Barbara Vanderlinden

Barbara Vanderlinden is an art critic, editor, and independent curator. She began her career in the mid-1990s as co-curator of the contemporary art program of Antwerp '93, European Capital of Culture , under its auspices, co-organized the exhibitions New Sculptures for Middelheim (1992),[1] MIddelheimmuseum, Middelheim; On Taking a Normal Situation... (1993), MuHKA Museum van Hedendaagse Kunst Antwerpen, Antwerp; and The Sublime Void: On the Memory of the Imagination (1993), Koninklijk Museum voor Schone Kunsten Antwerpen, Antwerp. She has gone on to be the founding director of Roomade, Brussels (1996–2005) where she initiated and produced projects in collaboration with artists such as Mullican Matt Mullican under Hypnosis (1996), Carsten Höller, Boudewijn Experiment, Deliberate Experiment in Doubt (2000),[2] and Andreas Slominski (1997), and produced a series of artist's films and exhibitions such as Laboratorium (1999) co-curated (with Hans Ulrich Obrist).[3][4] In 2005, she founded the Brussels Biennial, and was the artistic director of it first edition Brussels Biennial I, “Re-used Modernity” (2008–09).[5]

Barbara Vanderlinden

She served as director of the 2008 Brussels Biennial[6] and organised multiple exhibitions as well as various international biennales including the Taipei Biennial: Do You Believe in Reality? (2004),[7][8][9] Taipei Fine Arts Museum, Taipei; Manifesta, European biennial of contemporary art (1998),[10] Luxembourg; Generation Z (1998)[11][12], MoMA PS1, New York; Indiscipline (2000),[13] Brussels 2000, European Capital of Culture, Brussels; The Fascinating Faces of Flanders 58/98 Two hours wide or two hours long (1998)[14] Centro Cultural de Belém, Lisbon. From 1998 to 2000 she co-curated with Adriano Pedrosa, Ivo Mesquita, and Cuauhtemoc Medina the defunct XXV Bienal de São Paulo,[15] São Paulo. She co-curated with Boris Groys The Art Judgement Show (2002),[16][17] Museum of Modern Art, Ljubljana, and more recently, In A 37 90 89: Beyond the Museum (2018–19)[18], MuHKA Museum van hedendaagse Kunst, Antwerp.

She served as Professor of Exhibition Studies and Director of the Exhibition Laboratory (2013–15) at the University of the Arts Helsinki (Taideyliopisto) in Finland where she curated the exhibition Laboratory of Hearing (2015).[19] Previously, she was Visiting Professor and initiator of the International Curatorial Programme (2001)[20] at the Gwangju Biennale Foundation, Gwangju, South Korea, and Associate Professor of curatorial studies for the CCS Bard Master of Arts Program in Curatorial Studies in Annandale-on-Hudson, New York, Professor of Exhibition and Museum Studies (2005–08) at the San Francisco Art Institute.[21]

Vanderlinden is the author of a reference book in the field of exhibitions and biennials stories in Europe called The Manifesta Decade: Debates on Contemporary Art Exhibitions and Biennials in Post-Wall Europe (MIT Press, 2005)[22] and co-author (with Francesco Bonami and Nancy Spector) of Maurizio Cattelan (Phaidon Press, 2003).[23]

References
  1. "Hans-Ulrich Obrist talks with Barbara Vanderlinden". www.artforum.com. Retrieved 2021-01-17.
  2. "Koninklijke druk keldert project van Brussel 2000". De Standaard (in Dutch). Retrieved 2021-01-17.
  3. Bishop, Claire (2004). "Antagonism and Relational Aesthetics". October. Fall 2004 (110): 51–79.
  4. Holmes, Brian. "The Artistic Device, Or the Articulation of Collective Speech" (PDF). Retrieved 19 November 2016.
  5. Vanderlinden, Barbara (2008). Brussels Biennial, “Re-used Modernity.”. Cologne: Walter König Verlag. ISBN 9783865605559.
  6. "Première Biennale de Bruxelles". La Libre Belgique (in French). 11 September 2008. Retrieved 22 January 2016.
  7. Gluck, Caroline (2004-10-29). "Taipei's artistic take on reality". The New York Times. ISSN 0362-4331. Retrieved 2016-11-20.
  8. group, 臺北市10461中山北路三段181號, 181 ZhongShan North Road Section 3 Taipei 10461 Taiwan, telephone +886-2-2595-7656, [email protected], TFAM media. "TFAM | Home | Exhibitions | The 2004 Taipei Biennial ：Do You Believe in Reality?". www.tfam.museum. Retrieved 2016-11-20.
  9. "Taipei Biennial adds new perspectives". www.ChinaPost.com.tw. Retrieved 2016-11-20.
  10. "All Together Now". Retrieved 2016-11-20.
  11. "MoMA PS1: Exhibitions: Generation Z". momaps1.org. Retrieved 2016-11-20.
  12. "zingmagazine10|PS1 Contemporary Art Center|Generation Z". www.zingmagazine.com. Retrieved 2016-11-20.
  13. Vanderlinden, Barbara (2000). Indiscipline. Brussels: Roomade. OCLC 457180099.
  14. Vanderlinden, Barbara (1998). The Fascinating Faces of Flanders 58/98 Two hours wide or two hours long. Antwerp: City of Antwerp. ISBN 90-209-2310-2.
  15. "25ª Bienal de SP define seus curadores". Folha de S.Paulo. 26 August 1999. Retrieved 2016-11-20.
  16. "De Witte Raaf". www.dewitteraaf.be. Retrieved 2016-11-20.
  17. Groys, Boris (2001). The Art Judgement Show. Roomade. ISBN 9071122018.
  18. ""A 37 90 89: Beyond the Museum" at M HKA – Museum of Contemporary, Art Antwerp •". Mousse Magazine (in Italian). 2018-12-13. Retrieved 2021-01-17.
  19. "Laboratory of Hearing". Art & Education. 2015. Retrieved 22 January 2016.
  20. "Gwangju Biennale International Curator Course". Art & Education. Retrieved 22 January 2016.
  21. "SFAI: An interdisciplinary and transnational approach to education in art and culture | Art & Education". Art & Education. Retrieved 2016-11-20.
  22. "The Manifesta Decade". frieze.com. Retrieved 2016-11-20.
  23. "Maurizio Cattelan | Art | Phaidon Store". Phaidon. Archived from the original on 2011-03-13. Retrieved 2016-11-20.
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