Adaline Kent

Adaline Dutton Kent or Adaline Kent Howard, (August 7, 1900 – March 24, 1957) was an American sculptor from California. She created abstract sculptures with forms inspired by the natural landscape.

Adaline Kent
Born
Adaline Dutton Kent

(1900-08-07)August 7, 1900
Kentfield, California
DiedMarch 24, 1957(1957-03-24) (aged 56)
Marin County, California
NationalityAmerican
Other namesAdaline Kent Howard
EducationGrande Chaumiere
Alma materVassar College, San Francisco Art Institute
Known forSculpture
StylePost-war California Modernism
Spouse(s)Robert Boardman Howard

Early life and education

Kent was born on August 7, 1900[1] in Kentfield, California, one of seven children of women's rights activist Elizabeth Thacher Kent and U.S. congressman William Kent.[2][3] Her grandfather, Albert Emmett Kent, had purchased an 800-acre farm in 1871, which later became the town of Kentfield.[3]

She began her education at Vassar College before returning to the Bay Area to study at the California School of Fine Arts.[4] She studied in Paris with Antoine Bourdelle at the Grande Chaumiere.[5] She married Robert Boardman Howard on August 5, 1930, after they worked together on the Pacific Stock Exchange building, a Miller and Pflueger architecture firm project.[6] They had two daughters, Ellen (May 1931 – Oct 1987)[7] and Galen (born April 1933).[6][8]

Work

The first fifteen years of her career her art focused on the human body. She loved the fact that sculpting the human body offered anyone to have their own personal interpretation to the craft. According to Kent, there is no awkwardness to the human body and its representation is not subjective to anyone other than the creator.[9] Kent also felt comfortable with taking ideas from the human form because our bodies are familiar and easy to shape into various artistic position. This foundation in the form of the human body led her to discover her true passion of creating works of art that dealt with the flow of nature.

Kent loved to hike and explore various trails in the Sierra Mountains.[9] Kent found a lot of influence from the rock formations in the Sierra Nevada Mountains. In her travels Kent was able to find the meditation that influenced her use the ideas of others in her art. She ventured outside of the human form and into more three-dimensional curved form that left her art to interpretation. Kent also found influence in mountain formations, she explored the way gravity works with a few sketches. Her most notable sketch “Song” was made in 1945 and centered on the Sierra Nevada Mountains and the music of nature. Kent also made sculptures from various material such as seashells, driftwood, and crystals. Adaline Kent felt that “works of nature are one with works of art”.

Kent also took influence from primitive resources that originated in other cultures. She admired certain artworks from witchcraft and spiritual customs. According to Kent they represented a great deal of mystery and left interpretation up to the imagination. She was able to identify how shapes can carry certain meanings. The sharper edges an object might have, the more emotion it might trigger. The more a sculpture had rounder, smoother edges the more relaxed an individual might feel. Her sculptures remain an important part of surrealist and modern art because of her eye of interpreting the world and its forms. To Kent sculpting was an adventure into the unknown with meaning being attached to personal vision.[9]

Golden Gate International Exposition

During the Golden Gate International Exposition (1939–1940), Kent produced a group of 20 statues called Pacific Unity, that were grouped around the Fountain of Western Waters surrounded the statue of Pacifica (Court of Pacifica) by Ralph Stackpole.[10][11] Each cast stone statue was created to represent the four different population groups in the Pacific; North American, South American, Asian and Pacific Islander. In 1941 the US Navy took over control of Treasure Island (location of the former Golden Gate International Exposition) and removed all but six of the statues.[10][11] In 1994, six of the remaining statues were restored and put on display on Treasure Island at Building One.[11]

Death and legacy

On March 24, 1957, Kent died in an accident while driving on the Pacific Coast Highway in Marin County.[12]

Adaline Kent was an alumna and a former board member (1947–1957) of the San Francisco Art Institute, and left it $10,000 to establish an annual award for promising artists from California. The prize was awarded from 1957 to 2005. Winners included Ron Nagle (1978), Wally Hedrick (1985), David Ireland (1987),[13] Mildred Howard (1991), Clare Rojas (2004),[14] and the last recipient, Scott Williams (2005).[15]

Exhibitions

Solo exhibitions

Select group exhibitions
  • 1951 – Abstract Painting and Sculpture in America, Museum of Modern Art (MoMA), New York City, New York[17]
  • 2010 – 75 Years of Looking Forward, San Francisco Museum of Modern Art (SFMoMA), San Francisco, California.[18]

Further reading
Library resources about
Adaline Kent
By Adaline Kent
  • Kent, Adaline Dutton. Autobiography from the notebooks and sculpture of Adaline Kent (Houston: Gulf Printing Co, 1958).

References
  1. Vicennial Record of the Class of 1887 in Yale College. Connecticut: Marigold-Foster Printing Company. 1909. pp. 131. Retrieved November 7, 2014. Adaline Dutton Kent Hopkins.
  2. Sherman, Thomas Townsend (1920). Sherman Genealogy Including Families of Essex, Suffolk and Norfolk, England: Some Descendants of the Immigrants, Captain John Sherman, Reverend John Sherman, Edmund Sherman and Samuel Sherman, and the Descendents of Honorable Roger Sherman and Honorable Charles R. Sherman. New York, NY: T. A. Wright. pp. 365. Adaline Dutton Kent.
  3. "Greenbrae and Kentfield - Overview". Realty Of Marin. Archived from the original on November 6, 2014. Retrieved November 6, 2014.
  4. "Adaline Kent". lagunaartmuseum.org. Archived from the original on 2016-03-27. Retrieved 2016-03-19.
  5. Carlson, David J. "Adaline Dutton Kent (1900 - 1957)". AskArt. Retrieved November 7, 2014.
  6. "California Art Research: John Galen Howard, Robert Boardman Howard, Charles Houghton Howard, Adaline Kent, Jane Berlandina". Internet Archive. San Francisco Public Library. Retrieved November 7, 2014.
  7. "HOWARD, KENT". SF Genealogy. October 13, 1987. Retrieved November 7, 2014.
  8. McCann-Morley, Grace L. (2012). "Adaline Kent". Rehistoricizing The Time Around Abstract Expressionism. Retrieved November 5, 2014.
  9. Kent Adaline (1958). Autobiography from the notebooks and sculpture of Adaline Kent. Houston, Texas: The Gulf Printing Co. OCLC 609526717.
  10. "Pacific Unity Sculptures". Atlas Obscura. Retrieved 2017-04-12.
  11. "Statues". Treasure Island Museum Association. 2012. Archived from the original on 2012-06-03. Retrieved 2017-04-12.
  12. "Auto Hits, Kills Planner in SF". Daily Review (Newspaper). December 24, 1958. Retrieved November 7, 2014.
  13. "David Ireland - gallery as place : Adaline Kent Award exhibition". Stanford University, SearchWorks. Retrieved 2016-01-15.
  14. Cobb, Chris (September 20, 2007). "Art Review: Clare Rojas: P.S. Hurray!!". Gallery Paule Anglim. Gallery Paule Anglim. Archived from the original on 2015-09-24. Retrieved November 6, 2014.
  15. "Scott Williams at the SF Art Institute". Stencil Archive. Happy Feet Design. June 14, 2005. Retrieved November 6, 2014.
  16. Heller, Jules; Heller, Nancy G. (2013). North American Women Artists of the Twentieth Century: A Biographical Dictionary. New York, New York: Routledge. ISBN 978-1135638894.
  17. "Collection: Adaline Kent". The Museum of Modern Art (MoMA). Retrieved 2019-03-04.
  18. "Alison Gass on Adaline Kent's Presence". SFMoMA. 2010. Retrieved 2019-03-04.
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