Charlotte Eyerman

Charlotte Nalle Eyerman is an American museum director and curator and expert in 19th century French art. She was appointed Director and Chief Curator of the JPMorgan Chase art collection in 2017.[1] She is a member of the board of trustees at Accountability Lab.[2] Eyerman has also served as Director and Chief Executive Officer of the Monterey Museum of Art (2010–13),[3] and as Director of the Gagosian Gallery, Beverly Hills.[3][4]

In 2014 Eyerman was named a Chevalier (Knight) in France's Ordre des Arts et des Lettres, in honour of her "outstanding achievements in the field of cultural diplomacy."[5]

Biography

Charlotte Eyerman is the daughter of artist and psychotherapist, Sun Smith-Foret,[6] and Edward L. Eyerman, Jr., a neurologist[7][8] and art collector. She was born and raised in St. Louis, Missouri.[9] She received her master's degree in 1990 and her PhD in the History of Art in 1997 from the University of California, Berkeley.[9] At Union College in Schenectady, New York, Eyerman was Assistant Professor of Art History (1994-2001).

Eyerman served as the Director of the French American Museum Exchange (FRAME) North America (2010–13),[10] Curator of Modern and Contemporary Art at the St. Louis Art Museum, St. Louis, Missouri (2006–09).[6][11] As Curator, she oversaw the installation of the 2009 exhibition, Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976, which won an award from the Association of Art Museum Curators for best installation or exhibition.[12] Before that, Eyerman served as Assistant Curator of Paintings, at the J. Paul Getty Museum, Los Angeles, California (2002–06).[6] In 2013, she became the executive director of the Monterey Museum of Art.[13]

As independent curator, Eyerman's exhibitions include Just Add Water at the Natural History Museum Los Angeles County (2013–15),[14] Cubisti Cubismo at the Complesso Monumentale del Vittoriano in Rome, Italy (2011–13),[15] Pacific Standard Time at the Natural History Museum Los Angeles County,[16] and Artistic Evolution at the Natural History Museum Los Angeles County (2010–12).[17][18] In 2012, Eyerman gave a TEDx talk on Artist as Muse, in Santa Monica, California.[19]

Work

Along with Mary Morton, the associate curator of paintings at the J. Paul Getty Museum, Eyerman coauthored the work published by the museum that accompanied the 2006 exhibition of a collection of curated works of Gustave Courbet's landscapes Courbet and the Modern Landscape (2006).[20] The publication groups the art by topography and also "succeeds in presenting Courbet in a new light," according to Library Journal.[21] The Art Book wrote "It is a handsome publication, a welcome addition to any library, public or private."[22]

The book, Old Masters, Impressionists, and Moderns (2002) collects the "big names" of French artists from the collection of the State Pushkin Museum in Moscow.[23]

Publications
  • The Composition of Femininity: The Significance of the 'Woman at the Piano' Motif in 19th-Century French Culture from Daumier to Renoir (Ph.D. Dissertation) Berkeley: University of California at Berkeley, 1997[24][25]
  • Courbet and the Modern Landscape (with Mary Morton), ISBN 978-0-89236-836-5 hardcover, 2006.[20]
  • Old Masters, Impressionists, and Moderns: French Masterworks from the State Pushkin Museum, Moscow (with Irina Antonova, Eugenya Georgievskaya, and Elena Sharnova), ISBN 9780300097368 cloth, 2002.[26]
  • Cubisti cubismo / a cura di Charlotte Eyerman. Milano : Skira, 2013. ISBN 8857219038. 9788857219035[27][28]
  • Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976, (essay) New Haven: Yale University Press, 2009, ISBN 9780300139204.

Honors

In 2014 Eyerman was named a Chevalier (Knight) in France's Ordre des Arts et des Lettres.[5]

References
  1. "New Director and Chief Curator of the JPMorgan Chase Art Collection Named | JPMorgan Chase & Co". JPMorgan Chase & Co. Retrieved 2018-03-17.
  2. "Building a new generation of active citizens and responsible leaders around the world - Accountability Lab". Accountability Lab. Retrieved 2018-03-17.
  3. "Charlotte Eyerman leaves the Monterey Museum of Art". The Salinas Californian. Retrieved 2018-03-17.
  4. "Monterey Museum of Art appoints Charlotte N. Eyerman, Ph.D. as new Executive Director". ArtDaily. Retrieved 20 March 2018.
  5. Charlotte Eyerman, Knight in the Order of Arts and Letters at website of Consul General of France in Los Angeles
  6. "From ST. Lou TO Beverly Hills". St. Louis Post-Dispatch. St. Louis, Missouri. October 24, 2009. p. A015. Retrieved 20 March 2018.
  7. "St. Louis Post-Dispatch from St. Louis, Missouri on December 20, 2001 · Page 45". Newspapers.com. Retrieved 2018-03-21.
  8. "In Memoriam > Spring 2002 | Yale Medicine". ymm.yale.edu. Retrieved 2018-03-21.
  9. Ryce, Walter. "Charlotte Eyerman ushers in a new era at the Monterey Museum of Art". Monterey County Weekly. Retrieved 2018-03-18.
  10. "Dr. Charlotte Eyerman Elected FRAME American Director". framemuseums.org. 2010-11-08. Archived from the original on 2018-03-20. Retrieved 2018-03-19.
  11. "News & Notes". Art & Antiques. 29 (3): 49. March 2006 – via EBSCOhost.
  12. Bonetti, Judith Newmark and David. "ARTS BRIEFS". stltoday.com. Retrieved 2018-03-21.
  13. Austin, Jan (7 February 2014). "Keeping an Eye on Art". The Californian. Retrieved 2018-03-18 – via Newspapers.com.
  14. "Just Add Water". Natural History Museum of Los Angeles County. 2013-08-21. Archived from the original on 2018-03-18. Retrieved 2018-03-17.
  15. "Cubisti e Cubismo al Vittoriano". Il Sole 24 ORE. Retrieved 2018-03-17.
  16. "Pacific Standard Time". Natural History Museum of Los Angeles County. 2011-08-08. Archived from the original on 2018-03-18. Retrieved 2018-03-17.
  17. "Art review: 'Artistic Evolution' at the Natural History Museum". LA Times Blogs - Culture Monster. 2011-10-27. Retrieved 2018-03-17.
  18. Villarreal, Ignacio. "Artistic Evolution: Southern California Artists at the Natural History Museum of Los Angeles County, 1945-1963". artdaily.com. Retrieved 2018-03-17.
  19. TEDx Talks (2012-09-14), TEDxSantaMonica - Charlotte Eyerman - Artist as muse, retrieved 2018-03-21
  20. Font-Reaulx, William M. Griswold, Peter C. Marzio, Gary Vikan, Mary Morton, Charlotte Eyerman, Dominique de. "Courbet and the Modern Landscape". www.getty.edu. Retrieved 2018-03-26.
  21. Frosch, Paula (15 March 2006). "Courbet and the Modern Landscape". Library Journal. 131 (5): 71 – via EBSCOhost.
  22. Lambirth, Andrew (2007). "Courbet and the Modern Landscape by Mary Morton and Charlotte Eyerman". Art Book. 14 (2): 29–30. doi:10.1111/j.1467-8357.2007.00794_10.x.
  23. Brown, Jack Perry (February 2003). "Old Masters, Impressionists, and Moderns". Library Journal. 128 (2): 80 – via EBSCOhost.
  24. Morton, Marsha L.; Schmunk, Peter L. (1999). The arts entwined : music and painting in the nineteenth century. New York: Garland. ISBN 0815331568. Retrieved 20 March 2018.
  25. Cvejić, Žarko (2016). The Virtuoso as Subject:The Reception of Instrumental Virtuosity, c. 1815–c.1850. Cambridge Scholars Publishing. ISBN 978-1-4438-9071-7. Retrieved 20 March 2018.
  26. "Old Masters, Impressionists, and Moderns | Yale University Press". yalebooks.yale.edu. Retrieved 2018-03-17.
  27. "Cubisti Cubismo". UnDo.net. 2013.
  28. "Cubisti Cubismo". Retrieved 2018-03-21.
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