ActNow Theatre

ActNow Theatre is a South Australian theatre company based in Adelaide.[1][2] The company creates “devised, interactive and issue-based”[3] theatre projects focused on social justice[4] using techniques such as Augusto Boal's Forum Theatre[4][5] and principles of Community Arts and Community Cultural Development.[6][7] It has been described as "one of the most innovative, inclusive and dynamic companies in Australia".[8] The company's projects focus on communities of LGBTIQ+, First Nations Australians, and culturally and linguistically diverse communities, including a number of programs in schools or for young people.[9] It has been compared to former theatre companies such as Melbourne Workers Theatre and Junction Theatre Company as an arts organisations working across multiple communities.[10]

Actors and musician rehearsing a theatre project in MakeSpace

History

The company was founded in 2007 by three high school friends, including former Artistic Director Edwin Kemp Attrill. The company initially created street theatre performances, on political issues such as the incarceration of Adelaide-born Guantanamo Bay detainee David Hicks. Initial ensemble members were drawn from the Adelaide branch of Amnesty International Australia and local youth theatre company Urban Myth Theatre of Youth.[11] The company is controlled by a Board of Management and is registered as a charity with Australian Charity and Not for Profit Commission.[12]

In 2018 the company established a city based rehearsal studio, office and small arts venue called MakeSpace.[13][14][15] Previously, ActNow Theatre were supported by Carclew[14] through a base at Fifth Quarter,[16] a co-working space in Brompton, Adelaide. Initially the company was located in co-working spaces in UrText Studios and Format Collective.

Company activity


Examples of projects include school safety program Expect Respect with the Legal Services Commission of South Australia,[17][18] anti-racism education program Responding to Racism with Reconciliation South Australia,[19][20] Queer Youth Theatre workshops,[21][22] the Game Makers program for kids and dads,[23] and workshop program for culturally diverse artists, the Theatre of the Global Majority (2018-2019).[24][25][26][27] The projects involve participatory theatre techniques, which empower audiences to change aspects of the performances and be active contributors and commentators to broader social movements.[28]

"ActNow creates participatory theatre, not just to engage our audience but also to empower them to be agents of social change within a project and in their own lives. We don’t want our audience to sit quietly in the dark. We want them active as contributors and commentators. Our work finds new ways to engage with our audiences, through technology and a deep relationship between artists and audiences. The simple act of storytelling can engage audiences and create positive social change. As such, our aesthetic is typically paired back and raw, using everyday environments and technologies to create life changing experiences." - Former Artistic Director Edwin Kemp Attrill[29]

Artists involved in the company include former Artistic Director Edwin Kemp Attrill,[30][31] singer/songwriter Nathan May, poet/writer/performer Manal Younus[20][32] and Associate Director Yasmin Gurreeboo.[33] Edwin Kemp Attrill will leave the company in December 2020 to "focus on the next stage of his career and professional development".[34]

Notable Projects

Decameron 2.0

In 2020 ActNow Theatre partnered with State Theatre Company of South Australia to create Decameron 2.0,[35] a project inspired by 14th century Italian writer Giovanni Boccaccio’s landmark The Decameron.[36] The original novellas encompassed 100 stories told by 10 young people and their servants who fled to the countryside of Florence to escape the plague. In Decameron 2.0, 100 stories of contemporary South Australian characters were commissioned and filmed over 10 weeks in Adelaide.[37] It has been described as “the Pinnacle of theatre in COVID age” and possibly the largest new work from theatre-makers globally in response to the COVID-19 pandemic.[38]


The process of creating Decameron 2.0 consisted of a meeting each week between 10 writers, including  5 core writers Alexis West, Ben Brooker, Emily Steel, Alex Vickery-Howe, Sally Hardy[39] and 5 guest or community based writers. In each weeks meeting they would be given a theme such as fortune, fate, love and virtue.[40] Each writer has one day to write it, then it’s filmed and edited and delivered digitally at the end of that week.[41]


The project received significant praise for its involvement of diverse stories and storytellers, including cultural diversity, sexuality, disability, age and professional status. Of the core writers Alexis West is First Nations artist, and was joined by two emerging first nations writers Kiara Milera and Kyron Weetra who alternated each week.[42] These monologues by First Nations writers were standouts, such as Alexis West’s Teahrnah, played by Elaine Crombie, about a mother being pulled over by the police while driving to the supermarket, making references to the killing of George Floyd with the line “I can’t breathe”.[43]


Notable artists involved in Decameron 2.0 include Ben Brooker, Mitchell Butel, Elena Carapetis, Kate Cheel, Elaine Crombie, Yasmin Gurreeboo, Teddy Hodgeman, Matt Hyde, Trevor Jamieson, Carmel Johnson, Phillip Kavanagh, Edwin Kemp Attrill, Finegan Kruckenmeyer, Verity Laughton, Martha Lott, Sarah Peters, Jacqy Phillips, Susan Prior, Emily Steel, Rory Walker, Alexis West and Manal Younus.

Virtual Intimacy (虛擬親密)

Over three years, ActNow Theatre worked with Very Theatre in Taiwan to develop a new work called Virtual Intimacy, commissioned by Arts Centre Melbourne's Asia TOPA Festival and National Theatre of Taiwan. The project explored how people’s relationships with technology are changing the relationships between people.[44] The project was developed through collaboration with queer communities and artists in Taipei, Sydney, Melbourne and Adelaide.[45] The basis of the production was the difference between the two Co-Directors, Tung-Yen Chou and Edwin Kemp Attrill:

Edwin and Yen come from distinctly different backgrounds and experiences. Yen, based in Taiwan and coming from a background of film and theatre, is creating highly visual and technical work. Edwin, based in Adelaide, is creating community-based and participatory storytelling projects with a focus on social justice.[46]

The performance explored themes such as queer hook-up culture, identities of gay men and their relationship with technology. Community members were integral to the performances, sharing their own experiences alongside the professional actors in the work. The work also involved direct communication with the audience during the show, asking them to anonymously answer questions on their phones such as “when did you last have sex”, “when do you get lost online” and “what’s the best thing about being single”.[47]

“The performance asks the audience to use their phones to answer questions anonymously, in that way we have made a representation of the internet within the theatre, where everyone is able to comment and contribute to the show. It keeps the audience active, but it also asks them to reflect on their own experiences, even if they haven’t used dating or hook-up apps before, they’re still able to reflect on the way that the online world has affected their lives.” - Co-director Edwin Kemp Attrill[48]

Virtual Intimacy was the last performance of Arts Centre Melbourne before the COVID lockdown.[49]

Awards and Recognition

In 2014 ActNow Theatre received a Governor's Award for Multiculturalism.[50] In both 2017 and 2018, ActNow, together with Reconciliation South Australia, was a finalist in the Australian Human Rights Commission's Racism. It Stops With Me Award, for the programs jointly developed for schools.[51][52] While Artistic Director of the company, Edwin Kemp Attrill received the 2013 Channel 9 Young Achievers Proteus Career Leadership Award,[53] the 2015 Arts South Australia Geoff Crowhurt Memorial Award,[54] the 2018 Australia Council Kirk Robinson Award for Community Arts and Cultural Development[55] and 2020 Channel 7 Carclew Creative Achievement Award. [56] The company has been shortlisted for several additional South Australian Ruby Awards including the prestigious Outstanding Contribution by an Organisation or Group Award.[57]


References
  1. Kuppers, Petra (2019). Community Performance An Introduction. New York: Routledge. p. 68. ISBN 9780367184360.
  2. The Hon. T.A. Jennings, Member of Parliament (23 June 2010). "CABARET FRINGE FESTIVAL". Parliamentary Debates (Hansard). Parliament of South Australia: Legislative Council. col. 23–34.
  3. "RealTime Arts - Magazine - issue 125 - In-theatre, online, public, private". www.realtimearts.net. Retrieved 1 July 2019.
  4. "Rehearsing for the Real World with ActNow Theatre". The Adelaide Review. 30 August 2016. Retrieved 1 July 2019.
  5. Kuppers, Petra. Community performance : an introduction (Second ed.). Abingdon, Oxon. ISBN 9780367184315. OCLC 1080248489.
  6. "Community Arts and Cultural Development | Australia Council". www.australiacouncil.gov.au. Retrieved 1 July 2019.
  7. Cabinet, Department of the Premier and (26 June 2019). "Community Arts and Cultural Development". Department of the Premier and Cabinet. Retrieved 1 July 2019.
  8. "100 SA tales to be shared in a bold new form of theatrical storytelling". InDaily. 10 June 2020. Retrieved 23 June 2020.
  9. "Our Artists | ActNow Theatre". Retrieved 25 July 2019.
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  30. "Edwin Kemp Attrill". Edwin Kemp Attrill. Retrieved 1 July 2019.
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  35. "From a Nick Cave gig to soothing art and stand-up comedy: What to stream this week". www.abc.net.au. 20 July 2020. Retrieved 22 September 2020.
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