Bastard Out of Carolina
Bastard Out of Carolina was the debut novel of Dorothy Allison. The 1992 book, which is semi-autobiographical in nature, is set in Allison's hometown of Greenville, South Carolina in the 1950s. Narrated by Ruth Anne "Bone" Boatwright, the primary conflict occurs between Bone and her mother's husband, Glen Waddell.
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| Author | Dorothy Allison |
|---|---|
| Country | United States |
| Language | English |
| Genre | Coming-of-age novel |
| Publisher | Dutton |
Publication date | March 1992 |
| Media type | Print (hardcover & paperback) |
| Pages | 309 pp |
| ISBN | 978-0-525-93425-7 (1st ed. hardcover) |
| OCLC | 24502970 |
The novel examines the complexities of mother-child relationships, conditions of class, race, and sexuality. All in which play out in Bone's life and her relationships with others.
The book was adapted into a film in 1996.
Plot
The book opens with Bone relating the details of her birth. Bone's 15-year-old mother Anney gives birth to her after being seriously injured in a car accident. Anney, who is comatose during the delivery, is unable to lie about being married. Her mother and older sister Ruth attempt to give a false name and are caught in their deception. This results in Bone being declared a bastard (an illegitimate child; born out of wedlock). Anney, who "hated to be called trash", then spends the next two years unsuccessfully petitioning to get a new birth certificate issued without the word "illegitimate” stamped on it. This opens her up to the ridicule of the customers in the diner in which she works.
At age 17, Anney marries Lyle Parsons and gives birth to another daughter, Reese, in short order. Lyle is killed in a car accident, leaving Anney "all bitter grief and hunger". After remaining single for a few years she begins to date Glen Waddell, the son of a socially prominent dairy owner. Two years later, as a result of her becoming pregnant, they get married.
Anney gives birth to a stillborn boy and becomes unable to have more children. During labor, Glen masturbates while touching Bone in the car. The family's fortunes plummet, with Glen losing job after job due to his anger management problems. It is then that Glen begins sexually molesting her. The abuse culminates in beatings and whippings that leave Bone nursing bruises and broken bones.
When Anney discovers the abuse, she leaves Glen, who promptly promises never to do it again. Anney takes him back and the abuse resumes. Anney leaves Glen again after her tough, hard-drinking brothers severely beat Glen upon discovering that he has beaten Bone once again. Bone then announces to her mother that she will never live in the same house with Glen again. Bone tells her mother that she loves her and will forgive her if she decides to go back to Glen, reiterating that she will not return to the house with Glen. Her mother then vows not to go back to Glen unless Bone comes with her.
When Glen discovers this, he attacks Bone at her Aunt Alma's house, breaking her arm and raping her on the kitchen floor. Anney walks in on him and fights him off. Glen follows the two out to the car, begging Anney to kill him rather than abandon him. To Bone's disgust and amazement, Anney ends up crying and throwing her arms around Glen.
Bone's aunt Raylene visits her at the hospital and takes custody of Bone, as Anney has disappeared. While Bone is recuperating at her aunt's house, Anney shows up with a new birth certificate for Bone, this time without the word "illegitimate" stamped on the bottom. She asks Bone's forgiveness and leaves without telling her where she is going.
Reviews
- In the July 5, 1992, edition of The New York Times Book Review, George Garrett said the book "in no way seems to be a patchwork of short stories linked together. Everything, each part, belongs only to the novel" and "close to flawless". He compared it to J.D. Salinger's novel Catcher in the Rye and Harper Lee's novel To Kill a Mockingbird, writing, "Special qualities of her style include a perfect ear for speech and its natural rhythms; an unassertive, cumulative lyricism; an intensely imagined and presented sensory world, with all five senses working together; and, above all, again and again a language for the direct articulation of deep and complex feelings."[1]
- K. K. Roeder in the April 1991 publication of San Francisco Review of Books states that Allison: "relates the difficulty of Bone's struggles with intensity, humor, and hard-wrought rejection of self-pity, rendering Bastard a rare achievement among works of fiction dealing with abused children."[1]