Ali Badrakhan

Ali Badrakhan[1] (born April 25, 1946) is an Egyptian film director and screenwriter, the son of the director Ahmed Badrakhan. He worked as assistant to Fatin Abdel Wahab in Land of Hypocrisy in 1968, and with Youssef Chahine in the films "Selection" in 1971 and The Sparrow in 1974; his first movie was "The Love That Was" (1973) by Soad Hosny. Badrakhan collaborated with Naguib Mahfouz, Salah Jahin, and Ahmed Zaki.

Ali Badrakhan
علي بدرخان
Born(1946-04-25)April 25, 1946
NationalityEgyptian
OccupationFilm director, screenwriter
Spouse(s)Soad Hosny (m. 1970-1981)

Early life

Badrakhan was born to father Ahmed Badrakhan and mother Salwa Allam in Cairo circa 1946.

Filmography

Year Title Arabic Title Notes
1969Nadia
1975Karnak CafeالكرنكDirector, Writer
1978Shafika and Metwaliشفيقة ومتوليDirector, Writer
1981People on the Topأهل القمةDirector, Writer
1986The HungerAl-Go'a, الجوعDirector, Writer, Producer
1991The Sheperd and the WomenAl-Ra'i wal Nisaa, الراعى والنساءDirector, Producer
2002DesireAl-RaghbaDirector

See also

Bibliography

  • Laura U. Marks, Hanan Al-Cinema: Affections for the Moving Image, The MIT Press UK. 2015.
  • Josef Gugler, Film in the Middle East and North Africa: Creative Dissidence, University of Texas Press Austin, USA. 2011, pages 369.
  • Terri Ginsberg, Chris Lippard, Historical Dictionary of Middle Eastern Cinema, Scarecrow Press, UK. 2010, 527 pages.
  • Jean-François, Brière, Dictionnaire des cinéastes africains de long métrage, Karthala-ATM, 411 2008, pages.
  • Roy Armes, Dictionary of African Filmmakers, Indiana University Press, USA. 2008, 402 pages.
  • Viola, Shafik, Popular Egyptian Cinema: Gender, Class, and Nation, American University Press in Cairo, Egypt. 2007, 349 pages.
  • Joel S. Gordon, Revolutionary melodrama: popular film and civic identity in Nasser's Egypt, Middle East Documentation Center, 2002, 300 pages.
  • Leaman, Oliver, Companion, Encyclopedia of Middle Eastern and North African Film, London : Routledge, 2001.
  • Hind Rassam Culhane, East/West, an ambiguous state of being: the construction and representation of Egyptian cultural identity in Egyptian film, P. Lang, 1995, 226 pages.
  • Keith ,Shiri, Directory of African film-makers and films, Greenwood Press, 1992, 194 pages.
  • Peter Cowie, International Film Guide, Tantivy Press, 1977, 536 pages.

Note

  • Ali Badr Khan,


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