in Brooklyn, New York[3] to Samuel and Sadie (Friedman) Weiss. She had two brothers, Bernard and Frank. The family moved to Philadelphia, where Weiss attended the Philadelphia High School for Girls. She earned a B.A. degree in music at the University of Pennsylvania in 1941; an M.A. degree in music at the University of Oklahoma in 1942; and a Ph.D. in music composition from the Eastman School of Music in 1944. She also studied music at the Philadelphia Conservatory (today known as University of the Arts).

After getting her Ph.D., Weiss taught, composed, and performed as a piano soloist, accompanist, and choir director. She edited notes for the University of Pennsylvania Orchestra programs, was a secretary at McGraw Hill Publishing Company, and worked for the University of Pennsylvania Museum.[4]

Weiss traveled to Peru in 1945, where she lectured, performed, and organized a choir at the Peruvian-North American Cultural Institute. After becoming ill with cancer, she returned to the United States for treatment which involved amputating her foot. She accepted a job with the U.S. State Department and returned to South America in March 1947. Her cancer recurred in November, and she came home to her family Philadelphia and died in February 1948. Her papers and several recordings are archived at the University of Pennsylvania.

Weiss' family and friends created the Helen L. Weiss Music Prize at the University of Pennsylvania in 1964. It is awarded for the best vocal musical composition of each school year. Recipients of the prize have included composers Emily Anna, Ingrid Arauco, Erica Ball, Jennifer Margaret Barker, Boaz Ben-Moshe,[5] Kai-Young Chan,[6] Catherine Connell, Nathan Courtright, Sharon Hershey, Myoung-jun Lee, Tony Solitro, Hasan Uçarsu,[7] James Ure, and Ricardo Zohn-Muldoon.[8]

Works

Compositions by Helen Weiss include:

  • Chorale and Variations (piano)[9]
  • Declaration (orchestra and piano)
  • I am the People (cantata for mixed chorus)[10]
  • Plaint
  • Sonata in a minor
  • Suite for Piano
  • Three Poems for Voice and Orchestra (text by Walt Whitman)

References
  1. Cohen, Aaron I. (1987). International encyclopedia of women composers (Second edition, revised and enlarged ed.). New York. ISBN 0-9617485-2-4. OCLC 16714846.
  2. Greene, Frank, 1946- (1985). Composers on record : an index to biographical information on 14,000 composers whose music has been recorded. Metuchen, N.J.: Scarecrow Press. ISBN 0-8108-1816-7. OCLC 11971175.CS1 maint: multiple names: authors list (link)
  3. Hixon, Donald L. (1993). Women in music : an encyclopedic biobibliography. Hennessee, Don A. (2nd ed.). Metuchen, N.J.: Scarecrow Press. ISBN 0-8108-2769-7. OCLC 28889156.
  4. "Frank Weise collection of Helen Weiss papers, circa 1940-1948, 1966". dla.library.upenn.edu. Retrieved October 16, 2020.
  5. "Classical Music: The human aspect". The Jerusalem Post. Retrieved October 16, 2020.
  6. "Kai-Young Chan". HK Phil. Retrieved October 16, 2020.
  7. "Turkish composer wants to leave permanent mark on Istanbul". Hürriyet Daily News. Retrieved October 16, 2020.
  8. "University of Pennsylvania". www.upenn.edu. Retrieved October 16, 2020.
  9. Modern Music: A Quarterly Review. League of Composers. 1944.
  10. High Fidelity. Audiocom. 1961.
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