Fritz Brase

Friedrich Wilhelm Anton Brase, known as Fritz Brase (4 May 1875 – 1 December 1940), was a German military bandmaster, conductor, and composer who was mainly active in Dublin, Ireland, as leader of the first Army School of Music in the Irish Free State.

Fritz Brase
Signed portrait of
Brase in Irish Army uniform
Born
Friedrich Wilhelm Anton Brase

4 May 1875
Egestorf, Germany
Died1 December 1940 (age 65)
Dublin, Ireland
NationalityGerman
OccupationArmy band leader
Years active1893–1940
Spouse(s)Elisabeth Henriette Antonie Brase[1]
ChildrenMona

Life

Brase was the son of a miller born in Egestorf near Hanover, Germany. Brase studied at the Conservatory of Music at Leipzig where his teachers included Carl Reinecke, Hans Sitt, and Salomon Jadassohn. In 1923 he emigrated to Ireland,[2] and a few years later, in 1924, he and his wife Elsa, who was aged 35 when they came to Ireland,[3] had a daughter, Mona, who was born while they lived at the Curragh Camp.[4] The family moved to accommodation in Beggars Bush Barracks and later bought their own house in the Dublin suburb of Sandymount.[4]

In 1940, Brase died the day after he retired and was interred in Mount Jerome Cemetery, Dublin, when the No. 1 Irish Army Band played.[2] His daughter Mona, who died on 2 November 2014, is also buried in Mount Jerome Cemetery.[5]

A street in Münster is named Braseweg in his memory.[6][4]

Musical career

In 1893, he enlisted in the military band at Bückeburg where his abilities as conductor and arranger qualified him for further studies at the Hochschule für Musik, Berlin, studying with Joseph Joachim and Max Bruch.

In 1906, he was appointed conductor of the Infantry Regiment 13's band at Münster and received early encouragement, when in 1909, at the age of 34, he was promoted Prussian "Königlicher Musikdirektor" (Royal Music Director).[7] In 1911, he was appointed conductor of the 1st (Emperor Alexander) Guards Grenadiers, "one of the most prestigious positions in the world of German military music".[2] Following the German defeat in World War I, Brase was discharged from service in April 1919 and spent the following four years in various consignments including conducting a police band in Berlin.

Brase emigrated to Ireland in 1923, at the invitation of by General Richard Mulcahy, who wanted him to take charge of the Irish military musical training and music branch. He arrived on 1 March 1923 with a friend, Friedrich Christian Sauerzweig, who had also been a member of the Berlin Philharmonic, and was commissioned captain. Brase was attracted by the option of a rank of full colonel in the Irish Army[2] and to take up the position of the first leader of the Army School of Music in the newly established Irish Free State and inspector of the Irish Military Music Corps where, later that year, he formed the Army No.1 Band.[8] He also directed the Military Music School in Dublin. Having failed to find a potential Frenchman and wanting to avoid a British appointee for the army's school of music, their search for an "expert military musician" chose the German for the post.[3]

Dublin's Theatre Royal, venue of the Irish Army Band's first public concert

Within just seven months of arriving in Ireland, Brase had been so productive that the first public performance of Brase's new army band took place in Dublin's Theatre Royal that October[9] and by the following December had recorded its first two records with two more being issued in January 1925.[10]

Until 1928, he created four military bands in cooperation with a compatriot who had emigrated with him, Captain Friedrich Christian Sauerzweig, with Brase focusing on the "Army No. 1 Band".[2] For independent Ireland, bringing over musicians from Germany was one way of breaking free from British influence.[11] With his band, Brase toured Ireland extensively between the mid-1920s and early 1930s, playing at many festive occasions, both indoors and in public spaces. He also initialised a regular series of band concerts for primary schools in Dublin which, over the years, were attended by thousands of Irish school children.[7] In 1927, he also co-founded the Dublin Philharmonic Society, a successful orchestra and chorus with a brass section recruited from the army band, which he directed until 1936 when he had to resign for health reasons. At the Army School of Music, he educated a number of prominent Irish musicians including Michael Bowles, Arthur Duff, and Dermot O'Hara.

Recognition of Brase's contribution and achievements: Anthony Charles Esmonde in Dáil Éireann in November 1952 When musical broadcasts were first organised in this country, under the late Colonel Fritz Brase, a German, he did not import a whole lot of foreign musicians. He recognised the fact that there was a fund of musical talent latent in the Irish people and he set out to develop that talent... but I think it is a pity that his policy was not continued, that this talent was not sought out and developed on a more extensive scale. That appears to me to be the difficulty with the orchestras in this country— that the talent that is there has not been sought out by the officials, the directors or whoever is in control of Radio Éireann and utilised so as to give employment to the fullest extent to Irish musicians and artistes.[12][2]

Brase's influence on the cultural life of the nascent Irish republic was considerable and he was an ambitious composer who also wrote many works outside the military band repertory. He wrote a Symphony in D major that was performed in Münster in 1908 and a number of other orchestral scores. For the army bands, he wrote many original scores (including the General Mulcahy March and six Irish Fantasias) and arranged numerous Irish traditional tunes for military band. His first Irish Fantasia was played in 1926 at the opening broadcast of 2RN, the predecessor of today's Radio Telefís Éireann. He also wrote the station's official arrangement of the Irish national anthem.[7]

German colony in Ireland

Brase was one of a small number of Germans and Austrians living in Ireland in the 1930s, several of whom had been brought there by the Irish Government, that included Brase and others, mostly involved in new industry the fledgling state was trying to develop. Otto Bene, leader of the Nazi Party in Britain and Ireland, living in London, visited Dublin to celebrate Hitler's birthday on 20 April 1933 in the presence of Brase and several others of the German colony that took place in the German Legation. Bene was responsible for recruiting Germans to the Nazi Party.[13]:57, photo inter 128–129 Brase joined the Nazi Party on 1 April 1932 according to records in Berlin.[3]

Encouraged by Bene, the German colony set up a branch of the Nazi Party in 1934. Brase was its first elected chairman, however, when he requested permission from the Irish Army to lead the group, it was clearly suggested he choose between the two. He chose the army and his career[14] allowing Adolf Mahr, another German immigree and director of the National Museum of Ireland, to assume the position.[13]:56–57 Bene again came to Dublin in 1935 to attend Brase' 60th birthday party in the family home in Sandymount.[13]:57

The soccer match between Germany and Ireland, that Ireland won 5 to 2, at Dalymount Park on 7 March 1936 was attended by Brase leading the Army Band playing the Nazi national anthem, Deutschlandlied, to which the attending Germans stood to attention with their right arms raised in a Nazi salute while singing.[15]

Brase was an active participant in the elaborate events, such as Christmas parties, held by the small German colony that took place in Dublin's grand hotels, the Royal Hibernian Hotel and Gresham Hotels. At the 1937 event, Brase played piano to accompany the children's performance for the adults, as reported in both the Irish Independent and Irish Times. The latter report was likely written by its editor Robert Smylie, a German speaker, also an attendee.[13]:63–65

Christian Sauerzweig, mentioned some of Brase's activities to his superior, who in turn informed the head of Office of the Directorate of Intelligence, than named "G2", that at least twice in early September 1939 Brase burned papers in the boiler house of the school of music, and that, in April 1940, on the occasion of the funeral of the German diplomat, Robert Wenzel, that he and Brase wore their military uniforms and Brase gave the Nazi salute at the graveside. Besides these reports, a military intelligence file was kept on Brase also notes that he sent Adolf Hitler birthday greetings in 1939 by telegraph to the Reich Chancellery.[3]

Selected compositions

Brass band

  • Hoch die 7ten Jäger (1897)
  • Bienenhaus Marsch (c. 1900)
  • Jugenderinnerungen Marsch (1901)
  • Heil Danzig (1910)
  • Exzellenz von Bernhardi (1910)
  • Grosse Zeit, neue Zeit (1910)
  • General Mulcahy March (1923; Dublin: McCullough, 1924)
  • Irish March No. 2 (1923; Dublin: McCullough, c. 1924)[16]
  • Irish March No. 3 (1923)
  • Irish Fantasia No. 1 (1923; Dublin: McCullough [n. d.])
  • National March (1924)
  • Irish Fantasia No. 2 (1924)
  • Irish Fantasia No. 3 (1924)
  • Irish Fantasia No. 4 (1925)[17]
  • Funeral March (1926)
  • Irish Fantasia No. 5 (1927)
  • Irish Fantasia No. 6 (1930)
  • Der Gott, der Eisen wachsen liess (1933)
  • Flieger-Escapaden (1935)

Orchestra

  • Heimatlos (1902)
  • Dramatische Ouvertüre (1902)
  • Symphony in D major (1905)
  • Westfalen (1912)
  • Menuett, for salon orchestra (1921, arrangement of piano work)
  • Paraná, for salon orchestra (1926)
  • Irlandia, suite (1932)
  • Episoden-Suite (1937)
  • Irish Dance No. 1: The Londonderry Clog (published 1938)
  • Irish Dance No. 2: The Frost is All Over (published 1938)
  • Irische Lustspiel-Ouvertüre (1939; Berlin: Musikverlag Sanssouci, 1959; reprint 1982)
  • Donegal. Rhapsody for orchestra No. 2 (1939; reprint Berlin: Musikverlag Sanssouci, 1995)

Piano

  • Strebe vorwärts, Op. 1
  • Mazurka brilliante, Op. 2 (1894)
  • Mazurka brilliante, Op. 4 (1895)
  • Waltz, Op. 7 (1896)
  • Capriccio, Op. 12 No. l (1898)
  • Die Garde an der Somme (c.1915–16)
  • Joska (1920)
  • Menuett (1921)
  • Pierette (1921)
  • Waldmärchen (1921)
  • Orchideen (1922)
  • Herbst (1923)
  • Little Moira, serenade (1925)
  • Horse Show March (1926)
  • Bi-centenary March 1731–1931 (London: Boosey and Hawkes, 1931), online
  • Helden im Volksmund. Eine deutsche Rhapsodie (1933)

Other

  • Several songs for voice and piano
  • Some chamber music, such as Nymphentanz, Op. 9 (for violin and piano, 1898)

Selected recordings
General Mulcahy March record label

Bibliography
  • John Brennock, "The Army School of Music: The First Twenty Years", in An Cosantóir vol. 13 no. 10 (October 1973), pp. 335–341.
  • Joseph J. Ryan, The Army School of Music, 1922–1940: Its Formulation and Evolution with a Critical Assessment of its First Director, Wilhelm Fritz Brase (M.A. thesis, Maynooth University, 1987), volume 1, volume 2.
  • Gareth Cox and Joseph J. Ryan, "Fritz Brase's Contribution to Irish Musical Life, 1923–1940", in Joachim Fischer and Gisela Holfter (eds), Creative Influences: Selected Irish-German Biographies (Trier: Wissenschaftlicher Verlag, 2009), ISBN 978-3-86821-158-0, pp. 53–62.

Discography
  • Irish Fantasia No. 1, performed by The Band of the Irish Guards, Andrew Chatburn (conductor), on: Specialist Recording Company SRC 121 (CD, 2003).
  • O'Donnell Abú; Irish Dance No. 2: The Frost is All Over; Irish Army March (General Mulcahy March); John F. Larchet: Lament for Youth (arranged by Fritz Brase), performed by The Band of the Irish Defence Forces, Mark Armstrong (conductor), on: RTÉ lyric fm CD 157 (CD, 2018).

References
  1. "Issue of Naturalisation Papers". Dáil Éireann Debates: Written Answers. Houses of the Oireachtas. 22 October 1947. Retrieved 8 July 2020.
  2. "Fritz Brase: Ireland's Prussian Bandmaster". Brandenburg Historica. 2016-01-20. Retrieved 2019-03-12.
  3. O'Donoghue, David (Spring 2015). "Nazis on the State Payroll in 1930s Ireland". Studies: An Irish Quarterly Review. Messenger Publications. 104 (413): 26–27. ISSN 0039-3495. JSTOR 24347796.
  4. Ryan, Captain Joseph (writer & presenter); Hughes, John (producer) (1989). Wilhelm Maestro (Documentary on One Podcast). Dublin: RTÉ Radio 1.
  5. "BRASE, Mona: Death notice". Family Notices. Irish Times. 5 November 2014. Retrieved 15 March 2019.
  6. OpenStreetMap contributors (14 March 2019). "Braseweg, Münster" (Map). OpenStreetMap. OpenStreetMap. Retrieved 14 March 2019.
  7. Ryan, Joseph (15 September 2013). "Brase, [Wilhelm] Fritz [Anton]". The Encyclopaedia of Music in Ireland. Dublin: University College Dublin Press. p. 124. ISBN 978-1906359782. OCLC 832314615.
  8. "The Army No 1 Band". Defense Forces School of Music. Irish Defence Forces. 2019. Retrieved 15 March 2019.
  9. "Composing the Island: "Dispensing Musical Understanding to the People"". The Journal of Music. 10 September 2016. Retrieved 22 April 2020.
  10. "Gramaphone records of Army No. Band" (PDF). An TÓglách. Dublin: The Army Journal. II (23): 4, 16. 20 December 1924. Retrieved 26 April 2020.
  11. FitzPatrick Dean, Joan (25 November 2014). All Dressed Up. Modern Irish Historical Pageantry. Syracuse: Syracuse University Press. pp. 147–148. ISBN 978-0815633747.
  12. "Dáil Éireann debate - Thursday, 6 Nov 1952". Dáil debates. Houses of the Oireachtas. 6 November 1952. Retrieved 23 March 2019.
  13. Mullins, Gerry (2007). Dublin Nazi No. 1: The Life of Adolf Mahr. Dublin: Liberties Press. ISBN 978-1-905483-20-4.
  14. O'Donoghue, David (November–December 2006). "State within a state: the Nazis in neutral Ireland". History Ireland. Dublin: History Publications. 14 (6). ISSN 0791-8224. OCLC 29768725. Retrieved 19 April 2020.
  15. Croke, Ruaidhrí (29 October 2018). "Ireland 5 Germany 2: When Nazi salutes took over Dalymount Park". Sport. Irish Times. Retrieved 4 April 2020.
  16. According to Ryan (1987, p. 61–62), this was written as "No. 1" but renumbered after the success of the General Mulcahy March, which was then regarded as "No. 1").
  17. Dedicated to Hamilton Harty (Ryan, 1987, p. 65–66).
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