Fairfield Porter

Fairfield Porter (June 10, 1907 – September 18, 1975) was an American painter and art critic.[1] He was the fourth of five children of James Porter, an architect, and Ruth Furness Porter, a poet from a literary family.[2] He was the brother of photographer Eliot Porter and the brother-in-law of federal Reclamation Commissioner Michael W. Straus.

Fairfield Porter
Born(1907-06-10)June 10, 1907
Winnetka, Illinois, U.S.
DiedSeptember 18, 1975(1975-09-18) (aged 68)
Southampton, New York
NationalityAmerican
EducationHarvard University, Art Students' League
Known forPainting, art criticism
MovementNew York Figurative Expressionism

While a student at Harvard, Porter majored in fine arts; he continued his studies at the Art Students' League when he moved to New York City in 1928. His studies at the Art Students' League predisposed him to produce socially relevant art and, although the subjects would change, he continued to produce realist work for the rest of his career. He would be criticized and revered for continuing his representational style in the midst of the Abstract Expressionist movement.[3]

His subjects were primarily landscapes, domestic interiors and portraits of family, friends and fellow artists, many of them affiliated with the New York School of writers, including John Ashbery, Frank O'Hara, and James Schuyler. Many of his paintings were set in or around the family summer house on Great Spruce Head Island, Maine and the family home at 49 South Main Street, Southampton, New York.

His painterly vision, which encompassed a fascination with nature and the ability to reveal extraordinariness in ordinary life, was heavily indebted to the French painters Pierre Bonnard and Édouard Vuillard. John Ashbery wrote of him: "Characteristically, [Porter] tended to prefer the late woolly Vuillards to the early ones everyone likes".[4]

Porter said once, "When I paint, I think that what would satisfy me is to express what Bonnard said Renoir told him: 'make everything more beautiful.'"[5]

Work in public collections
Under the Elms, 1971–1972

Porter bequeathed about 250 of his works to the Parrish Art Museum.[6][7][8]

References
  1. Porter, Fairfield. "Art in its own terms Selected Criticism 1935-1975." Cambridge, Massachusetts: Zoland Books, 1979. ISBN 0-944072-31-3
  2. "A Finding Aid to the Fairfield Porter Papers, 1888–2001 (bulk 1924–1975), in the Archives of American Art". Archives of American Art, Smithsonian Institution. Archived from the original on 5 August 2012. Retrieved 12 October 2012.
  3. Spring, Justin. "Fairfield Porter a Life in Art." New Haven: Yale University Press, 2000. ISBN 0-300-07637-1
    • Ashbery, John, and David Bergman. Reported sightings: art chronicles, 1957–1987. New York: Knopf, 1989. ISBN 0-394-57387-0. p. 316
  5. Spike, John T. Fairfield Porter an American classic. New York: Abrams. ISBN 0-8109-3719-0. p. 218
  6. "Fairfield Porter: Modern American Master". Archived from the original on 2013-10-29. Retrieved 2013-10-24.
  7. "The Fairfield Porter Collection and Archives". Archived from the original on 2018-11-30. Retrieved 2013-10-24.
  8. Spike, John T. Fairfield Porter: An American Classic, p. 282-307.New York, Harry N. Abrams, 1992
  9. "Apple Blossoms I, (Color lithograph, state I/III, 42/50), The Christmas Tree (Color Lithograph on Arches paper, 40/100), Street Scene (Color lithograph, state IV/IV, 78/100)". Curators at Work III. Muscarelle Museum of Art. 2013. Missing or empty |url= (help)
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