Child Bride

Child Bride, also known as Child Brides, Child Bride of the Ozarks, and Dust to Dust (USA reissue titles), is a 1938[1] American film directed by Harry Revier and produced by Raymond L. Friedgen. The film was promoted as educational and as an attempt to draw attention to the lack of laws banning child marriage in many states.

This article is about the 1938 film. For the social practice, see Child marriage. For the 2005 documentary, see Child Marriage (film).

Child Bride
Theatrical release poster
Directed byHarry Revier
Produced byRaymond L. Friedgen
Written byHarry Revier
StarringShirley Mills
Angelo Rossitto
Warner Richmond
Music byFelix Mills
CinematographyMarcel Le Picard
Edited byHelene Turner
Production
company
Distributed byAstor Pictures
Release date
January 1938[1]
Running time
62 minutes
CountryUnited States
LanguageEnglish
Budget$24,000 (est.)

The film is set in a remote town in the Ozarks. It was very controversial at the time—both for its theme and because of a topless and nude swimming scene by then-12-year-old Shirley Mills. The film bypassed the ban of onscreen nudity under the Hays Code by being produced and distributed independently of the studio system, and by claiming to be educational. Although the film was banned in many areas, the movie's controversial nature gave it a certain infamy and it played on the so-called exploitation circuit for many years.

The film was one of director Revier's last. He had previously made a series of low-budget, independent movies including The Lost City series and Lash of the Penitentes.

According to an interview with Michael J. Nelson and Kevin Murphy of Mystery Science Theater 3000 fame, this movie was screened for the show, but it was considered too awful and disturbing by the crew, with Murphy saying that he needed "a good cry and a shower" after the film.[2] In a separate interview with Frank Conniff, who selected films for the show, he cited it as the worst film he had watched as a potential selection for the show - alongside Manos: The Hands of Fate, which was screened on the show in January 1993.[3]

Plot

Miss Carol (Diana Durrell) is an idealistic teacher in a remote one-room schoolhouse. A native of the Ozarks herself, she is determined to stop the practice of child marriage, in which older men marry teen or preteen girls. Her campaign raises the ire of some local men, led by Jake Bolby (Warner Richmond), who one night drag her into the woods and tie her to a tree, with the intention of tarring and feathering her. Before they can do this, however, Angelo the dwarf (Angelo Rossitto) and Mr. Colton (George Humphreys) arrive with a shotgun to save the day.

Following this, Jake Bolby comes across young Jennie Colton (Shirley Mills) swimming naked. When her father dies, Bolby decides to take advantage of the opportunity to blackmail her mother into letting him marry the girl, threatening that otherwise he will see her hanged for murder. After he "courts" Jennie by giving her a doll, the two are married. It later turns out that this ceremony was illegal, as child marriage had been banned several days prior, but this point quickly becomes moot. Before Bolby can consummate the union, he is gunned down by Angelo. Jennie leaves his house with Freddie Nulty (Bob Bollinger).

Cast
  • Shirley Mills as Jennie Colton (Girl)
  • Bob Bollinger as Freddie Nulty (Boy)
  • Warner Richmond as Jake Bolby
  • Diana Durrell as Miss Carol (Teacher)
  • Dorothy Carrol as Flora "Ma" Colton
  • George Humphreys as Ira "Pa" Colton
  • Frank Martin as Charles, Asst. D.A.
  • George Morell (Rex Baxter) as Mike Nulty
  • Angelo Rossitto (Don Barrett) as Angelo the dwarf
  • Al Bannon as Happy
  • German Shepherd dog as Rex

Cast notes:

  • This was Shirley Mills' first role and she would later appear in The Grapes of Wrath in 1940. She would go on to appear in many films over the next decade, mostly in supporting roles. She quit acting in her twenties to become a singer.
  • This was Bob Bollinger's only film role. According to Mills' website, now offline, the two young actors became friends, and Bollinger later asked her to marry him, which she declined. His ultimate fate is unknown.
  • Angelo Rossitto had a long career in movies, stretching from the 1920s to the 1990s, usually in less heroic roles than in this film. He is perhaps best known for his role as Master in Mad Max: Beyond Thunderdome (1985). The reason he was billed as "Don Barrett" in this film is unknown.[4]
  • Along with Mills and Rossitto, Warner Richmond was one of the few actors involved in this film who had any sort of film career. He appeared in over 140 films between 1912 and 1946, including the Gene Autry serial The Phantom Empire (1935).

The nude swim scene

The movie is perhaps best known for the topless and lengthy nude swimming scene by 12-year-old Jennie, which begins with Jennie and Freddie, her closest friend, sneaking slyly to a secluded pond in the woods, where they had swum naked many times in the past. Freddie tells Jennie that he will "beat [her] undressed," but Jennie tells him that they can no longer swim naked together. Freddie asks her why, and Jennie replies "because we're not what we used to be" because she is now grown up. She repeats what she has been told by her teacher, Miss Carol.[5]

Freddie asks how they are different, pointing out that he had seen her many times in the nude, and Jennie turns to answer him, briefly exposing her breasts and nipples to the camera. The film then cuts to a lengthy long shot showing Jennie and Freddie, both topless and separated by a stand of trees, as they discuss how these changes will affect their relationship. Freddie asks if he can still kiss Jennie; she replies that he can but only when she is wearing her clothes.

Jennie then removes her dress entirely, runs naked through the woods and dives into the water. The next two minutes consist of shots of Jennie swimming nude and frolicking with her dog. Jake Bolby appears on a ridge above the pond, and watches the naked girl. An old woman sees what Bolby is doing, and says to him, "Purty, ain't she?" Freddie hears this and alerts Jennie to the fact that someone is watching her, and she swims for cover. She asks Freddie to bring her clothes to her, without looking at her. He uses a long stick to pass her the dress. She pulls the dress on, unseen to the camera, and climbs out of the water.

Some prints and screenings of the film have cut out the topless scene, leaving only the long shot nude swim sequence.

Production

Child Bride was the first film produced by noted exploitation film producer and promoter Kroger Babb, who marketed it as an educational film and who would reissue it under various titles, including Child Brides, Child Bride of the Ozarks and Dust to Dust. The movie is perhaps best known for the lengthy nude child swimming scene, which Allmovie described as "completely gratuitous" and "obviously Child Bride's main selling point and the reason for its longevity on the exploitation circuit."[6]

The film had been submitted to the Production Code Administration for a certificate of approval, but was denied because of its subject matter, which was said to be "a sexually abhorrent abnormality which violates all moral principles," and because of the onscreen child nudity. The censors also objected to the murderer never being punished for his deeds.[7]

The production of the film in 1938 followed shortly after mass media coverage of the 1937 marriage of 9-year-old Eunice Winstead to Charlie Johns,[8] causing the film to be compared to it.[9]

Home media

Alpha Video's DVD release presents the film in its uncensored form, while Mill Creek Entertainment included a censored version of the film in its 20 Movie Pack Cult Classics collection. The film is now in the public domain.

See also

References
  1. "Child Bride (1938) AFI Catalog of Feature Films American Film Institute. The film is widely listed as dating from 1938 (IMDb, AllMovie, YouTube etc.), but the copyright date on the print of the film shown by Turner Classic Movies on January 12, 2014, and also the ones available on YouTube and the Internet Archive is "MCMXLIII" (1943). Despite this, Schaefer, Eric (1999). "Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919-1959. Duke University Press. pp. 282–283. ISBN 9780822323747. lists it as 1941.
  2. Murphy, Kevin (2004). MST3K—An Interview With Kevin and Mike.
  3. "The Highest of Low Standards: How 'MST3K' Picked Movies to Mock". Splitsider. Archived from the original on December 7, 2015. Retrieved December 8, 2015.
  4. Child Bride at AllMovie
  5. Schaefer, Eric (1999). "Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919-1959. Duke University Press. p. 283. ISBN 9780822323747.
  6. Wollstein, Hans J. "Child Bride". NYTimes.com. Archived from the original on January 28, 2014. Retrieved July 13, 2012.
  7. "Child Bride (1943)—Notes". Turner Classic Movies. Retrieved December 8, 2015.
  8. Tsui, Anjali (September 14, 2017). "Married Young: The Fight Over Child Marriage in America". PBS. In January 1937, 22-year-old Charlie Johns married his 9-year-old neighbor, Eunice Winstead. Johns was a quiet, tobacco farmer in Hancock County, Tennessee. The couple falsified Winstead’s age in order to get a marriage license. At the time, however, there was no minimum marriage age in Tennessee and minors did not need parental permission. News of their union prompted outrage around the country. National magazines and newspapers jumped to report the story. In a photo essay entitled, “The Case of the Child Bride” published in LIFE magazine, Winstead smiled tentatively next to her lanky, six-foot tall husband.
  9. Syrett, Nicholas (November 25, 2014). "Imagining Rural Sexuality in the Depression Era: Child Brides, Exploitation Film, and the Winstead-Johns Marriage". If, as the census demonstrated, the largest number of child brides were among the native born (and of native born parents, to boot) then the Winsteads’ status as “white trash” explained their consent to Eunice’s marriage and exemplified backward backwoods sexuality more generally. I also focus on the film, Child Bride, which itself makes the “old stock” whiteness of the Tennesseans a key issue. I argue that the film, released at the height of the Great Depression, spoke to anxieties about falling marriage and birth rates and single women’s supposed promiscuity. By displacing these fears on to the forced child marriage depicted in the film, which itself bore little resemblance to Eunice Winstead’s adamant declaration of her own choice to marry Charlie Johns, Americans could ignore what were perceived as real threats to the institution of marriage in favor of an imagined sex exploitation hidden in the hills of Appalachia.

Note: The 1943 date cited refers to the copyright/release/re-release date. It was filmed in 1938/1939 because Shirley Mills was born in 1926, and it is widely known that she was 12 at that time, and not 17.

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