Au Pairs

The Au Pairs were a British post-punk band that formed in Birmingham in 1978 and continued until 1983. They produced two studio albums and three singles. Their songs were said to have "contempt for the cliches of contemporary sexual politics"[2] and their music has been compared to the Gang of Four and the Young Marble Giants.[3] The band was led by Lesley Woods, who was once described as "one of the most striking women in British rock".[4]

This article is about the band. For other uses, see Au Pairs (disambiguation).

Au Pairs
The band in about 1982
Background information
OriginBirmingham, England
GenresPost-punk[1]
Years active1978–1983
Labels
  • Human
  • Kamera
Past members
  • Lesley Woods
  • Jane Munro
  • Paul Foad
  • Pete Hammond
  • Nick O'Connor
  • Jayne Morris
  • Graeme Hamilton
  • Cara Tivey

Career

Their first album Playing with a Different Sex is considered a post-punk classic with strong, sarcastic songs like "It's Obvious" and "We're So Cool" taking a dry look at gender relations. Other songs, such as "Armagh" with its refrain, "we don't torture" criticized the British government's treatment of Irish Republican prisoners in the troubles in Northern Ireland, which caused some controversy at the time.

The band performed in 1980 for the concert film Urgh! A Music War.

The band's second album, Sense and Sensuality (1982), showed a greater influence of jazz, soul, funk and disco on the band's sound, but was less well received.[5]

Following the departure of Jane Munro in 1983, the band recruited Nick O'Connor who also played piano and synthesizers. At this time the group were further augmented by Jayne Morris (percussion and backing vocals), Graeme Hamilton (trumpet) and Cara Tivey on additional keyboards. The band were scheduled to record a third album with producer Steve Lillywhite in 1983 but broke up. Woods has intimated that that the hostility and violence she and other women faced playing music was a factor in the group's demise: 'There comes a point where you can’t go on any more at that level,' she told Nige Tassell of the Guardian.[6]

Woods formed an all-woman band called the Darlings in the late 1980s, but then left the music industry. Now as Lesley Longhurst-Woods she works as a lawyer in London.[7] Guitarist Paul Foad published a guitar technique book, co-written with Stuart Ritchie, titled The Caged Guitarist (2000). Bass player Jane Munro works as an alternative therapist (aromatherapy, reflexology and Indian head massage) in Birmingham. Pete Hammond also remains an active musician and teaches percussion in Birmingham.

Reception

In a review of the band's debut show at the Whisky a Go Go, critic Richard Cromelin said: "When the crowd at the Whisky kept calling Au Pairs back to the stage for encores Wednesday night, it was as if they were trying to tell the group's singer Lesley Woods that her band had done just fine and she could go ahead and loosen up a little." (Los Angeles Times, 1981)[8]

Writing about their show at The Ritz, John Rockwell said "The Au Pairs blend political lyrics, a tough, funk-dance-rock idiom and an at least initially dispassionate vocal style, rather like the Gang of Four meeting the Young Marble Giants" and suggested that Lesley Woods "and the band were able to build the insinuating monotones of the songs early in the set through street taunts into a rousing rock-and-roll climax." (The New York Times, 1981)[3]

Music historian Gillian G. Gaar noted in her 2002 She's a Rebel: The History of Women in Rock and Roll (Live Girls) that the band mingled male and female musicians in a revolutionary collaborative way, as part of its outspoken explorations of sexual politics.[9]

Discography

Albums

Singles
  • "You" / "Domestic Departure" / "Kerb Crawler" (021 Records, OTO 2, 1979)
  • "It's Obvious" / "Diet" (021 Records, OTO 4, 1980) (No. 37 on the US Billboard Club Play Singles charts)
  • "Inconvenience" / "Pretty Boys" (Human Records, HUM 8, 1981)
  • "Inconvenience" / "Pretty Boys" / "Headache For Michelle" (remix) (Human Records, HUM 8/12, 1981)

Lives & Compilations
  • Live in Berlin (AKA Records, AKA6, recorded 1982, released 1983)
  • Shocks to the System: The Very Best of the Au Pairs (Cherry Red, CDMRED161, 1999)
  • Equal But Different - BBC Sessions 79-81 (RPM, RPM139)
  • Stepping Out of Line: The Anthology (Castle Music, CMQDD1338, released May 2006 in the UK)
  • Equally Different. Live in Berlin, 1981, Suffragette Production SP 27 (bootleg)

Original members
  • Lesley Woods - guitar/vocals
  • Paul Foad - guitar/vocals
  • Jane Munro - bass
  • Pete Hammond - drums

Other members (1983)
  • Nick O'Connor - bass/keyboards/backing vocals
  • Graeme Hamilton - trumpet
  • Jayne Morris - percussion/backing vocals
  • Cara Tivey - additional keyboards

References
  1. Larkin, Colin, ed. (2006). "Au Pairs". Encyclopedia of Popular Music (4th ed.). Oxford University Press. ISBN 978-0-1953-1373-4.
  2. Matt Seaton (6 October 2011). "Old music: Au Pairs – It's Obvious". The Guardian. Retrieved 18 September 2013.
  3. John Rockwell (28 September 1981). "POP: PIGBAG, AU PAIRS". The New York Times. Retrieved 18 September 2013.
  4. Craig Lee (21 June 1985). "3 JOHNS AT FENDER'S ADD UP TO A VERY GOOD TIME". Los Angeles Times. Retrieved 18 September 2013.
  5. Richie Unterberger. "Sense and Sensuality - the Au Pairs". AllMusic. Retrieved 18 September 2013.
  6. "Never mind the bus pass: punks look back at their wildest days". The Guardian. 7 May 2016. Retrieved 14 September 2020.
  7. "Barrister at Law London". Lesley Longhurst-Woods. 6 January 2012. Retrieved 20 February 2013.
  8. Richard Cromelin (2 October 1981). "Au Pairs Debuts at the Whisky". Los Angeles Times. Retrieved 18 September 2013.
  9. Gillian G. Gaar (2002). She's a Rebel: The History of Women in Rock and Roll. Seal Press. pp. 203–204. ISBN 1-58005-078-6.
  10. David Roberts (2006). British Hit Singles & Albums (19th ed.). Guinness World Records Limited. p. 33. ISBN 1-904994-10-5.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.