Gustavo Pérez Firmat

Gustavo Pérez Firmat was born in 1949, Havana, Cuba, and raised in Miami, Florida. He attended Miami-Dade Community College, the University of Miami, and the University of Michigan, where he earned a Ph.D. in Comparative Literature. He taught at Duke University from 1979 to 1999 and is the David Feinson Professor in the Humanities at Columbia University. He serves on the editorial advisory board of Chiricú.[1]

Honors

Pérez Firmat is a member of the American Academy of Arts and Sciences and has been the recipient of fellowships from the John Simon Guggenheim Foundation, the National Endowment for the Humanities, the American Council of Learned Societies, and the Mellon Foundation. In 1995, Pérez Firmat was named Duke University Scholar/Teacher of the Year. In 1997 Newsweek included him among “100 Americans to watch for the 21st century” and Hispanic Business Magazine selected him as one of the “100 most influential Hispanics” in the United States. In 2004 he was named one of New York’s thirty “outstanding Latinos” by El Diario La Prensa. He was featured in the documentary CubAmerican and in the 2013 PBS series Latino Americans.

See also

Works

Pérez Firmat is the author of books and essays on Latinx literature, philosophy, and culture. His books of literary and cultural criticism include:

  • Idle Fictions (Duke, 1982; rev. ed. 1993)
  • Literature and Liminality (Duke, 1986)
  • The Cuban Condition (Cambridge, 1989; rpt. 2005)
  • Do the Americas Have a Common Literature? (Duke, 1990)
  • Life on the Hyphen (Texas, 1994, Rpt. 1996, 1999; revised and expanded edition 2012); Spanish version: Vidas en vilo, Colibrí, 2000; rev. ed. Hypermedia, 2015)
  • My Own Private Cuba (Colorado, 1999)
  • Cincuenta lecciones de exilio y desexilio (Universal, 2000; rev. ed. Hypermedia, 2016)
  • Tongue Ties (Palgrave, 2003)
  • The Havana Habit (Yale, 2010)
  • The Norton Anthology of Latino Literature [Co-editor] (Norton, 2010)
  • A Cuban in Mayberry: Looking Back at America's Hometown (Texas, 2014)
  • Sin lengua, deslenguado (Ediciones Cátedra, 2017)
  • Poesía romántica inglesa by Heberto Padilla [Editor] (Linden Lane Press, 2018)

He has also published several collections of poetry in English and Spanish: Carolina Cuban (Bilingual Press, 1987), Equivocaciones (Betania, 1989), Bilingual Blues (Bilingual Press, 1995); Scar Tissue (Bilingual Press, 2005); The Last Exile (Finishing Line Press, 2016); Viejo verde (Main Street Rag, 2019); a novel, Anything But Love (Arte Público, 2000); and a memoir, Next Year in Cuba: A Cubano's Coming-of-Age in America (Doubleday 1995; rev. ed. 2000; rpt. Arte Público, 2005; Spanish version: El año que viene estamos en Cuba, Arte Público, 1997). Pérez Firmat’s poems have appeared in many magazines, journals and anthologies.

Next Year in Cuba was nominated for a Pulitzer Prize in non-fiction in 1995. Life on the Hyphen was awarded the Eugene M. Kayden University Press National Book Award for 1994 and received Honorable Mention in the Modern Language Association’s Katherine Singer Kovacs Prize and the Latin American Studies Association’s Bryce Wood Book Award.

References

  1. lisaparavisini (2015-09-15). "Chiricú Journal: Call for Submission". Repeating Islands. Retrieved 2020-08-06.
  • www.gustavoperezfirmat.com
  • Alonso Gallo, Laura. "Un largo archipiélago de otras incubaciones: La condición cubana del exilio en la obra de Gustavo Pérez Firmat." Revista Hispano Cubana 13 (2002).
  • Álvarez Borland, Isabel. Cuban-American Literature of Exile: From Person to Persona. Charlottesville: University Press of Virginia, 1998.
  • Dalleo, Raphael, and Elena Machado Sáez. The Latino/a Canon and the Emergence of Post-Sixties Literature. New York: Palgrave Macmillan, 2007. pp. 133–158.
  • Figueredo, D.H. "Pérez Firmat, Gustavo (1949-)." The Encyclopedia of Caribbean Literature. Vol. 2: M-Z. Edited by Danilo Figueredo. Westport, CT: Greenwood Press, 2006: 624-625.
  • López, Iraida H., "The Notion of Volver in Cuban-American Memoirs: Gustavo Pérez Firmat's Next Year in Cuba as a Case of Mistaken Coordinates." South Atlantic Review 77.3-4 (2012): 59-76.
  • Lowe, John Wharton. "Southern Ajiaco: Miami and the Generation of Cuban American Writing." in Calypso Magnolia: The Crosscurrents of Caribbean and Southern Literature. Chapel Hill: University of North Carolina Press, 2016. 243-338.
  • Luis, William, "Exiled Hyphenated Identities in Gustavo Pérez Firmat's Next Year in Cuba." Cuban-American Literature and Art: Negotiating Identities. Edited by Isabel Álvarez Borland and Lynette M. Bosch. Albany: State University of New York Press, 2009. 93-107.
  • Rolando Pérez (Cuban poet). “Bilingual Blues.” (Gustavo Pérez-Firmat). Encyclopedia of Hispanic-American Literature. Edited by Luz Elena Ramírez. NY: Facts on File 2008: 37-38.
  • Torres, Rodolfo D., and Francisco H. Vázquez. Latino/a Thought: Culture, Politics, and Society. Lanham: Rowman & Littlefield, 2003.

Interviews

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