12 to the Moon

12 to the Moon is a 1960 independently made American black-and-white science fiction film, produced and written by Fred Gebhardt, directed by David Bradley, that stars Ken Clark, Michi Kobi, Tom Conway, and Anna-Lisa. The film was distributed in the U.S. by Columbia Pictures as a double feature with either Battle in Outer Space or 13 Ghosts, depending on the local film market.

12 to the Moon
Theatrical release poster
Directed byDavid Bradley
Produced byFred Gebhardt
Written byFred Gebhardt
DeWitt Bodeen
StarringKen Clark
Michi Kobi
Tom Conway
Anna-Lisa
Music byMichael Andersen
CinematographyJohn Alton
Edited byEdward Mann
Distributed byColumbia Pictures
Release date
  • June 1960 (1960-06)
Running time
74 minutes
CountryUnited States
LanguageEnglish
Budget$150,000

12 to the Moon was novelized by Fred Gebhardt under the pen name Robert A. Wise and published in 1961.[1] Gebhardt also wrote the film's original story.

Plot

Earth's International Space Order prepares for its first manned landing on the Moon, with the goal of claiming it as "international territory". The crew of Lunar Eagle 1 comprises 12 people from around the world, 10 men and two women, all scientists with different specialties, accompanied by a small menagerie, including two cats. The spaceship is commanded by American John Anderson (Ken Clark).

Historical and international tensions flare up during the flight. Feodor Orloff (Tom Conway), a Russian, struts about, annoyingly claiming that all scientific advancements were invented by the Soviets. Israeli David Ruskin (Richard Weber) warns Feodor that the USSR would be unwise to attempt to dominate Israel, as it has his native Poland. David admires fellow astronaut Erich Heinrich (John Wengraf), unaware that Erich's father was the Nazi responsible for murdering David's family during the Holocaust.

After a dangerous 27-hour flight, Lunar Eagle 1 lands and the crew begin their exploration of the Moon. Sigrid Bomark (Anna-Lisa) and Selim Hamid (Muzaffer Tema) find an air-filled cave and after shedding their space helmets, they kiss passionately. As they walk hand-in-hand deeper into the cave, its opening is suddenly sealed by impenetrable ice.

The others discover gold and minerals, but when they fire a mortar into a rock formation, liquid begins bubbling out. An excited Feodor rushes over and sticks his hands into the flow, and he is badly burned. On the way back to their spaceship, a crew member sinks to his death in lunar quicksand. John tries unsuccessfully to save him and is almost pulled under.

Inside Lunar Eagle 1, a machine begins printing out hieroglyphics. Surprisingly, Hideko Murata (Michi Kobi) can read them. It is a message from "The Great Coordinator of the Moon", who orders the crew to leave at once. The message also states that the emotionless Moon-beings live underground and fear that the Earthlings will "contaminate our perfect form of harmony". Sigrid and Salim are being studied because the Moon-beings are unfamiliar with "love". They and "all your kind" will be destroyed "if love turns to evil". The Moon-beings also demand that the expedition's cats, brought as an experiment to see if they could procreate on the Moon, be left behind. They find the felines as interesting as people.

Erich has a heart attack during Lunar Eagle 1's blast off. As he babbles on half-conscious, David learns that Erich's father was the Nazi who killed David's family. However, when David learns that Erich has disowned his family and devoted his life to trying to make amends for his father's crimes, they become friends.

Near Earth, the crew witnesses "the big freeze", a gigantic freezing cloud controlled from the Moon, which encases all of Canada, the U.S., and Mexico in thick ice.

John decides to drop "atomic bomblets" into the volcano Popocatepetl in order to trigger a huge eruption to thaw out North America. Etienne Martel (Roger Til) sabotages the bomblets, revealing himself to be a French communist. He assumes that Feodor would also want to keep America frozen in order to advance international communism's quest for world domination. Feodor doesn't. He and Etienne fight, Feodor calls to John for help, and when Etienne unfairly pulls out a knife, John knocks the weapon out of his hand, while knocking him down. Feodor repairs the bomblets.

Erich and David fly a suicide mission to drop the bomblets from their spaceship's smaller space taxi. Popocatepetl erupts and North America begins to thaw. Another message from the Moon says that the Moon-beings now realize that Earthlings are honorable and peaceful, and that the North Americans were put into suspended animation before the big freeze, so no-one has been harmed. Moreover, Earthlings will be welcomed to the Moon whenever they return.

Following the great thaw, Lunar Eagle 1's triumphant crew prepare to land.

Cast
  • Ken Clark as Capt. John Anderson
  • Michi Kobi as Dr. Hideko Murata
  • Tom Conway as Dr. Feodor Orloff
  • Anthony Dexter as Dr. Luis Vargas
  • John Wengraf as Dr. Erich Heinrich
  • Robert Montgomery Jr. as Dr. Rod Murdock
  • Phillip Baird as Dr. William Rochester
  • Richard Weber as Dr. David Ruskin
  • Muzaffer Tema as Dr. Selim Hamid (as Tema Bey)
  • Roger Til as Dr. Etienne Martel
  • Cory Devlin as Dr. Asmara Markonen
  • Anna-Lisa as Dr. Sigrid Bomark
  • Francis X. Bushman as Secretary General of the International Space Order

Production

12 to the Moon was in production during April-June 1959 at Hollywood's California Studios.[2] The actual filming took seven or eight days, and the entire film was budgeted at $150,000.[3][4] Although it wasn't released theatrically for another year, the American Film Institute notes that "According to an Oct 1959 HR [The Hollywood Reporter] news item, Columbia purchased the independent production in Aug 1959, intending to rush it into release to capitalize on the topicality of a space launch".[2] Director David Bradley fought over the reediting of the film.[5]

Release

12 to the Moon premiered in Los Angeles on June 22, 1960. Columbia Pictures handled the theatrical release in the US and the UK during the same year. It opened in Mexico on February 23, 1961 and was also shown in Australia at an unspecified date.[2][6][7][8]

The film was syndicated to American television in September, 1963, as part of Screen Gems' "X" package of horror and science fiction films.[9]

Reception

1960 film critics generally found the film to be, in the words of British film critic Phil Hardy, "a decidedly minor offering, the presence of [DeWitt] Bodeen (writer of Cat People, 1942) and [John] Alton, one of Hollywood's unsung cinematographic geniuses, notwithstanding".[10] "Kobe", writing in the June 22, 1960 issue of Variety, called 12 to the Moon a 'Lower-half science-fantasy item in which a dozen good eggs from earth tangle with some righteous, but misdirected, luna-tics. Timely, but crude and cliché-ridden". "Kobe", however, also praised Alton's camerawork.[11] The anonymous reviewer in BoxOffice referred to the film as "A modest science fiction programmer [which] will satisfy the youngsters and the action fans who delight in stories of rocketships to the moon". The magazine gave the film a rating of "fair" on its poor-to-very-good scale.[12][13] According to Bill Warren, the American science fiction film critic and historian, the Monthly Film Review said the film was a "juvenile piece of hokum" with "only its special effects and weird lunar landscape to recommend it", although Kinematograph Weekly in the UK found more merit, calling 12 to the Moon "Extravagant and intriguing [with a] fascinating subject, sound acting [and] resourceful technical presentation".[3]

While modern-day critics have called the film "extremely strange and unpredictable",[4] relatively little appears to have been written about the international status of the astronauts and the bearing it has on the plot. American film critic Gary Westphal points out that the "unusually large crew of twelve [is] said to represent twelve different countries": Brazil, France, Germany, United Kingdom, Israel, Japan, Nigeria, Poland, Russia, Sweden, Turkey, and the US, which indicates that the journey is motivated primarily by a desire "to prevent national disputes arising over the moon in particular and, one infers, other subjects in general".[14] However, as Warren points out, "each person acts in accordance with national stereotypes and has virtually no other characterization".[3]

Modern critics have also taken the film to task for its special effects. For example, Westphal writes that the space helmets have no visors, but each is instead equipped with an "invisible electromagnetic ray screen" that protects the astronauts' faces. He speculates that the obviously missing visors were perhaps not noticed until late in the filming and that a scene which explains the ray screens was inserted prior to the film's release, before audiences could wonder about it.[14] Bryan Senn, also an American critic, notes that "The effects are minimal and substandard, consisting mainly of the same shot of a rocket traveling through space used over and over again (and it's not even a convincing shot - the stars shine right through the transparent-looking ship)", although he calls the Moon set "eerie and effectively alien, with its cracks, weird shadows, and smoke seeping from mysterious holes".[15] Warren points out that the Earth-saving eruption of Popocatepetl is "depicted by stock footage of solar prominences"[3] that bear little resemblance to real volcanic eruptions.

Modern critics are also bothered by the narrative development of the film. Westphal says that "Few films ... begin as soberly, and end as absurdly, as 12 to the Moon. The film's first thirty minutes promise an internationalized update of Destination Moon [1950], while later events rival a Flash Gordon serial".[14] Senn agrees that the film is disappointing, noting that "What starts out as a fairly intelligent and progressive space-travel film ... quickly degenerates into a juvenile, simplistic space opera. Admittedly, space operas have their place, but 12 to the Moon fails to deliver even a single aria, much less the whole opera".[15]

Home video

12 to the Moon was released in 2010 on Region 1 DVD by Sony Home Entertainment. Mill Creek Entertainment released it again in 2015 on Region 1 DVD as part of its Vintage Sci-Fi 6 Movie Collection. Shout! Factory followed suit in 2016 with a Region 1 DVD release of Mystery Science Theater 3000's voice-over commentary lampooning the film.[6] [16]

Mystery Science Theater 3000

12 to the Moon was featured in episode #524 of Mystery Science Theater 3000, along with the short Design for Dreaming. The episode debuted February 5, 1994, on Comedy Central.[17] The Amazing Colossal Episode Guide calls the film "a static Fifties vision of space travel". The episode's interstitial host segments feature the constantly singing Nuveena, the Woman of the Future, a character played by Bridget Jones, taken from the Design for Dreaming short that accompanied the MST3K episode.[18]

12 to the Moon did not make the Top 100 List voted upon by MST3K's Season 11 Kickstarter backers.[19] However, writer Jim Vogel was much more enthusiastic about the episode, ranking it #34 out of the 191 total MST3K episodes. Vogel was entertained by 12 to the Moon's shortcomings, saying, "The crew of 12 international astronauts are wonderfully stupid, in a way that only movie astronauts can be. ... It’s so earnestly stupid that it’s impossible to not be charmed by it".[20]

12 to the Moon was included as part of the Mystery Science Theater 3000, Volume XXXV DVD collection, released by Shout! Factory on March 29, 2016. The collection includes a documentary on the making of the film, You Are There: Launching 12 to the Moon. The documentary is narrated by film historian Jeff Burr.[21] The other episodes in the four-disc set include Teenage Caveman (episode #315), Being from Another Planet (episode #405), and Deathstalker and the Warriors from Hell (episode #703).[22]

References
  1. http://www.sf-encyclopedia.com/entry/wise_robert_a
  2. "Detail View". American Film Institute.
  3. Warren, Bill (2010). Keep Watching the Skies! American Science Fiction Movies of the Fifties, the 21st Century Edition. Jefferson NC: McFarland & Co. Inc. pp. 808–811. ISBN 9781476666181.
  4. "TCM This Month". Turner Classic Movies.
  5. https://www.rogerebert.com/interviews/archivist-bradley-was-a-true-hollywood-classic
  6. "Company Credits". Internet Movie Data Base.
  7. "Release Information". Internet Movie Data Base.
  8. "Australian Film Poster". Moviemen.
  9. Heffernan, Kevin (2004). Ghouls, Gimmicks, and Gold: Horror Films and the American Movie Business, 1953-1968. Durham NC: Duke University Press. p. 251. ISBN 9780822385554.
  10. Hardy, Phil, ed. (1995). The Overlook Film Encyclopedia: Science Fiction. Woodstock NY: The Overlook Press. p. 205. ISBN 0879516267.
  11. Wills, Don, ed. (1985). Variety's Complete Science Fiction Reviews. NY: Garland Publishing Inc. pp. 149–150. ISBN 0824087127.
  12. "Feature Review". BoxOffice Magazine.
  13. "Review Digest". BoxOffice Magazine.
  14. Westphal, Gary (2012). The Spacesuit Film: A History, 1918-1969. Jefferson NC: McFarland & Co. Inc. pp. 109–113. ISBN 9780786442676.
  15. Senn, Bryan (2007). A Year of Fear: A Day-to-Day Guide to 366 Horror Films. Jefferson NC: McFarland & Co. Inc. p. 356. ISBN 9780786431960.
  16. "Programme Information". MST3K Info. Archived from the original on 2017-09-13.
  17. Episode guide: 524- 12 to the Moon (with short: ‘Design for Dreaming’). Satellite News. Retrieved on 2018-07-06.
  18. Trace Beaulieu; et al. (1996). The Mystery Science Theater 3000 Amazing Colossal Episode Guide (1st ed.). New York: Bantam Books. p. 13. ISBN 9780553377835.
  19. Bring Back Mystery Science Theater 3000 Update #41. Kickstarter. Retrieved on 2018-07-06
  20. Ranking Every MST3K Episode, From Worst to Best. Vorel, Jim. Paste Magazine. April 13, 2017. Retrieved on 2018-07-06.
  21. Mystery Science Theater 3000: Volume XXXV DVD Review Erwin, Todd. Home Theater Forum. Retrieved on 2019-02-09.
  22. MST3K: Volume XXXV Shout! Factory. Retrieved on 2018-07-07.
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