Guy Ngan

Guy Ngan OBE 顏國鍇 (3 February 1926 – 26 June 2017) was a New Zealand artist. He worked across a large range of media, including sculpture, painting, drawing, design and architecture, and is known for his incorporation of Māori motifs such as the tiki. Many of his works are in prominent places, such as the tapestry in the Beehive and sculpture at the Reserve Bank, while many others are dotted around the country in smaller towns and suburban locations such as Stokes Valley.

A sculpture by Ngan that stands on the roundabout at the entrance to Stokes Valley

Biography

Ngan was born in 1926 in Wellington to Chinese parents Wai Yin and Chin Ting, but he called himself “Pacific Chinese”.

During his young years, he was educated in China. In 1938 a Japanese bomb dropped next door while they were having breakfast. Ngan's father took Guy and his brother to Hong Kong and put them on a boat to New Zealand and they never saw him again. Guy Ngan attended Newtown School but he was unhappy and then stayed with relatives in Miramar.[1]

At 17, he began night school at Wellington Technical College with sculptor Alex Fraser. Under the advice of Fraser, Ngan travelled to London in 1951 to continue his education Goldsmith's School of Art at the University of London. In the same year he was allowed entry to the Royal College of Art, in London. In 1954, he graduated and was given the Royal College Continuation Scholarship for one year. He was paid £600. In 1955 the British Council awarded him with a scholarship and an allowance of £12 a week and all travel expenses paid for.[2]

In 1956 he returned to New Zealand. He worked as a consultant at the architecture division for the Ministry of Works. He worked here until 1960 and then went to work for Stephenson and Turner Architects until 1970. Ngan then became the director of New Zealand Academy of Fine Arts for 20 years. During this time he encouraged New Zealand artists to promote their art talents at museums. He also encouraged Māori and cultural art.

Ngan married Jean Wong, and they had two children. Ngan and his family lived in Stokes Valley, in the house that he designed and built himself.

In the 1983 Queen's Birthday Honours, Ngan was appointed an Officer of the Order of the British Empire, for services to the arts.[3] He died in Lower Hutt on 26 June 2017.[4]

Exhibitions

Ngan, although a prolific artist, did not exhibit frequently in New Zealand. The first major exhibition of his work was held in the City Gallery in Wellington in 2006. This exhibition paid tribute to early Pacific navigators and incorporated aspects of Te Ao Māori.[5] It was born from exploring the connections between an Asian southern migration, birds and connections to Pacific cultures.[6] The Dowse Art Museum is currently exhibiting a retrospective of his work, Guy Ngan:Habitation including painted works, carved and cast sculptures.[7]

Works

Ngan worked as a painter, artist, architect and designer. Many of his work are displayed in important and historical buildings across New Zealand. He lived in Stokes Valley for 50 years and created the sculpture that resides at the entrance to Stokes Valley 'Mating Worms', installed in 1976. More recently, as part of E Tu Awakairangi Public Art Trust, 'Elevating Worms' was installed at the Scott's Court Shopping Centre, also in Stokes Valley.[8] Other public works include an untitled bronze sculpture installed outside the Reserve Bank Building,The Terrace, Wellington; relief work adorning the New Zealand Archives Building, Thorndon Quay, Wellington.[9] He was also responsible for designing a tapestry for the Beehive, Parliamentary Buildings in Wellington 'Forest in the Sun'.(1976). The piece was commissioned specifically for the Beehive's central stairway. Joan Calvert, along with Dorothea Turner and Ngan's wife Jean took a period of 18 months to construct the tapestry [10] where it hung till 2003 when it was then gifted to Te Papa.[11] One of Wellington's earliest modern public sculptures, 'Geometric Growth' is installed near the Michael Fowler Centre. Initially sited on the corner of Victoria and Mercer streets, it was removed for the Civic Square precinct in 1989. It was damaged upon removal, then restored and reinstated to its new site in 2006.[12]

His collaborations with architect Ron Sang have led to some important large scale works including the Newton Post Office mural; now in the Auckland Art Gallery collection.

In October 2019 Cordy’s in Auckland held an auction of Guy Ngan's collection and estate.[13][14]

References
  1. Ngan Kwok Guy; Oldham, Pip (1 January 1872). "Interview with Guy Ngan". natlib.govt.nz. Retrieved 7 July 2019.
  2. "Guy Ngan: Habitation | The Dowse Art Museum". www.dowse.org.nz. Retrieved 7 July 2019.
  3. "No. 49376". The London Gazette (2nd supplement). 11 June 1983. p. 34.
  4. "Guy Ngan death notice". New Zealand Herald. 28 June 2017. Retrieved 1 July 2017.
  5. "City Gallery Wellington". citygallery.org.nz. Retrieved 7 July 2019.
  6. Guy Ngan : Journey Aluminium Tiki Hands and Anchor Stones (PDF). City Art Gallery Wellington. 2006.
  7. "Guy Ngan: Habitation | The Dowse Art Museum". www.dowse.org.nz. Retrieved 7 July 2019.
  8. "Twin sculpture to Stokes Valley's mating worms launched". Stuff. Retrieved 7 July 2019.
  9. "City Gallery Wellington". citygallery.org.nz. Retrieved 7 July 2019.
  10. Taonga, New Zealand Ministry for Culture and Heritage Te Manatu. "Guy Ngan and Joan Calvert wall hanging, Beehive, Parliament". teara.govt.nz. Retrieved 7 July 2019.
  11. "Loading... | Collections Online - Museum of New Zealand Te Papa Tongarewa". collections.tepapa.govt.nz. Retrieved 7 July 2019.
  12. "Geometric Growth - Wellington sculpture tours". www.sculptures.org.nz. Retrieved 7 July 2019.
  13. Liz Ngan; Douglas Lloyd Jenkins (4 October 2019). "B010 THE GUY NGAN ESTATE COLLECTION". Cordy's. Archived from the original on 7 October 2019. Retrieved 7 October 2019.
  14. "B010 THE GUY NGAN ESTATE COLLECTION-2 of 3". Cordy's. 4 October 2019. Archived from the original on 7 October 2019. Retrieved 7 October 2019.
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