David Hegarty

David Howard Hegarty (born March 1, 1945 in Mount Clemens, Michigan) is an American organist and composer.[1] He has served as organist at the Castro Theatre in San Francisco since 1978.[2]

David H. Hegarty
David Hegarty at the console of the Harrah Symphonic Organ
BornMarch 1, 1945
Mount Clemens, Michigan
EducationB.A. Loma Linda University
M.Mus. Andrews University
OccupationOrganist, composer
Known forOrganist, Castro Theatre
Websitedavidhegarty.com

Career

Hegarty's interest in music was inspired at an early age by his father, who was a trombonist.[3][4] He began playing the accordion at age 7, but was soon introduced to the organ at the church where his mother did cleaning. In an interview Hegarty recounted that when his mother went to the church to clean in the evenings, "I wouldn't miss it. I'd go there with her so I could play the organ."[5] Hegarty taught himself how to play the organ, and by the time he reached high school he had a job as a church organist.[6]

He continued his study of music and the organ in college, receiving a B.A. in music from Loma Linda University in 1968, and going on to earn a master's degree in organ performance from Andrews University in 1970 where he studied organ with C. Warren Becker.[1] In 1971 he assumed the position of organist for the Kettering Seventh-day Adventist Church in Kettering, Ohio, a position that he held until 1976. In 1972 Hegarty entered the doctoral program in music at the University of Cincinnati where he studied organ with Wayne Fisher, however as he was nearing the completion of his doctoral studies he was lured away by the Lorenz Publishing Company with an offer of a full-time position as a composer and Editor of The Sacred Organ Journal.[3]

Composer
David Hegarty joined Lorenz Publishing in 1974 as a composer and editor of The Sacred Organ Journal

Hegarty joined the Lorenz Publishing Company in 1974, and began a prolific period of composing for the organ.[1] In addition to serving as editor for Lorenz's The Sacred Organ Journal, where many of his original compositions were published, Hegarty was a regular contributor to other Lorenz publications including The Organist and The Organ Portfolio. Other publishing credits during his long association with Lorenz include eleven books of music:

  • Gospel Hymn Duets, Vol. 3 (KK504, 1976)
  • Toccatas! Toccatas! (KK258, 1977)
  • Favorite Hymn Duets (KK321, 1985)
  • Sacred Organ Diversities (KK504, 1986)
  • Organ Duets for Four Hands (KK358, 1986)
  • Easy Festive Classics for Organ and Piano (KK353, 1986)
  • In Dulci Jubilo (Christmas Organ/Piano Duets) (KK421, 1987)
  • Christmas Duets for Organ and Piano, Vol. 4 (KK356, 1987)
  • Hymn Innovations for the Organist (KK450, 1991)
  • Hymns in Free Style (KK137, 1991)
  • Hymn Innovations for Organ and Piano (70/1009, 1993)

In 1976 Hegarty resigned from his position at Lorenz (and his organist position at Kettering Seventh-day Adventist Church) to move to San Francisco, California. He continued publishing his original compositions with Lorenz and other publishers including Broadman Press and Hal Leonard Publications.[7] As Hegarty settled into a California lifestyle, his compositional interests shifted from the sacred to the secular. He was appointed organist of the Castro Theatre in 1978, and began arranging both popular music and film music for his performances there. He became a frequent contributor to Sheet Music Magazine with arrangements for organ of such popular songs as The Way You Look Tonight, Who's Sorry Now, and In the Mood.[8][9][10] He also published articles on organ performance technique.[11]

Hegarty Music Press publication of organ solos by John Gart

In 1993 he founded Hegarty Music Press to develop and publish instructional material for organ performance, and to publish his original compositions.[12] He also published works by the legendary radio/television organist John Gart, who Hegarty deeply admired.[13] Notable publications from Hegarty Music Press include:

  • Method of Organ Playing (1993)
  • 12 Service Pieces (1993)
  • Hymns for Bass Coupler (1993)
  • Six Rhythmic Organ Solos (by John Gart, 1994))
  • Maestro Magic (1995)
  • Maestro Magic Live (1996)

Hegarty's compositions have also appeared on stage and screen. In 2007 he was co-arranger, with his partner, Leonard Moors, of music for the New York Musical Theatre Festival production of Joel Adlen’s Emma.[7] Hegarty has composed and performed the organ soundtracks for two films:[14]

  • Hole to China (1999)
  • The Magic Man (2011)

In 2017 Hegarty was commissioned to compose Appalachian Triptych, a piece that he dedicated to organist Jonathan Dimmock.[15] This piece has been performed widely in Europe and the United States, and, in October 2018, broadcast on the Pipedreams program of American Public Media.[16][17][18]

Concert organist
Hegarty at the console of the Castro Theatre Wurlitzer Organ

When Hegarty came to San Francisco in 1976 he began performing at eclectic venues: a piano bar some nights, an East Bay pizza parlor on other nights, substituting at the Castro Theatre when he could, and of course church on Sundays.[19][20] Some evenings between sets in a piano bar he would race to the Castro Theatre to play an intermission, then rush back to the piano bar for his next set.[21] In a biopic Hegarty recalled the first time that he played at the Castro Theatre in 1976:

The Castro's Theme song for as long as I can remember has been San Francisco, the title song from the 1936 movie. I remember the first time that I substituted here I had to have someone hum it to me so I could jot it down having just come in from Ohio, and I managed to play it that night. Since then I don't know how many thousands of times I have played it, but it just seems to capture the essence of San Francisco and this Theatre and I never tire of it. And I hope that the audience doesn't either.[22]

After two years of playing at the Castro Theatre as a substitute, Hegarty joined the Castro Theatre as staff organist in 1978. In addition to his work at the Castro, Hegarty was named a staff organist at Palo Alto's Stanford Theatre in 1998, and in the same year became a regular recitalist at the California Palace of the Legion of Honor, presenting monthly pops concerts on the E.M. Skinner Organ.[23] His concert tours have taken him all across America, and even around the coast of South America (as an organist for Prudential Lines South American Cruises). He has performed in many of the most prestigious concert venues in the United States including Kennedy Center, Davies Symphony Hall, the Crystal Cathedral, and Grace Cathedral.[7][24] Hegarty is appreciated by audiences and critics alike. Paul Hume of The Washington Post described Hegarty as "one of the best."[25]

Organ designer
Hegarty with the Castro Symphonic Theatre Organ under construction at the R. A. Colby factory in Johnson City, Tennessee

In 2015 the Wurlitzer organ, which had been on loan to the Castro Theatre since 1982, was removed.[26] The owners of the organ were moving out of the Bay Area, and they needed to take the organ with them. The tradition of organ performance at the theatre dated back to the theatre's opening in 1922, and David Hegarty was not about to let that tradition die.[27] Within a week Hegarty installed his personal digital organ in the theatre and performances continued, albeit on a much less capable organ than the "Mighty Wurlitzer."

During his concert tours throughout the United States, Hegarty was particularly impressed by the Harrah Symphonic Organ in Hurricane, West Virginia.[28][29] The designer of that organ, Allen Harrah, was formerly president of the Rodgers Organ Company and inventor of the "hybrid" organ which uses a combination of wind-blown pipes (as in a traditional pipe organ) and digital pipe and orchestral voices to produce a much wider palette of sounds than would be found in a pipe organ alone.[30] Hegarty conceived of an organ design for the Castro Theatre based on Harrah's work, and contacted Allen Harrah about the idea of designing such an organ. Harrah was excited about the project, and offered to produce a detailed design of the organ pro bono.[31]

Hegarty formed a non-profit organization to manage the building of the new "Castro Symphonic Theatre Organ," and recruited Lauren Woodland and Harry Garland to serve on his Board of Directors.[32][33] Hegarty serves as president of the board. Construction has begun on the new organ which, with seven manuals, will be the world’s largest hybrid organ.[34][35][36][37]

Archivist
David Hegarty with Angela Morley at her home (2004)

David Hegarty serves as conservator and archivist of the musical artifacts for the estate of John Gart and for the estate of Angela Morley.[13][38]

Hegarty furthers the legacy of John Gart by frequently including Gart's works in his concert programs, and through his publishing company, Hegarty Music Press, he has published previously unknown Gart compositions.[39]

Hegarty has also transcribed several of Angela Morley's compositions for organ, and regularly performs them in concert.[40][41] In 2003 he was invited to perform his transcription of Morley's "Snow Ride" in a concert at Davies Symphony Hall with the San Francisco Symphony.[42] In 2009 he was asked by The Film Music Society to write a remembrance of Angela Morley which was published in their quarterly journal, "The Cue Sheet."[40]

Recordings
Certificate of Honor presented to Hegarty

Hegarty has released four CD's:

  • Phantastic! Symphonic Impressions for Two Organs and Virtual Orchestra (1998)
  • The Symphonic Organ Goes to Hollywood! (2006)
  • Inspirations (2006)
  • A Live Symphonic Organ Pops Concert (2012)

Other organists who have recorded Hegarty's original compositions and arrangements include Kenrick S. Mervine (Sabbath Suite, White Christmas, Ave Maria: A Symphonic Suite for Organ) and Steven Frank (Aria Pathétique.)[1][43][44]

Recognition

In 2012 the San Francisco Arts Commission engaged artist Paul Madonna to produce a series of six posters honoring a "broad array of arts and artists in San Francisco’s history." The posters were put on prominent display along Market Street in San Francisco. One of those six posters was dedicated to honoring Hegarty.[45]

Each year the San Francisco Film Society honors the "Bay Area film community’s most vital figures and institutions."[46] In 2013 Hegarty was so recognized "for the indelible mark he has made on the Bay Area’s vital and progressive filmmaking culture."[47]

In 2018 Hegarty received a Certificate of Honor from the Mayor of San Francisco recognizing him for his work in “creating the world’s most impressive and versatile hybrid symphonic organ,” and congratulating Hegarty on his 40th year as organist for the Castro Theatre.[48]

References
  1. Arnold, Corliss Richard (1995). Organ Literature a Comprehensive Survey, Volume II Biographical Catalog (Third ed.). Scarecrow Press. ISBN 9780810829657.
  2. "How I See San Francisco: Castro Theatre Organist David Hegarty". San Francisco Travel. 11 May 2015. Retrieved 20 December 2018.
  3. Pilikian, Armine (November 3, 2010). "The movies's one-man symphony". The Stanford Daily. 238 (34): 2–4. Retrieved 22 March 2019.
  4. Knight, Heather (April 16, 1999). "Stanford Theatre Organists add Classy Touch to Classic Films". San Francisco Chronicle – Peninsula. pp. 1–2. His father avidly played the trombone
  5. Blackwell, Erin (October 29, 1998). "The Castro Theatre salutes David Hegarty". Bay Area Reporter. 28 (44): 57.
  6. Whiting, Sam (March 26, 2013). "Castro organist aims to raise $1 million". sfgate. San Francisco Chronicle. Retrieved 30 March 2019. By 15, he was a church organist
  7. "The Musicals of Adlen-Moors". Adlen-Moors. Mr. Hegarty is the musical arranger for all of Mr. Moors’ scores, including Lucy’s View and Petrified, and the dance music for Joel Adlen’s Emma.
  8. Hegarty, David (January 1981). "The Way You Look Tonight". Sheet Music Magazine. 5 (1): 38–41.
  9. Hegarty, David (June–July 1981). "Who's Sorry Now". Sheet Music Magazine. 5 (5): 18–19.
  10. Hegarty, David (October 1981). "In The Mood". Sheet Music Magazine. 5 (7): 18–21.
  11. Hegarty, David (April–May 1982). "Legato-Through Finger Substitution". Sheet Music Magazine. 6 (4): 6, 46.
  12. Roberson, Fontaine (May 1997). "Castro Organists Play on the Job". Castro Star. 2 (2): 5. Hegarty...founded his own press for publishing church music and educational materials.
  13. Bergen, Teresa (January 1997). "Pipe Dreams". The Metropolitan. SF Live. p. 17. He got to know Gart...and inherited Gart's whole library of original organ music
  14. "David Hegarty". IMBd. Retrieved 22 March 2019.
  15. Dimmock, Jonathan. "Programs/Repertoire".
  16. "Guide de la Musique d'Orgue". France Orgue. Retrieved 26 March 2019.
  17. "Organ Recitals on Temple Square" (PDF). www.thetabernaclechoir.org. Retrieved 26 March 2019.
  18. "East Texas Treasures". pipedreams.publicradio.org. Retrieved 26 March 2019.
  19. Roberson, Fontaine (May 1997). "Castro Organists Play on the Job". Castro Star. 2 (2): 5. Both Hegarty and McCoy got their Bay Area theatre organ start in East Bay pizza parlors before coming to the Castro Theatre.
  20. Varghese, Manjula (July 16, 2017). "The Regulars: Organist at the Castro keeps musical tradition alive". San Francisco Chronicle. Retrieved 28 March 2019. Within two weeks of arriving, he landed a gig subbing and playing the organ at the Castro Theater.
  21. Grosvenor, David (Spring 1991). "Playing the Castro". SF Moda. 4 (2): 34. A pianist at the Metropolitan Club as well, Hegarty races crosstown each evening to play between films.
  22. One Man Band: David Hegarty's 25 Years at the Castro Organ, by Paul VanDeCarr on YouTube
  23. "Program Notes". San Francisco Symphony Playbill. 6 (4): 40. December 2003.
  24. "Composer and organist David Hegarty will perform New Year's Eve at Grace Cathedral". San Francisco Examiner. CXLII (166): 27. December 29, 2006.
  25. Hume, Paul (December 30, 1972). "The Organ Marathon". The Washington Post. p. B3.
  26. Wade, Dennis (May 1997). "Mighty Wurlitzer". Castro Star. 2 (2): 4. When the public first heard the Castro Theatre's 'mighty Wurlitzer' in 1982 it was a proud day for the Taylor family
  27. Katz, Leslie (August 29, 2014). "High-tech pipe organ to blow minds at famed SF theater". cnet.com. Retrieved 24 March 2019. The single-screen movie house on the city's famed Castro Street has offered organ music since 1922.
  28. "A dream comes true". pipesounds.org. September 28, 2003. Retrieved 28 March 2019.
  29. Mayer, Tom (August 13, 2014). "Massive Organ Coming to the Castro Theatre!". cinesourcemagazine.com. cineSOURCE Magazine. Retrieved 28 March 2019. His experience on the Harrah organ inspired him to try to bring a comparable instrument to San Francisco.
  30. Hapney, Jr., Terry L. (August 26, 2016). "Organ more than a pipe dream at Hurricane church". The Herald-Dispatch. Retrieved 2018-08-03. Harrah was previously the president of the Rodgers Organ Company...Harrah is the inventor of this combination organ - the organ of pipes and electronics
  31. Blackwell, Erin (August 6, 2014). "How big is your organ". The Bay Area Reporter. Retrieved 28 March 2019.
  32. Whiting, Sam (March 26, 2013). "Castro organist aims to raise $1 million". sfgate. San Francisco Chronicle. Retrieved 30 March 2019.
  33. "Board of Directors". castroorgan.org. Retrieved 28 March 2019.
  34. Katz, Leslie (August 29, 2014). "High-tech pipe organ to blow minds at famed SF theater". cnet.com. Retrieved 24 March 2019. The Castro Symphonic Theatre Organ...is already under construction in Johnson City, Tenn., under the watchful eye of Allen Harrah, the recognized pioneer of hybrid organ technology.
  35. Katz, Leslie (June 6, 2018). "David Hegarty touts extraordinary Castro Theatre organ". San Francisco Examiner. p. 18. Retrieved 24 March 2019. With 400 pipes, seven manuals (keyboards), more than 800 stop tabs, 120 speakers installed in the theater and a digital system that replicates sounds of a full orchestra, the instrument, when completed, will be the world’s largest hybrid organ
  36. Jackson, Stephen (November 6, 2015). "Organist David Hegarty On Plans For The Castro Theatre's New World-Class Organ". hoodline. Retrieved 28 March 2019. ...it's going to include the sounds of a theatre organ, a classical organ, and an actual symphony orchestra. It will be the largest combination pipe-and-digital organ in the world.
  37. "World's Largest Pipe/Digital Organ to Be Installed at Castro Theatre in 2020". San Francisco Bay Times. 3 May 2019. Retrieved 3 May 2019.
  38. Burlingame, Jon (January–April 2009). "Angela Morley". The Cue Sheet. The Film Music Society. 24: 9. ISSN 0888-9015. More than 100 colleagues and friends gathered in celebration of Angela Morley's life and music...hosted by Morley's friend and archivist David Hegarty
  39. Gart, John (1994). Six Rhythmic Organ Solos. Hegarty Music Press.
  40. Hegarty, David (January–April 2009). "Angela, A Personal Remembrance". The Cue Sheet. The Film Music Society. 24: 13–23. ISSN 0888-9015.
  41. Hassard, Ray (2005). "Organ-ized". American Record Guide. 68 (1): 33–34. ISSN 0003-0716.
  42. "Program Notes". San Francisco Symphony Playbill. 6 (4): 29–30. December 2003.
  43. "Kenrick S. Mervine". Organlive.com. Retrieved 1 April 2019.
  44. "Steven Frank, Organist".
  45. "PUBLIC ART: Final Weeks for Paul Madonna's Market Street Poster Series". sfartscommission.org. San Francisco Arts Commission. August 27, 2012. Retrieved 27 March 2019. ...David Hegarty, the Castro Theater’s beloved organist who is featured in one of the posters.
  46. "San Francsico Film Society Presents Essential SF, Honoring Local Cinematic Luminaries November 24 at the Roxie". sffilm.org. November 4, 2013. Retrieved 27 March 2019.
  47. Scarlett, Jackson (November 22, 2013). "Local Filmmakers Shine in Cinema By The Bay". 7x7.com.
  48. "Certificate of Honor issued by San Francisco Mayor". www.castroorgan.org. Retrieved 27 March 2019.
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