George W. Byng

George Wilford Bulkley Byng (1861 – 29 June 1932)[2][3] was an English conductor, composer, music arranger and musical director of the late 19th and early 20th centuries. He is known for composing music for ballet productions staged at the Alhambra Theatre in London during the Edwardian era, for his theatre compositions, and as a conductor for HMV from World War I up to about 1930. Byng was his stage name.

George W. Byng (standing, far left) at a recording session for The Pirates of Penzance in 1920[n 1]

As a child, he received a musical education and at age 11 joined the orchestra at the Theatre Royal, Dublin, and played in orchestras throughout Britain for two decades before beginning a conducting career. By the 1890s, his compositions of incidental music for plays were used in London theatres. From 1898 to 1913, as the musical director of London's Alhambra Theatre, he composed, arranged and conducted the music for approximately 30 ballets and scenas. During this period, he continued to compose new music, including theatre scores, for other companies. For two years thereafter, he was the musical conductor at the Gaiety Theatre, London.

After conducting for Thomas Edison's British recording studio for several years, in 1915 Byng joined HMV full-time, where he conducted a great number of recordings. From 1917 to 1924, he conducted many of the early acoustic sets of the Gilbert and Sullivan operas in cooperation with the D'Oyly Carte Opera Company. He remained with HMV for at least 15 years.

Early years and marriage

Byng was born in Whitehaven, Cumberland, the son of David Bulkley and Jane Benn.[4] The family moved to Dublin around 1865, where David was employed as a comedian. At the age of seven Byng entered the Royal Irish Academy of Music in Dublin. Four years later he joined the orchestra at the Theatre Royal, Dublin, of which he remained a member for six years,[5] playing the violin.[6] Later engagements in orchestras were at the Gaiety Theatre, Dublin; the Theatre Royal, Edinburgh; the Prince's Theatre, Manchester; and, in London, the Gaiety, the Shaftesbury and the Royalty.[5] For three years he was sub-conductor in London at the Empire, Leicester Square, before being appointed musical director at the Prince of Wales Theatre.[5] He composed incidental music for the play Six Persons, which was staged at the Haymarket Theatre in London in the 1893–94 season. Together with A. McLean and Reginald Somerville he composed the score for the musical farce, The White Silk Dress, which opened at The Prince of Wales's Theatre in 1896,[7] starring Decima Moore and Arthur Roberts.[8]

Byng married Alice Louisa Ford (1862–1913) in 1885,[4] and with her had two sons: Wilford Lancaster Bulkley Byng (1886–1951) and David George Bulkley Byng (1897–1978).[9] In 1911 his wife petitioned for divorce, claiming he had committed adultery with her sister and subsequently deserted his family. Her petition of adultery was dismissed, but that for desertion allowed.[10][11]

Musical director and composer

In 1898 Byng succeeded Georges Jacobi as musical director of the Alhambra Theatre in London. The Alhambra maintained a large corps de ballet and engaged well known choreographers. The music was generally arranged by the theatre's musical director. Byng composed, arranged and conducted the music for approximately 30 ballets and scenas.[12] For example, at the Alhambra, his ballet with songs, Napoli, choreographed by Giovanni Pratesi, was positively reviewed in 1899,[13] and likewise, the following year, his ballet with songs The Gay City, with Charles Wilson.[14] Carmen was one of the popular ballets produced at this theatre, and Byng's music was used in two different versions: in 1903 with choreography by Lucia Cormani, music by Georges Bizet and Byng; and in 1912 with choreography by Augustin Berger, music by Bizet, Byng and George Clutsam.[15] Also in 1912, Byng constructed a score for The Guide to Paris, an updated version of La Vie parisienne with words by George Grossmith, Jr.; Byng included music from other Offenbach scores, including La belle Hélène, Madame Favart and Barbe-bleue.[16]

Byng listed his principal compositions as Jack Ashore, Inspiration, Gretna-Green, Santa Claus, The Devil's Forge, On the Heath, Our Flag and H.M.S. Irresponsible.[5] The last was a musical play by J F Cornish, which was staged on Broadway in 1900 before opening at the Strand Theatre in May 1901.[17] Byng composed music for several other stage shows, including The Variety Girl (1902), The Belle of the Baltic, Guy Fawkes, The Duchess of Sillie Crankie (1904), and The Mad Pierrot (1911).[18] His other songs and compositions include "Cupid Wins", "The Two Flags", "Paquita", "The Polar Star", "Femina", "On the Sands", "My sword and I" (sung by Peter Dawson), "My Heart and I" (duet) and an orchestral suite: A Day in Naples[12][n 2]

In 1913 he left the Alhambra and was appointed conductor at the Gaiety Theatre, London, in succession to Leopold Wenzel.[20] He also conducted light/dance orchestras, for example the Queen's Hall Light Orchestra and the Mayfair Orchestra.[21]

HMV years
HMV advertisement for Byng's 1917 recording of The Mikado.

Byng first conducted for recordings at Thomas Edison's London studios from 1909 until they closed in 1914.[22] In 1915 Byng became staff conductor for HMV and conducted a great number of recordings made at their recording studios in Hayes, Middlesex. These featured many well-known artists of the time, for example the singers Elisabeth Schumann,[23] Feodor Chaliapin, Peter Dawson, the Black Diamonds (Brass) Band and the Mayfair Dance Orchestra.[24]

During and after the First World War Byng was one of the conductors, along with Arthur Wood and Harry Norris, who worked on the HMV project to record the Gilbert and Sullivan comic operas. This was an extensive undertaking, under the direction of Rupert D'Oyly Carte, proprietor of the D'Oyly Carte Opera Company.[25] The Gilbert and Sullivan operas Byng conducted for HMV were The Mikado (1917),[n 3] The Yeomen of the Guard (1920),[25][27] The Pirates of Penzance (1920),[25][28] Patience (1921),[25][29] Iolanthe (1922),[n 4] H.M.S Pinafore (1922)[25][31] and Princess Ida, 1924.[n 4][25]

In 1930 Byng was both arranger and conductor of a series of children's records and other music for light orchestra recorded by HMV in one of the studios at the Small Queen's Hall in London.[24]

Death

Although still working for HMV until at least 1930, during 1931 or 1932 he was admitted to the asylum at "Northwoods House" in Frampton Cotterell, Gloucestershire. On 29 June 1932, he died there as a result of self-inflicted wounds to his throat, aged 71.[32][33]

Notes, references and sources

Notes
  1. The singers, from left to right, were: Seated: Bessie Jones, Violet Essex, Sarah Jones, Harold Wilde, Robert Radford; Standing: Derek Oldham, Walter Glynne, Ernest Pike, Edna Thornton, Peter Dawson, Edward Halland, George Baker and Nellie Walker.[1]
  2. The tarantella from A Day in Naples was recorded in 1945 by Jay Wilbur and the New Concert Orchestra; the recording was reissued on CD in 2011.[19]
  3. Part conducted by Byng and part by Wood.[25][26]
  4. Part conducted by Byng and part by Norris.[25][30]

References
  1. Shepherd, Marc. "The 1920 HMV Pirates", Gilbert and Sullivan Discography, 2008, accessed 5 Juy 2020
  2. "George Wilford Bulkley", England & Wales, Civil Registration Birth Index, 1837–1915 for 1861, Ancestry.com (subscription required)
  3. 1891 England Census for George W Bulkley Byng, Yorkshire, Halifax, Ancestry.com (subscription required)
  4. 1911 England Census for David George Buckley-Byng, London, Kensington, Kensington South, Ancestry.com (subscription required)
  5. Parker (1925), p. 134
  6. Glover, James M. "The Music Box", The Stage, 3 August 1923, p. 5
  7. Parker (1925), p. 1189
  8. "Prince of Wales's Theatre", The Times, 5 October 1896, p. 11
  9. "George Wilford Bulkley-Byng", London, England, Church of England Births and Baptisms, 1813–1917 for Hammersmith and Fulham, St Andrew, West Kensington, 1893–1912, Ancestry.com (subscription required)
  10. "Byng v Byng", England & Wales, Civil Divorce Records, 1858–1918: 1911 - Ancestry.com (subscription required)]
  11. England & Wales, Civil Divorce Records, 1858-1918: 1911 - Byng v Byng - Ancestry.com (subscription required)
  12. Parker (1916)
  13. "Alhambra Theatre", The Morning Post, 24 Augusst 1899, p. 6, accessed 4 July 2020
  14. "The Gay City", The Era, 22 December 1900, p. 20, accessed 4 July 2020
  15. "Players and Playthings", Judy: or The London serio-comic journal, 29 July 1903, pp. 356–357; and "Carmen", Metropolitan Ballet, accessed 5 July 2020
  16. "The Variety Theatres", The Times, 27 May 1912, p. 8
  17. Parker (1925), p. 1107
  18. "The Mad Pierrot", The Observer, 19 March 1911, p. 7
  19. Notes to Guild CD GLCD 5169, OCLC 875114616 2011
  20. "Retirement of Gaiety Conductor", The Observer, 23 February 1913, p. 10
  21. WorldCat OCLC 976865338 and OCLC 221874834
  22. "Cylinder Preservation and Digitization Project", University of California Santa Barbara Library, accessed 5 June 2012
  23. Steane, J B. "Elisabeth Schumann", Gramophone, June 1991, p. 109
  24. The AHRC Research Centre for the History and Analysis of Recorded Music
  25. Rollins and Witts, Appendix pp. X–XI
  26. Shepherd, Marc. "The 1917 HMV Mikado", Gilbert and Sullivan Discography, 2009, accessed 5 July 2020
  27. Shepherd, Marc. "The 1920 HMV Yeomen", Gilbert and Sullivan Discography, 2008, accessed 1 May 2012
  28. Shepherd, Marc. "The 1920 HMV Pirates", Gilbert and Sullivan Discography, 2008, accessed 1 May 2012
  29. Shepherd, Marc. "The 1921 HMV Patience", Gilbert and Sullivan Discography, 2008, accessed 1 May 2012
  30. Shepherd, Marc. "The 1922 HMV Iolanthe", and "The 1924 D'Oyly Carte Princess Ida", Gilbert and Sullivan Discography, 2008, 2009, accessed 5 July 2020
  31. Shepherd, Marc. "The 1922 HMV Pinafore", Gilbert and Sullivan Discography, 2009, accessed 1 May 2012
  32. British General Register Office
  33. "Estate of George Wilford Bulkley Byng", The London Gazette, 16 June 1933, p. 4083

Sources
  • Rollins, Cyril; R. John Witts (1961). The D'Oyly Carte Opera Company in Gilbert and Sullivan Operas. London: Michael Joseph, Ltd. OCLC 1317843.
  • Parker, John (1916). Who's Who in the Theatre (third ed.). London: Sir Isaac Pitman and Sons. OCLC 39607786.
  • Parker, John (1925). Who's Who in the Theatre (fifth ed.). London: Sir Isaac Pitman and Sons. OCLC 10013159.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.